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Dehlia Hannah

Biographic Data

ID3730818
NAMEDehlia Hannah
GIVEN NAMESDehlia
FAMILY NAMEHannah
SIGNATUREHANNAH D
AFFILIATIONSInstitut für Medien- und Kommunikationspolitik
ORCID0000-0003-4168-5555
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS4
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Sleep of Reason

    Dehlia Hannah, Ala Roushan et al.•ARTICLE•Afterall A Journal of Art Context…•2020

  • TheXenopusPregnancy Test

    Open Access•E Kirksey, Dehlia Hannah et al.•ARTICLE•Environmental Humanities•2016•Cited by: 4•References: 22

    There is an appreciable distance between the biochemistry of being pregnant and the experience of recognizing oneself as pregnant-a speculative gap that technology can serve to narrow or widen depending on how one chooses to choreograph an ontological state. Conducting an outmoded pregnancy test with live Xenopus frogs, we probed the contours of this gap. As we took an antiquated bioassay out of medical archives, we conducted a performative exper…

  • Debt Aesthetics

    Open Access•Leigh Claire La Berge, Dehlia Hannah•ARTICLE•Postmodern Culture•2015

    This article considers the “debt visualizations” of social practice artist Cassie Thornton. Thorton’s works use a combination of photography, performance art, sculpture, non-fiction narrative, text, and hypertext to explore the cost and consequence of the accumulation of student loans. The essay examines Thornton’s use of both traditional and non-traditional artistic materials and practices in order to articulate how the ‘immaterials’ of debt bec…

  • TheXenopusPregnancy Test

    Open Access•E Kirksey, Dehlia Hannah et al.•ARTICLE•Environmental Humanities•2016•Cited by: 4•References: 22

    There is an appreciable distance between the biochemistry of being pregnant and the experience of recognizing oneself as pregnant-a speculative gap that technology can serve to narrow or widen depending on how one chooses to choreograph an ontological state. Conducting an outmoded pregnancy test with live Xenopus frogs, we probed the contours of this gap. As we took an antiquated bioassay out of medical archives, we conducted a performative exper…

  • Debt Aesthetics

    Open Access•Leigh Claire La Berge, Dehlia Hannah•ARTICLE•Postmodern Culture•2015

    This article considers the “debt visualizations” of social practice artist Cassie Thornton. Thorton’s works use a combination of photography, performance art, sculpture, non-fiction narrative, text, and hypertext to explore the cost and consequence of the accumulation of student loans. The essay examines Thornton’s use of both traditional and non-traditional artistic materials and practices in order to articulate how the ‘immaterials’ of debt bec…

  • TheXenopusPregnancy Test

    Open Access•E Kirksey, Dehlia Hannah et al.•ARTICLE•Environmental Humanities•2016•Cited by: 4•References: 22

    There is an appreciable distance between the biochemistry of being pregnant and the experience of recognizing oneself as pregnant-a speculative gap that technology can serve to narrow or widen depending on how one chooses to choreograph an ontological state. Conducting an outmoded pregnancy test with live Xenopus frogs, we probed the contours of this gap. As we took an antiquated bioassay out of medical archives, we conducted a performative exper…

  • Sleep of Reason

    Dehlia Hannah, Ala Roushan et al.•ARTICLE•Afterall A Journal of Art Context…•2020

Aesthetics (2 works) · Art (2 works) · Computer Science (2 works) · Literature (2 works) · Narrative (2 works) · Philosophy (2 works) · Sociology (2 works) · Anatomy (1 works) · Animal and Plant Science Education (1 works) · Artistic and Creative Research (1 works)

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