Samuel Araújo
Biographic Data
| ID | 3699666 |
|---|---|
| NAME | Samuel Araújo |
| GIVEN NAMES | Samuel |
| FAMILY NAME | Araújo |
| SIGNATURE | ARAUJO S |
| AFFILIATIONS | Universidade Federal do Rio de Janeiro |
| ORCID | 0000-0001-6790-917X |
| VERIFIED | Yes |
| TOTAL WORKS | 22 |
| TOTAL CITATIONS | 64 |
| AUTHOR COUNT | 22 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 4 |
Pra Matar Preconceito Eu Renasci: Duas vozes negras femininas em um bloco comunista
O presente artigo trata de um bloco carnavalesco carioca chamado Comuna Que Pariu! Organizado pelo Partido Comunista Brasileiro, o bloco teve, entre 2013 e 2020 (período abordado no texto), duas mulheres negras como puxadoras. Propondo uma discussão sobre as representações femininas negras no carnaval e o papel das mulheres nas escolas de samba (principal referência do bloco), apontamos para a importância de um bloco como esse ter essas duas cant…
It's Not the End, but Something Feels off
My contribution defines musical data colonialism for the first time, and then discusses potential approaches to musical data (anti-)colonialism in ethnomusicology
Interview with André Castro, Author of “The Battle Among the Gods: From Liberation Theology to the New Religious Right in Brazil”
The learning of logarithmic functions by 12th-grade students based on modelling tasks
The relevance that the application of what is learned in Mathematics to everyday situations has in student learning has led us to develop an experiment on teaching the logarithmic function using modelling tasks. Based on this experiment, we intend to characterize the activities of 12th-grade students in the performance of modelling tasks concerning topics of logarithmic functions and identify the difficulties they may present while solving these …
Music, Research and Public Interest: A Dialogical Praxis for Social Justice
A prática sinfônica e o mundo a seu redor
global, produzindo, entre as orquestras sinfônicas, a conscientização crescente dos músicos sobre a disjunção de poder entre o "chão da fábrica" orquestral e seus "deputados", "gerentes" e "patrões", enquanto, no seio de regimes republicanos, orquestras sinfônicas passam a ser vistas como sinal de cultivo associado às elites intelectuais e econômicas, ainda que não restritas às mesmas
É permitido proibir: A Práxis Sonora Da Pacificação
O artigo reflete sobre os impactos da implantação das assim chamadas Unidades de Polícia Pacificadora (UPPs) em áreas favelizadas da cidade do Rio de Janeiro e, em particular, sobre práticas e eventos musicais e públicos aos mesmos relacionados, em um conjunto específico de favelas, a Maré. Para tal, entrecruza a análise de bibliografia selecionada e os resultados de pesquisas de campo junto a MCs, DJs e produtores de eventos, antes e depois do i…
Sound Praxis, Poverty, and Social Participation: Perspectives from a Collaborative Study in Rio De Janeiro
A long-standing and pervading theme in fields of inquiry such as economics, sociology, health studies, human rights, or social policy, poverty has apparently not similarly impacted scholarship on music beyond the implicit recognition-more typically found in folklore, ethnomusicology, and popular music studies-that it may have conditioned to some degree music-making among given groups within a larger society or even among larger societal entities …
Luiz Heitor and the studies of musical diversity in Brazil; a brief note
Americanae nace como un proyecto conjunto que surge dentro de la Red Europea de Información y Documentación sobre América Latina (REDIAL), y que ha afrontado la Biblioteca de la Agencia Española de Cooperación Internacional para el Desarrollo (AECID). Esta nueva biblioteca virtual hace más accesibles los libros digitales de tema americanista a los investigadores y usuarios interesados de cualquier parte del mundo
Movimentos musicais: Guerra-Peixe para ouvir, dançar e pensar
Entre os tópicos da produção escrita, jornalística ou acadêmica, sobre a música no Brasil encontra-se a configuração eventual de movimentos, explicitamente reconhecidos ou não por seus protagonistas, em que a criação musical é tomada como vetor, único ou conjugado, de mudanças significativas de cunho estético, técnico, comportamental e/ou político, capazes de afetar contundente ou tangencialmente os rumos gerais da sociedade brasileira. Assim, to…
From Neutrality to Praxis: The Shifting Politics of Ethnomusicology in the Contemporary World
Reflecting upon recent changes in socio-scientific paradigms and thinking over his own research ex- perience with musical communities in Brazil, the researcher presents four case studies in which he finds evidence of a considerable transformation of research scenarios toward growing and more politically charged demands placed by communi- ties upon academics
Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology: Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro
Research Article| April 01 2006 Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology: Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro Samuel Araújo Samuel Araújo Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (2): 287–313. https://doi.org/10.2307/20174454 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Samuel Araújo; C…
Live Samba: Analysis and Interpretation of Brazilian "Pagode" (review)
A most significant event in the recent history of Brazilian popular music is unequivocally the emergence, in the mid-1970s, and lasting impact thereafter of a samba-derived musical style under the generic term pagode. Clearly rooted in social values and musical idioms of the traditional samba, pagode has been eventually treated in the related literature as either a new and welcome stage in the development of its parent style, or, conversely, as a…
A Viagem des Sons/The Journey of Sounds
A Viagem dos Sons [The Journey of Sounds]
The Social History of Brazilian Samba
Brazilian Identities and Musical Performances
our faults do not allow our qualities to show themselves to best effect. That is why, at the moment, Brazilians are a people of intermittent qualities and permanent faults.Mário de Andrade, Essai sur la musique brésilienne, 1928This paper sets out to discuss the use and power of music in representing social identities, concentrating on the more specific case of the Brazilian nation, which has made itself a complex and all-embracing socio-politica…
The Politics of Passion: The Impact of Bolero on Brazilian Musical Expressions
Dans le cadre d'une reflexion sur les processus de mondialisation culturelle, cet article propose une analyse sur l'impact des formes americaines (Ameriques du nord, centrale et du sud) et caribeennes du bolero sur les pratiques musicales locales au Bresil. Cet article analyse trois themes : 1) Le bolero s'est developpe dans les pays peripheriques a l'aire capitaliste (Cuba puis Mexique) et son orchestration accompagne le developpement industriel…
Brazil: Forro, Music for Maids and Taxi Drivers
This article examines the musical genre of forró, tracing its origins and development in Brazil. Forró, often associated with the working classes and the Northeast region, is analyzed in terms of its musical characteristics, social context, and evolving cultural significance. The article explores the complex interplay between forró's rural roots and its urban adaptations, highlighting its role in shaping regional and national identities
Masters of Contemporary Brazilian Song
Praxis sonora en tiempos de incertidumbre; consideraciones sobre los dilemas de la investigación musical en Brasil post-2016
Los movimientos y la resistencia observados en el marco político brasileño desde 1985, después del fin del régimen dictatorial implementado por un golpe de estado civil-militar en 1964, impresionan tanto por su diversidad como por algunas características que parecen ser comunes e inmanentes. La lucha contra la corrupción endémica o los embates y acuerdos tácticos entre el neoliberalismo, el neodesarrollismo y el redistributivismo son sólo algunos…
Metamorfosis de lo real: Investigación musical y políticas públicas en tiempos de cambios político-económicos
.
From Neutrality to Praxis: The Shifting Politics of Ethnomusicology in the Contemporary World
Reflecting upon recent changes in socio-scientific paradigms and thinking over his own research ex- perience with musical communities in Brazil, the researcher presents four case studies in which he finds evidence of a considerable transformation of research scenarios toward growing and more politically charged demands placed by communi- ties upon academics
Sound Praxis, Poverty, and Social Participation: Perspectives from a Collaborative Study in Rio De Janeiro
A long-standing and pervading theme in fields of inquiry such as economics, sociology, health studies, human rights, or social policy, poverty has apparently not similarly impacted scholarship on music beyond the implicit recognition-more typically found in folklore, ethnomusicology, and popular music studies-that it may have conditioned to some degree music-making among given groups within a larger society or even among larger societal entities …
Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology: Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro
Research Article| April 01 2006 Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology: Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro Samuel Araújo Samuel Araújo Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (2): 287–313. https://doi.org/10.2307/20174454 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Samuel Araújo; C…
É permitido proibir: A Práxis Sonora Da Pacificação
O artigo reflete sobre os impactos da implantação das assim chamadas Unidades de Polícia Pacificadora (UPPs) em áreas favelizadas da cidade do Rio de Janeiro e, em particular, sobre práticas e eventos musicais e públicos aos mesmos relacionados, em um conjunto específico de favelas, a Maré. Para tal, entrecruza a análise de bibliografia selecionada e os resultados de pesquisas de campo junto a MCs, DJs e produtores de eventos, antes e depois do i…
The Politics of Passion: The Impact of Bolero on Brazilian Musical Expressions
Dans le cadre d'une reflexion sur les processus de mondialisation culturelle, cet article propose une analyse sur l'impact des formes americaines (Ameriques du nord, centrale et du sud) et caribeennes du bolero sur les pratiques musicales locales au Bresil. Cet article analyse trois themes : 1) Le bolero s'est developpe dans les pays peripheriques a l'aire capitaliste (Cuba puis Mexique) et son orchestration accompagne le developpement industriel…
Brazilian Identities and Musical Performances
our faults do not allow our qualities to show themselves to best effect. That is why, at the moment, Brazilians are a people of intermittent qualities and permanent faults.Mário de Andrade, Essai sur la musique brésilienne, 1928This paper sets out to discuss the use and power of music in representing social identities, concentrating on the more specific case of the Brazilian nation, which has made itself a complex and all-embracing socio-politica…
Praxis sonora en tiempos de incertidumbre; consideraciones sobre los dilemas de la investigación musical en Brasil post-2016
Los movimientos y la resistencia observados en el marco político brasileño desde 1985, después del fin del régimen dictatorial implementado por un golpe de estado civil-militar en 1964, impresionan tanto por su diversidad como por algunas características que parecen ser comunes e inmanentes. La lucha contra la corrupción endémica o los embates y acuerdos tácticos entre el neoliberalismo, el neodesarrollismo y el redistributivismo son sólo algunos…
Metamorfosis de lo real: Investigación musical y políticas públicas en tiempos de cambios político-económicos
.
Brazil: Forro, Music for Maids and Taxi Drivers
This article examines the musical genre of forró, tracing its origins and development in Brazil. Forró, often associated with the working classes and the Northeast region, is analyzed in terms of its musical characteristics, social context, and evolving cultural significance. The article explores the complex interplay between forró's rural roots and its urban adaptations, highlighting its role in shaping regional and national identities
Masters of Contemporary Brazilian Song
The Politics of Passion: The Impact of Bolero on Brazilian Musical Expressions
Dans le cadre d'une reflexion sur les processus de mondialisation culturelle, cet article propose une analyse sur l'impact des formes americaines (Ameriques du nord, centrale et du sud) et caribeennes du bolero sur les pratiques musicales locales au Bresil. Cet article analyse trois themes : 1) Le bolero s'est developpe dans les pays peripheriques a l'aire capitaliste (Cuba puis Mexique) et son orchestration accompagne le developpement industriel…
A Viagem dos Sons [The Journey of Sounds]
The Social History of Brazilian Samba
Brazilian Identities and Musical Performances
our faults do not allow our qualities to show themselves to best effect. That is why, at the moment, Brazilians are a people of intermittent qualities and permanent faults.Mário de Andrade, Essai sur la musique brésilienne, 1928This paper sets out to discuss the use and power of music in representing social identities, concentrating on the more specific case of the Brazilian nation, which has made itself a complex and all-embracing socio-politica…
Live Samba: Analysis and Interpretation of Brazilian "Pagode" (review)
A most significant event in the recent history of Brazilian popular music is unequivocally the emergence, in the mid-1970s, and lasting impact thereafter of a samba-derived musical style under the generic term pagode. Clearly rooted in social values and musical idioms of the traditional samba, pagode has been eventually treated in the related literature as either a new and welcome stage in the development of its parent style, or, conversely, as a…
A Viagem des Sons/The Journey of Sounds
Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology: Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro
Research Article| April 01 2006 Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology: Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro Samuel Araújo Samuel Araújo Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (2): 287–313. https://doi.org/10.2307/20174454 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Samuel Araújo; C…
From Neutrality to Praxis: The Shifting Politics of Ethnomusicology in the Contemporary World
Reflecting upon recent changes in socio-scientific paradigms and thinking over his own research ex- perience with musical communities in Brazil, the researcher presents four case studies in which he finds evidence of a considerable transformation of research scenarios toward growing and more politically charged demands placed by communi- ties upon academics
Movimentos musicais: Guerra-Peixe para ouvir, dançar e pensar
Entre os tópicos da produção escrita, jornalística ou acadêmica, sobre a música no Brasil encontra-se a configuração eventual de movimentos, explicitamente reconhecidos ou não por seus protagonistas, em que a criação musical é tomada como vetor, único ou conjugado, de mudanças significativas de cunho estético, técnico, comportamental e/ou político, capazes de afetar contundente ou tangencialmente os rumos gerais da sociedade brasileira. Assim, to…
Luiz Heitor and the studies of musical diversity in Brazil; a brief note
Americanae nace como un proyecto conjunto que surge dentro de la Red Europea de Información y Documentación sobre América Latina (REDIAL), y que ha afrontado la Biblioteca de la Agencia Española de Cooperación Internacional para el Desarrollo (AECID). Esta nueva biblioteca virtual hace más accesibles los libros digitales de tema americanista a los investigadores y usuarios interesados de cualquier parte del mundo
Sound Praxis, Poverty, and Social Participation: Perspectives from a Collaborative Study in Rio De Janeiro
A long-standing and pervading theme in fields of inquiry such as economics, sociology, health studies, human rights, or social policy, poverty has apparently not similarly impacted scholarship on music beyond the implicit recognition-more typically found in folklore, ethnomusicology, and popular music studies-that it may have conditioned to some degree music-making among given groups within a larger society or even among larger societal entities …
É permitido proibir: A Práxis Sonora Da Pacificação
O artigo reflete sobre os impactos da implantação das assim chamadas Unidades de Polícia Pacificadora (UPPs) em áreas favelizadas da cidade do Rio de Janeiro e, em particular, sobre práticas e eventos musicais e públicos aos mesmos relacionados, em um conjunto específico de favelas, a Maré. Para tal, entrecruza a análise de bibliografia selecionada e os resultados de pesquisas de campo junto a MCs, DJs e produtores de eventos, antes e depois do i…
A prática sinfônica e o mundo a seu redor
global, produzindo, entre as orquestras sinfônicas, a conscientização crescente dos músicos sobre a disjunção de poder entre o "chão da fábrica" orquestral e seus "deputados", "gerentes" e "patrões", enquanto, no seio de regimes republicanos, orquestras sinfônicas passam a ser vistas como sinal de cultivo associado às elites intelectuais e econômicas, ainda que não restritas às mesmas
Music, Research and Public Interest: A Dialogical Praxis for Social Justice
The learning of logarithmic functions by 12th-grade students based on modelling tasks
The relevance that the application of what is learned in Mathematics to everyday situations has in student learning has led us to develop an experiment on teaching the logarithmic function using modelling tasks. Based on this experiment, we intend to characterize the activities of 12th-grade students in the performance of modelling tasks concerning topics of logarithmic functions and identify the difficulties they may present while solving these …
Pra Matar Preconceito Eu Renasci: Duas vozes negras femininas em um bloco comunista
O presente artigo trata de um bloco carnavalesco carioca chamado Comuna Que Pariu! Organizado pelo Partido Comunista Brasileiro, o bloco teve, entre 2013 e 2020 (período abordado no texto), duas mulheres negras como puxadoras. Propondo uma discussão sobre as representações femininas negras no carnaval e o papel das mulheres nas escolas de samba (principal referência do bloco), apontamos para a importância de um bloco como esse ter essas duas cant…
It's Not the End, but Something Feels off
My contribution defines musical data colonialism for the first time, and then discusses potential approaches to musical data (anti-)colonialism in ethnomusicology
Interview with André Castro, Author of “The Battle Among the Gods: From Liberation Theology to the New Religious Right in Brazil”
Art (13 works) · Music History and Culture (10 works) · Diverse Musicological Studies (9 works) · Sociology (7 works) · Brazilian cultural history and politics (6 works) · Musical (6 works) · Visual arts (6 works) · Diverse Music Education Insights (5 works) · History (5 works) · Political science (5 works)