Jerrold Levinson
Biographic Data
| ID | 3698093 |
|---|---|
| NAME | Jerrold Levinson |
| GIVEN NAMES | Jerrold |
| FAMILY NAME | Levinson |
| SIGNATURE | LEVINSON J |
| AFFILIATIONS | University of Maryland, College Park |
| VERIFIED | No |
| TOTAL WORKS | 38 |
| TOTAL CITATIONS | 81 |
| AUTHOR COUNT | 31 |
| EDITOR COUNT | 7 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 5 |
Fiction versus Pretence
This paper argues for a distinction between pretending and imagining. Pretending has a public and observable aspect, which imagining does not. The paper then uses this distinction to argue that various forms of fiction, including literature and the theater, do not essentially involve pretence
Oxford Handbook of Western Music and Philosophy
The Oxford Handbook of Western Music and Philosophy
This Handbook offers an overview of the thriving interdisciplinary field of Western music and philosophy. It seeks to represent this area in all its fullness, including a diverse array of perspectives from music studies (notably historical musicology, music theory, and ethnomusicology), philosophy (incorporating both analytic and continental approaches), and a range of cognate disciplines (such as critical theory and intellectual history). The Ha…
Peter Kivy and the Philosophy of Music (1980–2002)
In the beginning—or more exactly, the seventies, when I was in graduate school at the University of Michigan—was the void, and darkness was upon the face of the waters. Philosophical reflection on the experience, meaning, and powers of music by analytic philosophers was almost non-existent. And then, as the 1980s dawned, came Peter Kivy. Suddenly there was light, and analytic philosophy of music was born. In this piece I summarize the substance o…
Film, Art, and the Third Culture
I am full of admiration for Murray Smith’s Film, Art, and the Third Culture. For one, it is among the most enjoyable reads I have ever had from a book in aesthetics. For another, it manifests more breadth of mind and a wider philosophical scope than most books in aesthetics, including my own, which usually confine themselves to narrower debates internal to that academic domain. And for a third, it contains a host of analyses of individual cinemat…
Suffering Art Gladly
A collection of newly composed essays, some with a historical focus and some with a contemporary focus, which addresses the problem of explaining the appeal of artworks whose appreciation entails nega
Suffering Art Gladly: The Paradox of Negative Emotion in Art
Art and pornography: Philosophical Essays
This book presents a series of essays which investigate the artistic status and aesthetic dimension of pornographic pictures, films, and literature, and explores the distinction, if there is any, between pornography and erotic art. Is there any overlap between art and pornography, or are the two mutually exclusive? If they are, why is that? If they are not, how might we characterize pornographic art or artistic pornography, and how might pornogra…
Defending Hypothetical Intentionalism
Journal Article Defending Hypothetical Intentionalism Get access Jerrold Levinson Jerrold Levinson University of Maryland Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 50, Issue 2, April 2010, Pages 139–150, https://doi.org/10.1093/aesthj/ayp072 Published: 01 April 2010
The Oxford Handbook of Aesthetics
The Oxford Handbook of Aesthetics looks at a fascinating theme in philosophy and the arts. Leading figures in the field contribute forty-eight articles which detail the theory, application, history, and future of philosophy and all branches of the arts. The first article of the book gives a general overview of the field of philosophical aesthetics in two parts: the first is a quick sketch of the lay of the land, and the second an account of five …
Art and Politics
This article focuses on one issue in the wide-ranging, contemporary debates on the relation between art and politics, namely, philosophy's role in these debates and the contribution it makes. In the background, this survey acknowledges that philosophy may provide useful conceptual clarification regarding the many ways the arts engage in and with the political sphere, for example in the production of propaganda art and the uses of images in mass m…
Art and Knowledge
The question of whether art gives us knowledge is as old as the philosophy of art itself: Plato in The Republic argued that, although poetry purports to give knowledge, it in fact does no such thing, but produces a mere deceptive appearance of knowledge. In contrast, Aristotle in The Poetics argued for the capacity of poetry to give its audience knowledge of universals. The dispute has reverberated down to the modern period, and a large part of t…
Contemplating Art: Essays in Aesthetics
This book is a compendium of writings from the last ten years by one of the leading figures in aesthetics, Jerrold Levinson. It contains twenty-four essays and is divided into seven parts. The first is about issues relating to art in general, not specific to one art form. The second is about philosophical problems specific to music. The third part focuses on pictorial art, and the fourth on interpretation, in particular, the interpretation of lit…
Two Notions of Interpretation
This essay brings into relief a distinction among semantic interpretations or among activities of semantic interpreting, which cuts across verbal and non-verbal phenomena. The distinction is between interpretations that aim to answer the question ‘Whatdoessuch and such mean?’ and those that aim to answer the question ‘Whatcouldsuch and such mean?’, the former exemplifying thedeterminativemode and the latter theexploratorymode of interpreting. The…
Contemplating Art
The Irreducible Historicality of the Concept of Art
Journal Article The Irreducible Historicality of the Concept of Art Get access Jerrold Levinson Jerrold Levinson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 42, Issue 4, October 2002, Pages 367–379, https://doi.org/10.1093/bjaesthetics/42.4.367 Published: 01 October 2002
Aesthetics and Ethics: Essays at the Intersection (Cambridge Studies in Philosophy and the Arts)
Musical Frissons
Après avoir distingué divers types de plaisir musical, cet article s'intéresse à ce type de plaisir qui, à l'écoute de certaines musiques dans certaines circonstances, s'accompagne de véritables «frissons. » À partir de la critique d'une étude empirique du psychologue Jaak Panksepp, il s'agit de comprendre en quoi ce type de réaction, à première vue purement physiologique, peut en fait manifester une réaction appropriée à la musique et avoir une …
Music in the Moment
The Aesthetics of Music
The Aesthetics of Music
Book Review| October 01 2000 The Aesthetics of Music THE AESTHETICS OF MUSIC. By Roger Scruton. Oxford: Oxford University Press, 1997. Pp. xx, 530. Jerrold Levinson Jerrold Levinson Search for other works by this author on: This Site Google The Philosophical Review (2000) 109 (4): 608–614. https://doi.org/10.1215/00318108-109-4-608 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Faceb…
Aesthetics and Ethics: Essays at the Intersection
This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship. As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. So…
Truth, Fiction, and Literature: A Philosophical Perspective
The Mind and its Depths
Journal Article Book Reviews Get access The Mind and its Depths. By Richard Wollheim. ( Harvard UP, 1993. Pp. x + 214. Price £19.95.) Jerrold Levinson Jerrold Levinson University of Maryland Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 45, Issue 178, January 1995, Pages 100–103, https://doi.org/10.2307/2219854 Published: 01 January 1995
Recent Books in the Philopshy of Music
Defining Art Historically
Journal Article DEFINING ART HISTORICALLY Get access Jerrold Levinson Jerrold Levinson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 19, Issue 3, 1979, Pages 232–250, https://doi.org/10.1093/bjaesthetics/19.3.232 Published: 01 July 1979
Music, Art, and Metaphysics
The Irreducible Historicality of the Concept of Art
Journal Article The Irreducible Historicality of the Concept of Art Get access Jerrold Levinson Jerrold Levinson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 42, Issue 4, October 2002, Pages 367–379, https://doi.org/10.1093/bjaesthetics/42.4.367 Published: 01 October 2002
Defending Hypothetical Intentionalism
Journal Article Defending Hypothetical Intentionalism Get access Jerrold Levinson Jerrold Levinson University of Maryland Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 50, Issue 2, April 2010, Pages 139–150, https://doi.org/10.1093/aesthj/ayp072 Published: 01 April 2010
Pleasure and the Value of Works of Art
Journal Article PLEASURE AND THE VALUE OF WORKS OF ART Get access Jerrold Levinson Jerrold Levinson Department of Philosophy, University of MarylandCollege Park, Maryland 20742–7615, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 32, Issue 4, October 1992, Pages 295–306, https://doi.org/10.1093/bjaesthetics/32.4.295 Published: 01 October 1992
Properties and Related Entities
An Ontology of Art
Zemach on Paintings
Journal Article ZEMACH ON PAINTINGS Get access Jerrold Levinson Jerrold Levinson Dept of Philosophy, University of MarylandCollege Park, Maryland 20742, U.S.A. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 27, Issue 3, SUMMER 1987, Pages 278–283, https://doi.org/10.1093/bjaesthetics/27.3.278 Published: 01 March 1987
Musical Frissons
Après avoir distingué divers types de plaisir musical, cet article s'intéresse à ce type de plaisir qui, à l'écoute de certaines musiques dans certaines circonstances, s'accompagne de véritables «frissons. » À partir de la critique d'une étude empirique du psychologue Jaak Panksepp, il s'agit de comprendre en quoi ce type de réaction, à première vue purement physiologique, peut en fait manifester une réaction appropriée à la musique et avoir une …
Art Historically Defined: Reply to Oppy
Journal Article ART HISTORICALLY DEFINED: REPLY TO OPPY Get access Jerrold Levinson Jerrold Levinson Department of Philosophy, University of MarylandCollege Park, Maryland 20742-7615, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 33, Issue 4, October 1993, Pages 380–385, https://doi.org/10.1093/bjaesthetics/33.4.380 Published: 01 October 1993
Seeing, Imaginarily, at the Movies
Journal Article Seeing, Imaginarily, at the Movies Get access Jerrold Levinson Jerrold Levinson University of Maryland Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 43, Issue 170, January 1993, Pages 70–78, https://doi.org/10.2307/2219942 Published: 01 January 1993
Gewirth on Absolute Rights
Journal Article Gewirth on Absolute Rights Get access Jerrold Levinson Jerrold Levinson University of Maryland Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 32, Issue 126, January 1982, Pages 73–75, https://doi.org/10.2307/2219003 Published: 01 January 1982
Properties and Related Entities
Defining Art Historically
Journal Article DEFINING ART HISTORICALLY Get access Jerrold Levinson Jerrold Levinson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 19, Issue 3, 1979, Pages 232–250, https://doi.org/10.1093/bjaesthetics/19.3.232 Published: 01 July 1979
Gewirth on Absolute Rights
Journal Article Gewirth on Absolute Rights Get access Jerrold Levinson Jerrold Levinson University of Maryland Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 32, Issue 126, January 1982, Pages 73–75, https://doi.org/10.2307/2219003 Published: 01 January 1982
The Art Circle
Zemach on Paintings
Journal Article ZEMACH ON PAINTINGS Get access Jerrold Levinson Jerrold Levinson Dept of Philosophy, University of MarylandCollege Park, Maryland 20742, U.S.A. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 27, Issue 3, SUMMER 1987, Pages 278–283, https://doi.org/10.1093/bjaesthetics/27.3.278 Published: 01 March 1987
Colourization Ill-Defended
Journal Article COLOURIZATION ILL-DEFENDED Get access Jerrold Levinson Jerrold Levinson Department of Philosophy, University of MarylandCollege Park, Maryland, 20742-7615, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 30, Issue 1, January 1990, Pages 62–67, https://doi.org/10.1093/bjaesthetics/30.1.62 Published: 01 January 1990
Universals: An Opinionated Introduction
An Ontology of Art
Pleasure and the Value of Works of Art
Journal Article PLEASURE AND THE VALUE OF WORKS OF ART Get access Jerrold Levinson Jerrold Levinson Department of Philosophy, University of MarylandCollege Park, Maryland 20742–7615, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 32, Issue 4, October 1992, Pages 295–306, https://doi.org/10.1093/bjaesthetics/32.4.295 Published: 01 October 1992
Music, Art, and Metaphysics
Making Believe
Kendall Walton's Mimesis as Make-Believe is the most significant event in Anglo-American aesthetics in many a year, and joins a small pantheon of landmark books such as Nelson Goodman's Languages of Art , Richard Wollheim's Art and Its Objects and Arthur Danto's Transfiguration of the Commonplace . Walton's aim is to provide a comprehensive account of the representational arts—literature, drama, cinema, painting, drawing, sculpture—from both the …
Art Historically Defined: Reply to Oppy
Journal Article ART HISTORICALLY DEFINED: REPLY TO OPPY Get access Jerrold Levinson Jerrold Levinson Department of Philosophy, University of MarylandCollege Park, Maryland 20742-7615, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 33, Issue 4, October 1993, Pages 380–385, https://doi.org/10.1093/bjaesthetics/33.4.380 Published: 01 October 1993
Seeing, Imaginarily, at the Movies
Journal Article Seeing, Imaginarily, at the Movies Get access Jerrold Levinson Jerrold Levinson University of Maryland Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 43, Issue 170, January 1993, Pages 70–78, https://doi.org/10.2307/2219942 Published: 01 January 1993
Recent Books in the Philopshy of Music
The Mind and its Depths
Journal Article Book Reviews Get access The Mind and its Depths. By Richard Wollheim. ( Harvard UP, 1993. Pp. x + 214. Price £19.95.) Jerrold Levinson Jerrold Levinson University of Maryland Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 45, Issue 178, January 1995, Pages 100–103, https://doi.org/10.2307/2219854 Published: 01 January 1995
Truth, Fiction, and Literature: A Philosophical Perspective
Aesthetics and Ethics: Essays at the Intersection
This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship. As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. So…
Musical Frissons
Après avoir distingué divers types de plaisir musical, cet article s'intéresse à ce type de plaisir qui, à l'écoute de certaines musiques dans certaines circonstances, s'accompagne de véritables «frissons. » À partir de la critique d'une étude empirique du psychologue Jaak Panksepp, il s'agit de comprendre en quoi ce type de réaction, à première vue purement physiologique, peut en fait manifester une réaction appropriée à la musique et avoir une …
Music in the Moment
The Aesthetics of Music
The Aesthetics of Music
Book Review| October 01 2000 The Aesthetics of Music THE AESTHETICS OF MUSIC. By Roger Scruton. Oxford: Oxford University Press, 1997. Pp. xx, 530. Jerrold Levinson Jerrold Levinson Search for other works by this author on: This Site Google The Philosophical Review (2000) 109 (4): 608–614. https://doi.org/10.1215/00318108-109-4-608 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Faceb…
Aesthetics and Ethics: Essays at the Intersection (Cambridge Studies in Philosophy and the Arts)
The Irreducible Historicality of the Concept of Art
Journal Article The Irreducible Historicality of the Concept of Art Get access Jerrold Levinson Jerrold Levinson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 42, Issue 4, October 2002, Pages 367–379, https://doi.org/10.1093/bjaesthetics/42.4.367 Published: 01 October 2002
Contemplating Art: Essays in Aesthetics
This book is a compendium of writings from the last ten years by one of the leading figures in aesthetics, Jerrold Levinson. It contains twenty-four essays and is divided into seven parts. The first is about issues relating to art in general, not specific to one art form. The second is about philosophical problems specific to music. The third part focuses on pictorial art, and the fourth on interpretation, in particular, the interpretation of lit…
Two Notions of Interpretation
This essay brings into relief a distinction among semantic interpretations or among activities of semantic interpreting, which cuts across verbal and non-verbal phenomena. The distinction is between interpretations that aim to answer the question ‘Whatdoessuch and such mean?’ and those that aim to answer the question ‘Whatcouldsuch and such mean?’, the former exemplifying thedeterminativemode and the latter theexploratorymode of interpreting. The…
Philosophy (21 works) · Art (19 works) · Epistemology (16 works) · Aesthetics (13 works) · Philosophy (12 works) · Art history (9 works) · Sociology (9 works) · Computer Science (7 works) · Ethics, Aesthetics, and Art (7 works) · Literature (7 works)