Curtis L Carter
Biographic Data
| ID | 3699862 |
|---|---|
| NAME | Curtis L Carter |
| GIVEN NAMES | Curtis L |
| FAMILY NAME | Carter |
| SIGNATURE | CARTER C L |
| AFFILIATIONS | Marquette University |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
On the State of Dance Philosophy
What are Eric Mullis’s contributions to a pragmatist philosophy of dance? First, the work brings attention to aspects of dance in regional and religious contexts and to a selection of religious dance practices (Pentecostal and Quaker) not typically addressed in the literature of dance philosophy, thus adding to the current scope of dance studies. This book’s main strength with respect to pragmatist philosophies is its efforts to apply existing th…
La philosophie et l'art
Part I of this essay will examine how the interplay between philosophy and art over the past century is reflected in the aesthetic theories of four leading Twentieth century aestheticians: Walter Benjamin, Merleau-Ponty, Gilles Deleuze, Arthur Danto. The philosophers’ theories are linked to the developments in art most directly related to their respective approaches to problems in aesthetics. Part II will explore selected non-philosophical social…
Philosophy and Art
Part I of this essay will examine how the interplay between philosophy and art over the past century is reflected in the aesthetic theories of four leading Twentieth century aestheticians: Walter Benjamin, Merleau-Ponty, Gilles Deleuze, Arthur Danto. The philosophers' theories are linked to the developments in art most directly related to their respective approaches to problems in aesthetics. Part II will explore selected non-philosophical social…
The state of dance in education
1984). The state of dance in education: Past and present. Theory Into Practice: Vol. 23, Teaching the Arts, pp. 293-299
The Humanities and Dance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Industrial Design
Industrial design and the visual arts share a common aesthetic basis as demonstrated by their common use of aesthetic principles and by designers who are also visual artists. The author examines the rationale for exhibiting industrial products in art museums and the similarities and differences between industrial design and the fine arts. He argues that industrial design shares important theoretical concepts (expression, representation and style)…
Aesthetics, Video Art and Television
The author reviews two symposia: ‘The Video Arts: Demonstration and Discussion’, The American Society for Aesthetics, New York City, 28 Oct. 1978, and ‘The Aestheticians Look at Television’, National Association of Education Broadcasters, Washington, D.C., 30 Oct. 1978. He also presents an evaluation of the current state of video art in terms of philosophical aesthetics. Furthermore, he attempts to make a clear distinction between television and …
A Pictorial Syntax of Shapes (Continued)
Painting and Language
In previous articles, the author proposed that paintings can have syntactic rules. In this article he develops his proposal further and shows that shapes act as syntactic elements in the languages of painting styles. He meets Nelson Goodman's objections to his proposal by showing that shapes meet the criterion of syntactic discreteness proposed by the latter to separate linguistic from other symbolic systems. His approach is to specify style as t…
A Pictorial Syntax of Shapes (Continued)
A Pictorial Syntax of Shapes
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Painting and Language
In previous articles, the author proposed that paintings can have syntactic rules. In this article he develops his proposal further and shows that shapes act as syntactic elements in the languages of painting styles. He meets Nelson Goodman's objections to his proposal by showing that shapes meet the criterion of syntactic discreteness proposed by the latter to separate linguistic from other symbolic systems. His approach is to specify style as t…
A Pictorial Syntax of Shapes (Continued)
A Pictorial Syntax of Shapes
A Pictorial Syntax of Shapes (Continued)
Aesthetics, Video Art and Television
The author reviews two symposia: ‘The Video Arts: Demonstration and Discussion’, The American Society for Aesthetics, New York City, 28 Oct. 1978, and ‘The Aestheticians Look at Television’, National Association of Education Broadcasters, Washington, D.C., 30 Oct. 1978. He also presents an evaluation of the current state of video art in terms of philosophical aesthetics. Furthermore, he attempts to make a clear distinction between television and …
The Humanities and Dance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Industrial Design
Industrial design and the visual arts share a common aesthetic basis as demonstrated by their common use of aesthetic principles and by designers who are also visual artists. The author examines the rationale for exhibiting industrial products in art museums and the similarities and differences between industrial design and the fine arts. He argues that industrial design shares important theoretical concepts (expression, representation and style)…
The state of dance in education
1984). The state of dance in education: Past and present. Theory Into Practice: Vol. 23, Teaching the Arts, pp. 293-299
La philosophie et l'art
Part I of this essay will examine how the interplay between philosophy and art over the past century is reflected in the aesthetic theories of four leading Twentieth century aestheticians: Walter Benjamin, Merleau-Ponty, Gilles Deleuze, Arthur Danto. The philosophers’ theories are linked to the developments in art most directly related to their respective approaches to problems in aesthetics. Part II will explore selected non-philosophical social…
Philosophy and Art
Part I of this essay will examine how the interplay between philosophy and art over the past century is reflected in the aesthetic theories of four leading Twentieth century aestheticians: Walter Benjamin, Merleau-Ponty, Gilles Deleuze, Arthur Danto. The philosophers' theories are linked to the developments in art most directly related to their respective approaches to problems in aesthetics. Part II will explore selected non-philosophical social…
On the State of Dance Philosophy
What are Eric Mullis’s contributions to a pragmatist philosophy of dance? First, the work brings attention to aspects of dance in regional and religious contexts and to a selection of religious dance practices (Pentecostal and Quaker) not typically addressed in the literature of dance philosophy, thus adding to the current scope of dance studies. This book’s main strength with respect to pragmatist philosophies is its efforts to apply existing th…
Art (10 works) · Computer Science (7 works) · Visual arts (6 works) · Aesthetics (5 works) · Philosophy (5 works) · Sociology (5 works) · Artificial Intelligence (4 works) · Artificial Intelligence (4 works) · Linguistics (4 works) · Syntax (4 works)