Michael R Orwicz
Biographic Data
| ID | 370167 |
|---|---|
| NAME | Michael R Orwicz |
| GIVEN NAMES | Michael R |
| FAMILY NAME | Orwicz |
| SIGNATURE | ORWICZ M R |
| AFFILIATIONS | University of Connecticut |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 16 |
| WORKS AS AUTHOR | 14 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 3 |
Repairing Symbolic Reparations
∞ The power of memorialization is widely recognized as a form of symbolic reparation aimed at overcoming deep social divisions in the aftermath of mass violence. Yet memorialization as a juridical tool of repair lacks systematic conceptual elaboration, and its potential remains underutilized. This often results in ineffective, even detrimental monuments, and in programmatic failures to integrate memorial practices into multilayered strategies for…
Special Issue
In this article, we approach the news photojournalism of the 2015 European migration ‘crisis’ as a political encounter between western publics and arriving migrants, where the latter are not simply ‘the represented’ but people who act within the photographic space. Inspired by Azoulay’s view of photography as ‘civic duty’, where “those represented continue to be present there at the time they are being watched in the photograph” and, in so doing,…
An aesthetics of the human
This article examines the role of an aesthetics of memorialization in symbolic reparations for victims of gross violations of human rights. By looking at the production, aesthetics and reception of the Ojo que Llora (Eye that Cries), a memorial cited as a symbolic reparation by the Inter-American Court of Human Rights in the case of Castro Castro v Peru (2006), the authors investigate tensions around concepts of ‘victim’, ‘perpetrator’, and the b…
Art, État et idéologies aux xixe et xxe siècles
Il fut un temps pas si lointain où s’intéresser à l’histoire politique et à l’histoire sociale de l’art vous faisait courir le risque d’être extradé, comme si les œuvres devaient par magie échapper à toute contingence pour assumer définitivement leur rôle de fétiche. De même, confronter les médias populaires aux œuvres majeures ou les entremêler (comme dans la réalité) semblait déplacé. Or, il s’agissait tout simplement d’écrire une histoire auss…
The Pathology of Empire
Research Article| February 01 2008 The Pathology of Empire Michael R. Orwicz Michael R. Orwicz Search for other works by this author on: This Site Google boundary 2 (2008) 35 (1): 109–125. https://doi.org/10.1215/01903659-2007-028 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Michael R. Orwicz; The Pathology of Empire. boundary 2 1 February 2008; 35 (1): 109–125. doi: https://doi.org/10.1215/019…
Two Steps Forward, One Step Back
Jane Mayo Roos, Early Impressionism and the French State (1866–1874) Michel Melot, The Impressionist Print
Art Criticism and Its Institutions In Nineteenth‐Century France
Art Criticism and Its Institutions In Nineteenth-Century France
The Nature of Consumption
Journal Article The Nature of Consumption Get access MICHAEL R. ORWICZ MICHAEL R. ORWICZ Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 14, Issue 1, 1991, Pages 105–106, https://doi.org/10.1093/oxartj/14.1.105 Published: 01 March 1991
Anti‐academicism and State Power in the Early Third Republic
Revisionism Revisited, Modernism Revised
Impressionism: Art, Leisure, and Parisian Society by Robert L. Herbert , New Haven and London: Yale University Press, 1988, 324 pp., 249 col. plates, 63 b. & w. illus., £29.95
The Sociology of Art
Orwicz Michael R., Hourmat Helene. Hauser Arnold, The sociology of art.. In: Revue francaise de sociologie, 1986, 27-3. Sociologie de l'art et de la litterature, sous la direction de Jean-Claude Chamboredon et Pierre-Michel Menger. pp. 561-563
Critical Discourse in the Formation of a Social History of Art
Written a year and a half after the publication of Hauser's book, Gombrich's lines are particularly significant. For he not only claimed that a social history of art had yet to be constituted, he also repeated an essential distinction which ran through most of his predecessors' reviews: a distinction between two conceptions of such a history of art. I want to examine these conceptions as they emerged in the critics' initial reading of Hauser, whi…
Masterpieces from the Museum of Cultural History
Repairing Symbolic Reparations
∞ The power of memorialization is widely recognized as a form of symbolic reparation aimed at overcoming deep social divisions in the aftermath of mass violence. Yet memorialization as a juridical tool of repair lacks systematic conceptual elaboration, and its potential remains underutilized. This often results in ineffective, even detrimental monuments, and in programmatic failures to integrate memorial practices into multilayered strategies for…
Special Issue
In this article, we approach the news photojournalism of the 2015 European migration ‘crisis’ as a political encounter between western publics and arriving migrants, where the latter are not simply ‘the represented’ but people who act within the photographic space. Inspired by Azoulay’s view of photography as ‘civic duty’, where “those represented continue to be present there at the time they are being watched in the photograph” and, in so doing,…
Art Criticism and Its Institutions In Nineteenth‐Century France
Masterpieces from the Museum of Cultural History
Critical Discourse in the Formation of a Social History of Art
Written a year and a half after the publication of Hauser's book, Gombrich's lines are particularly significant. For he not only claimed that a social history of art had yet to be constituted, he also repeated an essential distinction which ran through most of his predecessors' reviews: a distinction between two conceptions of such a history of art. I want to examine these conceptions as they emerged in the critics' initial reading of Hauser, whi…
The Sociology of Art
Orwicz Michael R., Hourmat Helene. Hauser Arnold, The sociology of art.. In: Revue francaise de sociologie, 1986, 27-3. Sociologie de l'art et de la litterature, sous la direction de Jean-Claude Chamboredon et Pierre-Michel Menger. pp. 561-563
Revisionism Revisited, Modernism Revised
Impressionism: Art, Leisure, and Parisian Society by Robert L. Herbert , New Haven and London: Yale University Press, 1988, 324 pp., 249 col. plates, 63 b. & w. illus., £29.95
The Nature of Consumption
Journal Article The Nature of Consumption Get access MICHAEL R. ORWICZ MICHAEL R. ORWICZ Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 14, Issue 1, 1991, Pages 105–106, https://doi.org/10.1093/oxartj/14.1.105 Published: 01 March 1991
Anti‐academicism and State Power in the Early Third Republic
Art Criticism and Its Institutions In Nineteenth-Century France
Art Criticism and Its Institutions In Nineteenth‐Century France
Two Steps Forward, One Step Back
Jane Mayo Roos, Early Impressionism and the French State (1866–1874) Michel Melot, The Impressionist Print
The Pathology of Empire
Research Article| February 01 2008 The Pathology of Empire Michael R. Orwicz Michael R. Orwicz Search for other works by this author on: This Site Google boundary 2 (2008) 35 (1): 109–125. https://doi.org/10.1215/01903659-2007-028 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Michael R. Orwicz; The Pathology of Empire. boundary 2 1 February 2008; 35 (1): 109–125. doi: https://doi.org/10.1215/019…
Art, État et idéologies aux xixe et xxe siècles
Il fut un temps pas si lointain où s’intéresser à l’histoire politique et à l’histoire sociale de l’art vous faisait courir le risque d’être extradé, comme si les œuvres devaient par magie échapper à toute contingence pour assumer définitivement leur rôle de fétiche. De même, confronter les médias populaires aux œuvres majeures ou les entremêler (comme dans la réalité) semblait déplacé. Or, il s’agissait tout simplement d’écrire une histoire auss…
Special Issue
In this article, we approach the news photojournalism of the 2015 European migration ‘crisis’ as a political encounter between western publics and arriving migrants, where the latter are not simply ‘the represented’ but people who act within the photographic space. Inspired by Azoulay’s view of photography as ‘civic duty’, where “those represented continue to be present there at the time they are being watched in the photograph” and, in so doing,…
An aesthetics of the human
This article examines the role of an aesthetics of memorialization in symbolic reparations for victims of gross violations of human rights. By looking at the production, aesthetics and reception of the Ojo que Llora (Eye that Cries), a memorial cited as a symbolic reparation by the Inter-American Court of Human Rights in the case of Castro Castro v Peru (2006), the authors investigate tensions around concepts of ‘victim’, ‘perpetrator’, and the b…
Repairing Symbolic Reparations
∞ The power of memorialization is widely recognized as a form of symbolic reparation aimed at overcoming deep social divisions in the aftermath of mass violence. Yet memorialization as a juridical tool of repair lacks systematic conceptual elaboration, and its potential remains underutilized. This often results in ineffective, even detrimental monuments, and in programmatic failures to integrate memorial practices into multilayered strategies for…
Art (9 works) · History (6 works) · Sociology (6 works) · Art history (5 works) · Computer Science (4 works) · Aesthetics (3 works) · Art History and Market Analysis (3 works) · Historical and Literary Studies (3 works) · History (3 works) · Law (3 works)