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Gaëtan Picon

Biographic Data

ID3699609
NAMEGaëtan Picon
GIVEN NAMESGaëtan
FAMILY NAMEPicon
SIGNATUREPICON G
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1951
LATEST PUBLICATION YEAR1979
H-INDEX0
  • Joan Miro

    Nicholas Orsini, Gaëtan Picon et al.•ARTICLE•Leonardo•1979

  • Surrealists and Surrealism, 1919-1939

    Mary Hamel-Schwulst, Gaëtan Picon et al.•ARTICLE•Technology and Culture•1978

  • Quelques Lettres — Quelques Souvenirs

    Open Access•Gaëtan Picon•ARTICLE•Forum Italicum A Journal of…•1972

  • Zola's Painters

    Gaëtan Picon, John Logan et al.•ARTICLE•Yale French Studies•1969

  • Man's Hope

    Gaëtan Picon, Rima Drell Reck•ARTICLE•Yale French Studies•1957

  • Aesthetics and History

    Open Access•Gaëtan Picon•ARTICLE•Diogenes•1953

    Literature and art, which previously had been considered as cultural traditions, became, during the nineteenth century, objects of historical knowledge; the feeling of contemporaries was 'that history would be the hallmark of the nineteenth century, and would lend it its name, just as philosophy had given its name to the eighteenth'. Of the many perspectives from which a work of art can be viewed, there was none more constant thereafter than that…

  • Remarks on Gide's Ethics

    Gaëtan Picon•ARTICLE•Yale French Studies•1951

  • Concerning Noel Devaulx

    Gaëtan Picon•ARTICLE•Yale French Studies•1951

No prominent works on this page.

  • Remarks on Gide's Ethics

    Gaëtan Picon•ARTICLE•Yale French Studies•1951

  • Concerning Noel Devaulx

    Gaëtan Picon•ARTICLE•Yale French Studies•1951

  • Aesthetics and History

    Open Access•Gaëtan Picon•ARTICLE•Diogenes•1953

    Literature and art, which previously had been considered as cultural traditions, became, during the nineteenth century, objects of historical knowledge; the feeling of contemporaries was 'that history would be the hallmark of the nineteenth century, and would lend it its name, just as philosophy had given its name to the eighteenth'. Of the many perspectives from which a work of art can be viewed, there was none more constant thereafter than that…

  • Man's Hope

    Gaëtan Picon, Rima Drell Reck•ARTICLE•Yale French Studies•1957

  • Zola's Painters

    Gaëtan Picon, John Logan et al.•ARTICLE•Yale French Studies•1969

  • Quelques Lettres — Quelques Souvenirs

    Open Access•Gaëtan Picon•ARTICLE•Forum Italicum A Journal of…•1972

  • Surrealists and Surrealism, 1919-1939

    Mary Hamel-Schwulst, Gaëtan Picon et al.•ARTICLE•Technology and Culture•1978

  • Joan Miro

    Nicholas Orsini, Gaëtan Picon et al.•ARTICLE•Leonardo•1979

Art (7 works) · Art history (3 works) · Philosophy (3 works) · Philosophy (3 works) · Humanities (2 works) · Aesthetics (1 work) · Art, Politics, and Modernism (1 work) · Catalan (1 work) · Catalan number (1 work) · Combinatorics (1 work)

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