Renate Jacobi
Biographic Data
| ID | 3699053 |
|---|---|
| NAME | Renate Jacobi |
| GIVEN NAMES | Renate |
| FAMILY NAME | Jacobi |
| SIGNATURE | JACOBI R |
| AFFILIATIONS | 1University of Saarbrücken |
| VERIFIED | No |
| TOTAL WORKS | 21 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 21 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1968 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
The Lāmiyya of al-Shanfarā – a Poet’s Vision
The Lāmiyya of the poet al-Shanfarā, or Lāmiyyat al-ʿArab , was greatly admired by medieval Arabic scholars as well as modern experts on classical Arabic poetry. Its authenticity was questioned in medieval sources, however, and remains controversial. The aim of this article is to present an analysis and interpretation of the text. The Lāmiyya is interpreted as the poet’s vision of a man who decides to leave human society because he cannot bear pe…
Die irdische Schönheit ( ḥusn ) und die göttliche Schönheit ( ǧamāl ): Zur mystischen Ästhetik von Ibn al-Fāriḍ (gest. 632/1235)
Ibn al-Fāriḍ (gest. 632/1235), einer der bedeutendsten Dichter des Sufismus, entwickelt in seinem großen Lehrgedicht „Die Ordnung des Weges“ ( Naẓm as-sulūk ) eine mystische Ästhetik, indem er beschreibt, wie der Mensch die göttliche Schönheit ( ǧamāl ) erkennen kann, die sich in der irdischen Schönheit ( ḥusn ) manifestiert. Beide arabischen Begriffe haben in seinen Versen keine moralische Konnotation, worin er sich von anderen Sufis unterscheid…
Al-Khayālāni-a Variation of the Khayal Motif
The Composition of Mutanabbī's Panegyrics to Sayf al-Dawla
Aus Andalusiens Maurenzeit. Ibn Zaidun und Wallada
Theme and Variations in Umayyad Ghazal Poetry
The "Khayāl" Motif in Early Arabic Poetry
The khayāl motif in early Arabic poetry
Anybody who takes the trouble to read and to compare literary studies on classical Arabic poetry published in the course of this century, will notice a surprising conformity of judgement. Scholars tend to be unanimous concerning three points in particular: 1. all basic features of Arabic poetry are already present in pre-Islamic verse; 2. pre-Islamic tribal poetry is the most characteristic expression of the literary genius of the Arabs; 3. medie…
Grundzuge der klassischen arabischen Dichtung
Time and Reality in Nasib and Ghazal
The Camel-Section of the Panegyrical Ode1
The present analysis is limited in scope and material, and has to be complemented and confirmed by further studies. With these restrictions in mind, the development of the panegyrical ode can be sketched as follows: In the Pre-Islamic period the ode is composed, as a rule, with three sections of independent weight (nasīb, wasf al-jamal, madī), linked together by the techniques of the narrative. The camel-section is in no way specified from the pa…
Introduction to Classical Arabic Literature
History of Arabic Literature
Arabic Poetics in the Golden Age
Form and Structure in the Poetry of Al-Mu'tamid Ibn 'Abbad
Ibn Al-Mu'Tazz: Dair 'Abdūn. a Structural Analysis
Structural Continuity in Poetry: A Linguistic Study of Five Pre-Islamic Arabic Odes
Der Diwan des Abu Nuwas. Teil II
Dichtung und Lüge in der arabischen Literaturtheorie
Moustapha Chouémi, Le Verbe dans le Coran. Racines et formes
Le Verbe dans le Coran. Racines et formes
No prominent works on this page.
Le Verbe dans le Coran. Racines et formes
Moustapha Chouémi, Le Verbe dans le Coran. Racines et formes
Dichtung und Lüge in der arabischen Literaturtheorie
Structural Continuity in Poetry: A Linguistic Study of Five Pre-Islamic Arabic Odes
Der Diwan des Abu Nuwas. Teil II
Ibn Al-Mu'Tazz: Dair 'Abdūn. a Structural Analysis
History of Arabic Literature
Arabic Poetics in the Golden Age
Form and Structure in the Poetry of Al-Mu'tamid Ibn 'Abbad
Introduction to Classical Arabic Literature
The Camel-Section of the Panegyrical Ode1
The present analysis is limited in scope and material, and has to be complemented and confirmed by further studies. With these restrictions in mind, the development of the panegyrical ode can be sketched as follows: In the Pre-Islamic period the ode is composed, as a rule, with three sections of independent weight (nasīb, wasf al-jamal, madī), linked together by the techniques of the narrative. The camel-section is in no way specified from the pa…
Time and Reality in Nasib and Ghazal
The "Khayāl" Motif in Early Arabic Poetry
The khayāl motif in early Arabic poetry
Anybody who takes the trouble to read and to compare literary studies on classical Arabic poetry published in the course of this century, will notice a surprising conformity of judgement. Scholars tend to be unanimous concerning three points in particular: 1. all basic features of Arabic poetry are already present in pre-Islamic verse; 2. pre-Islamic tribal poetry is the most characteristic expression of the literary genius of the Arabs; 3. medie…
Grundzuge der klassischen arabischen Dichtung
Theme and Variations in Umayyad Ghazal Poetry
Aus Andalusiens Maurenzeit. Ibn Zaidun und Wallada
The Composition of Mutanabbī's Panegyrics to Sayf al-Dawla
Al-Khayālāni-a Variation of the Khayal Motif
Die irdische Schönheit ( ḥusn ) und die göttliche Schönheit ( ǧamāl ): Zur mystischen Ästhetik von Ibn al-Fāriḍ (gest. 632/1235)
Ibn al-Fāriḍ (gest. 632/1235), einer der bedeutendsten Dichter des Sufismus, entwickelt in seinem großen Lehrgedicht „Die Ordnung des Weges“ ( Naẓm as-sulūk ) eine mystische Ästhetik, indem er beschreibt, wie der Mensch die göttliche Schönheit ( ǧamāl ) erkennen kann, die sich in der irdischen Schönheit ( ḥusn ) manifestiert. Beide arabischen Begriffe haben in seinen Versen keine moralische Konnotation, worin er sich von anderen Sufis unterscheid…
The Lāmiyya of al-Shanfarā – a Poet’s Vision
The Lāmiyya of the poet al-Shanfarā, or Lāmiyyat al-ʿArab , was greatly admired by medieval Arabic scholars as well as modern experts on classical Arabic poetry. Its authenticity was questioned in medieval sources, however, and remains controversial. The aim of this article is to present an analysis and interpretation of the text. The Lāmiyya is interpreted as the poet’s vision of a man who decides to leave human society because he cannot bear pe…
Philosophy (16 works) · Islamic Studies and History (13 works) · Art (9 works) · Historical and Linguistic Studies (9 works) · History (9 works) · Literature (8 works) · Arabic (7 works) · Archaeology and Historical Studies (7 works) · Poetry (7 works) · Linguistics (6 works)