Roger F Cook
Biographic Data
| ID | 3702018 |
|---|---|
| NAME | Roger F Cook |
| GIVEN NAMES | Roger F |
| FAMILY NAME | Cook |
| SIGNATURE | COOK R F |
| AFFILIATIONS | University of Missouri |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 2 |
Cinema Returns to the Source Werner Herzog’s Cave of Forgotten Dreams
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Correspondences in visual imaging and spatial orientation in dreaming and film viewing
Good Bye, Lenin: Free-Market Nostalgia for Socialist Consumerism
Recharting the Skies above Berlin: Nostalgia East and West
In the now almost fifteen years since the rush to German unity, East Germany's remembering of its lost cultural objects and social practices has already established a rich history of its own. The first product to become a prominent symbol of the German Democratic Republic (GDR) was the Trabant (Trabi). An unattractive, inefficient, obnoxiously loud car manufactured in the GDR, it went overnight from being an object for which many East Germans wai…
A Companion to the Works of Heinrich Heine
Roger E Cook, ed., A Companion to Works of Heinrich Heine. Rochester, NY: Camden House, 2002. xiv + 373 pp. This engrossing, wide-ranging collection of essays by distinguished scholars might best be appreciated by reading last contribution first. In that essay, George E Peters discusses vexing question of why has never emerged as a galvanizing force in German political thought. For Peters, Weimar Republic, following 1918-19 revolution, should hav…
Andy Warhol, Capitalism, Culture, and Camp
Utilizing Pierre Bourdieu’s “logic of practice,” the article explores the relation of Andy Warhol’s artistic production to the growth of consumer capitalism in the 1960s. It argues that through their “camp” performativity and the subversive staging of their sociosexual identities, Warhol and his queer compatriots in the New York gay underground carried the embodied reflexivity of patriarchal capitalism a stage further, especially with regard to t…
The Mediated Manufacture of an 'Avant-Garde: A Bourdieusian Analysis of the Field of Contemporary Art in London, 1997-9
‘Where any View of Money Exists …’. Illusion and collusion in the contemporary field of British Art
Books reviewed in this article: Rita Hutton and John A. Walker Supercollector: A Critique of Charles Saatchi Julian Stallabrass High Art Lite
The Cinema of Wim Wenders: Images Narrative and the Postmodern Condition
Cinema of Wim is a unique anthology of source materials and selected essays on the films of Wim a major filmmaker in the so-called New German Cinema movement. Although arguably the leading European filmmaker of the last two decades, Wenders has not received as much attention by scholars in the United States or in Europe as some of his colleagues who also had their beginnings in New German Cinema, like Rainer Werner Fassbinder and Margarethe von T…
The Demise of the Author: Autonomy and the German Writer, 1770-1848
Contents: Classicist and Romantic concepts of the autonomous in German literary history, in relation to the growth of the reading public and developments in publishing practices. Depictions of the writer in works of Goethe, Novalis, Spitzweg, E.T.A. Hoffmann and Grillparzer
Melodrama or Cinematic Folktale? Story and History in Deutschland, bleiche Mutter
Angels, Fiction and History in Berlin: Wim Wenders' Wings of Desire
(1991). Angels, Fiction and History in Berlin: Wim Wenders' Wings of Desire. The Germanic Review: Literature, Culture, Theory: Vol. 66, German Film, pp. 34-47
Reader Response and Authorial Strategies: E. T. A. Hoffmann's View from "Des Vetters Eckfenster"
The Tree of Life: Symbol of the Centre
Describes the mythological background of the tree of life, shows examples of this motif in art, and discusses the symbolic meanings associated with trees
Correspondences in visual imaging and spatial orientation in dreaming and film viewing
The Mediated Manufacture of an 'Avant-Garde: A Bourdieusian Analysis of the Field of Contemporary Art in London, 1997-9
Angels, Fiction and History in Berlin: Wim Wenders' Wings of Desire
(1991). Angels, Fiction and History in Berlin: Wim Wenders' Wings of Desire. The Germanic Review: Literature, Culture, Theory: Vol. 66, German Film, pp. 34-47
Recharting the Skies above Berlin: Nostalgia East and West
In the now almost fifteen years since the rush to German unity, East Germany's remembering of its lost cultural objects and social practices has already established a rich history of its own. The first product to become a prominent symbol of the German Democratic Republic (GDR) was the Trabant (Trabi). An unattractive, inefficient, obnoxiously loud car manufactured in the GDR, it went overnight from being an object for which many East Germans wai…
Andy Warhol, Capitalism, Culture, and Camp
Utilizing Pierre Bourdieu’s “logic of practice,” the article explores the relation of Andy Warhol’s artistic production to the growth of consumer capitalism in the 1960s. It argues that through their “camp” performativity and the subversive staging of their sociosexual identities, Warhol and his queer compatriots in the New York gay underground carried the embodied reflexivity of patriarchal capitalism a stage further, especially with regard to t…
Melodrama or Cinematic Folktale? Story and History in Deutschland, bleiche Mutter
The Tree of Life: Symbol of the Centre
Describes the mythological background of the tree of life, shows examples of this motif in art, and discusses the symbolic meanings associated with trees
Reader Response and Authorial Strategies: E. T. A. Hoffmann's View from "Des Vetters Eckfenster"
Melodrama or Cinematic Folktale? Story and History in Deutschland, bleiche Mutter
Angels, Fiction and History in Berlin: Wim Wenders' Wings of Desire
(1991). Angels, Fiction and History in Berlin: Wim Wenders' Wings of Desire. The Germanic Review: Literature, Culture, Theory: Vol. 66, German Film, pp. 34-47
The Demise of the Author: Autonomy and the German Writer, 1770-1848
Contents: Classicist and Romantic concepts of the autonomous in German literary history, in relation to the growth of the reading public and developments in publishing practices. Depictions of the writer in works of Goethe, Novalis, Spitzweg, E.T.A. Hoffmann and Grillparzer
The Cinema of Wim Wenders: Images Narrative and the Postmodern Condition
Cinema of Wim is a unique anthology of source materials and selected essays on the films of Wim a major filmmaker in the so-called New German Cinema movement. Although arguably the leading European filmmaker of the last two decades, Wenders has not received as much attention by scholars in the United States or in Europe as some of his colleagues who also had their beginnings in New German Cinema, like Rainer Werner Fassbinder and Margarethe von T…
‘Where any View of Money Exists …’. Illusion and collusion in the contemporary field of British Art
Books reviewed in this article: Rita Hutton and John A. Walker Supercollector: A Critique of Charles Saatchi Julian Stallabrass High Art Lite
The Mediated Manufacture of an 'Avant-Garde: A Bourdieusian Analysis of the Field of Contemporary Art in London, 1997-9
Andy Warhol, Capitalism, Culture, and Camp
Utilizing Pierre Bourdieu’s “logic of practice,” the article explores the relation of Andy Warhol’s artistic production to the growth of consumer capitalism in the 1960s. It argues that through their “camp” performativity and the subversive staging of their sociosexual identities, Warhol and his queer compatriots in the New York gay underground carried the embodied reflexivity of patriarchal capitalism a stage further, especially with regard to t…
A Companion to the Works of Heinrich Heine
Roger E Cook, ed., A Companion to Works of Heinrich Heine. Rochester, NY: Camden House, 2002. xiv + 373 pp. This engrossing, wide-ranging collection of essays by distinguished scholars might best be appreciated by reading last contribution first. In that essay, George E Peters discusses vexing question of why has never emerged as a galvanizing force in German political thought. For Peters, Weimar Republic, following 1918-19 revolution, should hav…
Recharting the Skies above Berlin: Nostalgia East and West
In the now almost fifteen years since the rush to German unity, East Germany's remembering of its lost cultural objects and social practices has already established a rich history of its own. The first product to become a prominent symbol of the German Democratic Republic (GDR) was the Trabant (Trabi). An unattractive, inefficient, obnoxiously loud car manufactured in the GDR, it went overnight from being an object for which many East Germans wai…
Good Bye, Lenin: Free-Market Nostalgia for Socialist Consumerism
Correspondences in visual imaging and spatial orientation in dreaming and film viewing
Cinema Returns to the Source Werner Herzog’s Cave of Forgotten Dreams
Preview this article: CINEMA RETURNS TO THE SOURCE Werner Herzog's Cave of Forgotten Dreams, Page 1 of 1 /docserver/preview/fulltext/fint/11/1/s4-1.gif
Art (11 works) · History (7 works) · Aesthetics (5 works) · Art history (5 works) · German History and Society (5 works) · German Literature and Culture Studies (4 works) · Law (4 works) · Literature (4 works) · Philosophy (4 works) · Political science (4 works)