James Garratt
Biographic Data
| ID | 3722917 |
|---|---|
| NAME | James Garratt |
| GIVEN NAMES | James |
| FAMILY NAME | Garratt |
| SIGNATURE | GARRATT J |
| AFFILIATIONS | University of Manchester |
| ORCID | 0000-0001-9424-8557 |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Songs for a Revolution
Given the level of interest in music and politics more broadly, it is perhaps surprising how little musicological research has been dedicated to the 1848 revolution. Aside from sporadic attention from Wagner and Schumann scholars, the entanglement of music and musicians in the revolution has largely been overlooked, while narratives of nineteenth-century music history tend to treat it as a non-event. Indeed, a generation ago Carl Dahlhaus dismiss…
Musical Vitalities
Two very different movies came to mind when I started reading this book. The first was Peter Bogdanovich’s screwball comedy What’s Up Doc? (1972), whose musicologist hero Howard Bannister summarizes the focus of his research as being ‘early man’s musical relationship to igneous rock formations’. The second was the Dan Brown thriller Angels and Demons (2009), in which the CERN scientist Vittoria Vetra pithily describes her field as ‘bio-entangleme…
Celia Applegate. The Necessity of Music
Music and Politics
The Politics of Appropriation
Journal Article The Politics of Appropriation: German Romantic Music and the Ancient Greek Legacy . By Jason Geary Get access The Politics of Appropriation: German Romantic Music and the Ancient Greek Legacy . By Jason Geary . pp. xi + 268 . The New Cultural History of Music. ( Oxford University Press , New York and Oxford , 2014 . £32.50. ISBN 978-0-19-973611-9 .) James Garratt James Garratt University of Manchester Search for other works by thi…
Watershed development in India. 2. New approaches for managing externalities and meeting sustainability requirements
Palestrina and the German Romantic Imagination
Perfectly Palestrina
Inventing Realism
Journal Article Inventing Realism: Dahlhaus, Geck, and the Unities of Discourse Get access James Garratt James Garratt Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 84, Issue 3, August 2003, Pages 456–468, https://doi.org/10.1093/ml/84.3.456 Published: 01 August 2003
Performing Renaissance Church Music in Nineteenth‐Century Germany
Crucial to understanding the reception of early music in the nineteenth century is an appreciation of the complex plurality of approaches to its performance. In contrast to our received view, musicians seeking to revive the works of Palestrina, Lassus, and contemporaries engaged seriously with the aesthetic and historical complexities of this task. The varied strategies of performers and the ideological factors shaping them are explored via a ser…
Georg Philipp Telemann Twelve Trios. Steven Zohn
Prophets Looking Backwards
Crucial to understanding the reception of Renaissance music in nineteenth-century Germany is an appreciation of the contradictory components of Romantic historicism. The tension between subjective and objective historicism is fundamental to the historiographical reception of Renaissance music, epitomizing the interdependency of historical representation and modern reform. Protestant authors seeking to reform church music elevated two distinct rep…
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Prophets Looking Backwards
Crucial to understanding the reception of Renaissance music in nineteenth-century Germany is an appreciation of the contradictory components of Romantic historicism. The tension between subjective and objective historicism is fundamental to the historiographical reception of Renaissance music, epitomizing the interdependency of historical representation and modern reform. Protestant authors seeking to reform church music elevated two distinct rep…
Performing Renaissance Church Music in Nineteenth‐Century Germany
Crucial to understanding the reception of early music in the nineteenth century is an appreciation of the complex plurality of approaches to its performance. In contrast to our received view, musicians seeking to revive the works of Palestrina, Lassus, and contemporaries engaged seriously with the aesthetic and historical complexities of this task. The varied strategies of performers and the ideological factors shaping them are explored via a ser…
Georg Philipp Telemann Twelve Trios. Steven Zohn
Perfectly Palestrina
Inventing Realism
Journal Article Inventing Realism: Dahlhaus, Geck, and the Unities of Discourse Get access James Garratt James Garratt Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 84, Issue 3, August 2003, Pages 456–468, https://doi.org/10.1093/ml/84.3.456 Published: 01 August 2003
Palestrina and the German Romantic Imagination
Watershed development in India. 2. New approaches for managing externalities and meeting sustainability requirements
The Politics of Appropriation
Journal Article The Politics of Appropriation: German Romantic Music and the Ancient Greek Legacy . By Jason Geary Get access The Politics of Appropriation: German Romantic Music and the Ancient Greek Legacy . By Jason Geary . pp. xi + 268 . The New Cultural History of Music. ( Oxford University Press , New York and Oxford , 2014 . £32.50. ISBN 978-0-19-973611-9 .) James Garratt James Garratt University of Manchester Search for other works by thi…
Music and Politics
Musical Vitalities
Two very different movies came to mind when I started reading this book. The first was Peter Bogdanovich’s screwball comedy What’s Up Doc? (1972), whose musicologist hero Howard Bannister summarizes the focus of his research as being ‘early man’s musical relationship to igneous rock formations’. The second was the Dan Brown thriller Angels and Demons (2009), in which the CERN scientist Vittoria Vetra pithily describes her field as ‘bio-entangleme…
Celia Applegate. The Necessity of Music
Songs for a Revolution
Given the level of interest in music and politics more broadly, it is perhaps surprising how little musicological research has been dedicated to the 1848 revolution. Aside from sporadic attention from Wagner and Schumann scholars, the entanglement of music and musicians in the revolution has largely been overlooked, while narratives of nineteenth-century music history tend to treat it as a non-event. Indeed, a generation ago Carl Dahlhaus dismiss…
Art (10 works) · Musicology and Musical Analysis (9 works) · Literature (7 works) · Art history (6 works) · Aesthetics (5 works) · German (4 works) · History (4 works) · Law (4 works) · Musical (4 works) · Philosophy (4 works)