Jaynie Anderson
Biographic Data
| ID | 3699650 |
|---|---|
| NAME | Jaynie Anderson |
| GIVEN NAMES | Jaynie |
| FAMILY NAME | Anderson |
| SIGNATURE | ANDERSON J |
| AFFILIATIONS | The University of Melbourne |
| VERIFIED | No |
| TOTAL WORKS | 23 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 23 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
The Renaissance Restored: Paintings Conservation and the Birth of Modern Art History in Nineteenth-Century Europe
Stefano Bardini “Principe degli Antiquari”: Prolegomenon to a Biography
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Women, Art and Architectural Patronage in Renaissance Mantua: Matrons, Mystics and Monasteries
Sally Anne Hickson. Women, Art and Architectural Patronage in Renaissance Mantua: Matrons, Mystics and Monasteries. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2012. xi + 192 pp. $104.95. ISBN: 978–1–4094–2752–0. - Volume 66 Issue 1
Tiziano: L’epistolario
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Ciha'S roles in the making of art history around the globe
Since its foundation at Vienna in 1873, Comité International d'Histoire de l'Art (CIHA) has defined itself as the only true global organisation in the history of art, one that creates permanent links between art historians of all countries. For most of the twentieth century the art historical globe was conceived of as European until the conferences organised by Irving Lavin (Washington) and Thomas Gaehtgens (Berlin), which attempted an analysis o…
Giorgione pictor et musicus amatus — Vom Klang seiner Bilder: Eine musikalische Kompositionsästhetik in der Malerei gegen die Aporie der Norm um 1500
Claudia Bertling Biaggini.Giorgione pictor et musicus amatus — Vom Klang seiner Bilder: Eine musikalische Kompositionsästhetik in der Malerei gegen die Aporie der Norm um 1500. Studien zur Kunstgeschichte 188.Hildesheim: Georg Olms Verlag AG, 2011.394 pp. €58. ISBN: 978–3–487–14498–6. - Volume 65 Issue 1
Cross-Cultural Art History in a Polycentered World
In this first issue of Diogenes to be devoted to art history, we have several strategic objectives: To demonstrate the diversity and excellence of global art history as practiced in the twenty-first century To create an understanding of art history among the humanities for what our discipline achieves To show in what forms does art history exists in the world. The contributors are from the nationalities where CIHA conferences have been held
Présentation
In this first issue of Diogenes to be devoted to art history, we have several strategic objectives:To demonstrate the diversity and excellence of global art history as practiced in the twenty-first centuryTo create an understanding of art history among the humanities for what our discipline achievesTo show in what forms does art history exists in the world.The contributors are from the nationalities where CIHA conferences have been held
The Creation of Indigenous Collections in Melbourne: How Kenneth Clark, Charles Mountford, and Leonhard Adam Interrogated Australian Indigeneity
My paper will explore three personalities, Kenneth Clark, Charles Mountford and Leonard Adam, and the impact they had on the creation and exhibition of collections of indigenous objects in Australia. Kenneth Clark visited Australia briefly in 1948 and left a dynamic legacy in both Melbourne and Adelaide. During his visit Clark was introduced to aboriginal art by Daryl Lindsay, director of the National Gallery of Victoria, one of the first Austral…
Morelli [Morell], Giovanni
Connoisseurship
Mündler, Otto
Wind, Edgar
Italy: Museums, patronage, collecting, and dealing
Italy
Layard, Sir Austen Henry
Richter, Jean Paul
Rewriting the history of art patronage
Rewriting the History of Art Patronage
Venetian Art Reinterpreted
Venedig. Die Kunst der Renaissance. Architektur, Skulptur, Malerei 1460–1590 by Norbert Huse and Wolfgang Wolters , Munich: C. H. Beck'Sche Verlagsbuchhandlung, 1986, 424 pp., 33 colour plates, 336 b. & w. illus., DM198 La Pittura in Italia. Il Quattrocento edited by Federico Zeri and Mauro Natale , Milan: Electa Spa, 740 pp., 280 colour plates, 850 b. & w. illus., L.200,000 Venetian Narrative Painting in the Age of Carpaccio by Patricia Fortini …
Hume and the Heroic Portrait: Studies in Eighteenth-Century Imagery
This is the second volume of Edgar Wind's selected papers, a companion to The Elegance of Symbols. Of all the scholars associated with the early development of the Warbur Institute Edgar Wind was the first to apply different theoretical principles to the study of English Art, above all in his early study of English portraiture, now a classic art history text. As the seminal essay, it gives title to the present volume, and is here translated into …
Giovanni Morelli et sa définition de la « scienza dell’arte »
Michael Greenhalgh, Donatello and his Sources. London: Duckworth, 1982. Pp. ix + 226, 32 pls
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Michael Greenhalgh, Donatello and his Sources. London: Duckworth, 1982. Pp. ix + 226, 32 pls
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Hume and the Heroic Portrait: Studies in Eighteenth-Century Imagery
This is the second volume of Edgar Wind's selected papers, a companion to The Elegance of Symbols. Of all the scholars associated with the early development of the Warbur Institute Edgar Wind was the first to apply different theoretical principles to the study of English Art, above all in his early study of English portraiture, now a classic art history text. As the seminal essay, it gives title to the present volume, and is here translated into …
Giovanni Morelli et sa définition de la « scienza dell’arte »
Venetian Art Reinterpreted
Venedig. Die Kunst der Renaissance. Architektur, Skulptur, Malerei 1460–1590 by Norbert Huse and Wolfgang Wolters , Munich: C. H. Beck'Sche Verlagsbuchhandlung, 1986, 424 pp., 33 colour plates, 336 b. & w. illus., DM198 La Pittura in Italia. Il Quattrocento edited by Federico Zeri and Mauro Natale , Milan: Electa Spa, 740 pp., 280 colour plates, 850 b. & w. illus., L.200,000 Venetian Narrative Painting in the Age of Carpaccio by Patricia Fortini …
Rewriting the history of art patronage
Rewriting the History of Art Patronage
Morelli [Morell], Giovanni
Connoisseurship
Mündler, Otto
Wind, Edgar
Italy: Museums, patronage, collecting, and dealing
Italy
Layard, Sir Austen Henry
Richter, Jean Paul
The Creation of Indigenous Collections in Melbourne: How Kenneth Clark, Charles Mountford, and Leonhard Adam Interrogated Australian Indigeneity
My paper will explore three personalities, Kenneth Clark, Charles Mountford and Leonard Adam, and the impact they had on the creation and exhibition of collections of indigenous objects in Australia. Kenneth Clark visited Australia briefly in 1948 and left a dynamic legacy in both Melbourne and Adelaide. During his visit Clark was introduced to aboriginal art by Daryl Lindsay, director of the National Gallery of Victoria, one of the first Austral…
Cross-Cultural Art History in a Polycentered World
In this first issue of Diogenes to be devoted to art history, we have several strategic objectives: To demonstrate the diversity and excellence of global art history as practiced in the twenty-first century To create an understanding of art history among the humanities for what our discipline achieves To show in what forms does art history exists in the world. The contributors are from the nationalities where CIHA conferences have been held
Présentation
In this first issue of Diogenes to be devoted to art history, we have several strategic objectives:To demonstrate the diversity and excellence of global art history as practiced in the twenty-first centuryTo create an understanding of art history among the humanities for what our discipline achievesTo show in what forms does art history exists in the world.The contributors are from the nationalities where CIHA conferences have been held
Ciha'S roles in the making of art history around the globe
Since its foundation at Vienna in 1873, Comité International d'Histoire de l'Art (CIHA) has defined itself as the only true global organisation in the history of art, one that creates permanent links between art historians of all countries. For most of the twentieth century the art historical globe was conceived of as European until the conferences organised by Irving Lavin (Washington) and Thomas Gaehtgens (Berlin), which attempted an analysis o…
Giorgione pictor et musicus amatus — Vom Klang seiner Bilder: Eine musikalische Kompositionsästhetik in der Malerei gegen die Aporie der Norm um 1500
Claudia Bertling Biaggini.Giorgione pictor et musicus amatus — Vom Klang seiner Bilder: Eine musikalische Kompositionsästhetik in der Malerei gegen die Aporie der Norm um 1500. Studien zur Kunstgeschichte 188.Hildesheim: Georg Olms Verlag AG, 2011.394 pp. €58. ISBN: 978–3–487–14498–6. - Volume 65 Issue 1
Women, Art and Architectural Patronage in Renaissance Mantua: Matrons, Mystics and Monasteries
Sally Anne Hickson. Women, Art and Architectural Patronage in Renaissance Mantua: Matrons, Mystics and Monasteries. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2012. xi + 192 pp. $104.95. ISBN: 978–1–4094–2752–0. - Volume 66 Issue 1
Tiziano: L’epistolario
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Stefano Bardini “Principe degli Antiquari”: Prolegomenon to a Biography
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Renaissance Restored: Paintings Conservation and the Birth of Modern Art History in Nineteenth-Century Europe
Art history (12 works) · Art (11 works) · History (11 works) · History (7 works) · Computer Science (5 works) · Art History and Market Analysis (4 works) · Humanities (4 works) · Philosophy (4 works) · Renaissance and Early Modern Studies (4 works) · The Renaissance (4 works)