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Patrick Burke

Biographic Data

ID3736287
NAMEPatrick Burke
GIVEN NAMESPatrick
FAMILY NAMEBurke
SIGNATUREBURKE P
AFFILIATIONSWashington University in St. Louis
ORCID0000-0002-8490-401X
VERIFIEDYes
TOTAL WORKS23
TOTAL CITATIONS22
AUTHOR COUNT22
EDITOR COUNT1
FIRST PUBLICATION YEAR1926
LATEST PUBLICATION YEAR2026
H-INDEX2
  • New writing communities

    Open Access•Arild Michel Bakken, Patrick Burke et al.•ARTICLE•Frontiers in Education•2026

    Introduction Generative AI creates new possibilities for meaningful literacy work in schools, including opportunities for students to write for real audiences across linguistic boundaries. This study explores students' perspectives on a specially designed platform (AILIT) that enabled them to compose texts, have these texts translated by an integrated large language model, and share them with students in other countries. The receiving students re…

  • ‘We all have to do our bit

    Open Access•Patrick Burke•ARTICLE•Irish Educational Studies•2026

    Over a decade has passed since the publication and enactment of the first National Literacy and Numeracy Strategy (NLNS; Department of Education and Skills. 2011. Literacy and Numeracy for Learning and Life: The National Strategy to Improve Literacy and Numeracy among Children and Young People 2011–2020. Dublin: Department of Education and Skills). This paper provides insights into the reality of its enactment across a range of primary and post-p…

  • Depolicing in Chicago

    Open Access•William P McCarty, Ashley N Muchow et al.•ARTICLE•Crime & Delinquency•2026

    The release of video showing a Chicago Police Department (CPD) officer fatally shooting 17-year-old Laquan McDonald resulted in widespread outrage and scrutiny of the CPD. This study examines whether the video’s release influenced arrest and traffic stop rates in Chicago. It adds to the existing depolicing literature through its focus on the CPD’s specialized units contrasted with officers assigned to patrol. The results indicate that arrest rate…

  • Norwegian Nationalism and the Ethnographic ‘Village’

    Open Access•Patrick Burke•ARTICLE•twentieth-century music•2025

    Kongolandsbyen was an ‘ethnographic village’ staged in Oslo as part of Norway’s Jubilee Exhibition of 1914. The ‘village’ housed and displayed a troupe of eighty Senegalese performers including musicians playing kora, balafon, and other instruments. Examining music’s performance and reception in Kongolandsbyen demonstrates how colonialist practices and beliefs influenced even European nations, such as Norway, that were nominally non-imperialist. …

  • Literacy in the disciplines

    Open Access•Patrick Burke•ARTICLE•Teaching and Teacher Education•2025•References: 5

  • Kīkā Kila

    Patrick Burke•ARTICLE•Ethnohistory•2017

    John W. Troutman’s new book is a history of global cultural transformation and appropriation centered on a specific musical instrument: the Hawaiian steel guitar, or kīkā kila. By employing kīkā kila as a case study, the book sheds light on the history and politics of Hawai‘i, from sovereign kingdom to fiftieth state, and the dramatic way in which an obscure, local musical tradition became fundamental to the development of popular music around th…

  • The Barbarian Principle: Merleau-Ponty, Schelling, and the Question of Nature

    Jason Wirth, Patrick Burke•BOOK•The Barbarian Principle:…•2013

  • The Screamers

    Open Access•Patrick Burke•ARTICLE•Daedalus•2013

    While screaming during popular music performances (at least loudly amplified ones) has become unremarkable and even expected, the mid-twentieth-century United States witnessed a series of debates over the appropriateness and significance of screaming. These debates, fraught with moral judgment and often open panic, focused on issues central to American popular music: sexuality, race, class, and the rights and responsibilities of the individual. T…

  • Clamor of the Godz

    Patrick Burke•ARTICLE•American Music•2011

    Research Article| May 01 2011 Clamor of the Godz: Radical Incompetence in 1960s Rock Patrick Burke Patrick Burke Search for other works by this author on: This Site Google American Music (2011) 29 (1): 35–63. https://doi.org/10.5406/americanmusic.29.1.0035 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Patrick Burke; Clamor of the Godz: Radical Incompetence in 1960s Rock. American Music 1 January 2011; 29 (1): 35–63. doi…

  • Pops

    Patrick Burke•ARTICLE•Journal of American History•2011

    Terry Teachout modestly describes Pops as a “synthesis” of other scholars’ research (p. 380). It is true that Louis Armstrong's fascinating story, from his impoverished childhood in New Orleans to his incredible achievement as a jazz innovator to his later success as a pop star and movie actor, has been covered in whole or in part by many other works, including James Lincoln Collier's controversial “psychobiography” (p. 374), Louis Armstrong: An …

  • Tear down the walls

    Open Access•Patrick Burke•ARTICLE•Popular Music•2010•Cited by: 2•References: 15

    While the notion of the 'rock revolution' of the 1960s has by now become commonplace, scholars have rarely addressed the racial implications of this purported revolution. This article examines a notorious 1968 blackface performance by Grace Slick, lead singer of Jefferson Airplane, to shed light on a significant tendency in 1960s rock: white musicians casting themselves as political revolutionaries by enacting an idealised vision of African Ameri…

  • Come in and Hear the Truth

    Susan Curtis, Patrick Burke•ARTICLE•Journal of American History•2009

  • Your Humble Servant

    Patrick Burke•ARTICLE•The English Historical Review•2008

    This slim volume represents the first-fruits of an ambitious Dutch project on ‘Cultural and Political Brokerage in Early Modern Europe’, with eleven essays based on conference papers. The contributors come from Britain, the USA, Germany and Denmark as well as from the Netherlands, and their interests range from economic and political history to the history of the book and the history of art. The thread binding the contributions together is that o…

  • The Political Economy of Exile in the Great Dismal Swamp

    Open Access•Daniel O Sayers, Patrick Burke et al.•ARTICLE•International Journal of…•2007•Cited by: 20•References: 50

  • The Cambridge Companion to Brian Friel

    Open Access•Thomas Kilroy, Frank McGuinness et al.•BOOK•The Cambridge companion to Brian…•2006

    Brian Friel is widely recognized as Ireland's greatest living playwright, winning an international reputation through such acclaimed works as Translations (1980) and Dancing at Lughnasa (1990). This 2006 collection of specially commissioned essays includes contributions from leading commentators on Friel's work (including two fellow playwrights) and explores the entire range of his career from his 1964 breakthrough with Philadelphia, Here I Come!…

  • Oasis of Swing

    Patrick Burke•ARTICLE•American Music•2006

    Research Article| October 01 2006 Oasis of Swing: The Onyx Club, Jazz, and White Masculinity in the Early 1930s Patrick Burke Patrick Burke Search for other works by this author on: This Site Google American Music (2006) 24 (3): 320–346. https://doi.org/10.2307/25046035 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Patrick Burke; Oasis of Swing: The Onyx Club, Jazz, and White Masculinity in the …

  • Kearney's Wagner

    Open Access•Patrick Burke, Patrick J Burke•ARTICLE•Man and World•2003

  • Literacy and Written Culture in Early Modern Central Europe

    Patrick Burke•ARTICLE•The English Historical Review•2002

    1Emmanuel College, Cambridge Literacy and Written Culture in Early Modern Central Europe István GyörgyTóth BudapestCentral European U.P. 2000266£25.95

  • Johan Huizinga

    Patrick Burke•ARTICLE•The English Historical Review•2001

    Journal Article Johan Huizinga: Geschichtswissenschaft als Kulturgeschichte, Christoph Strupp Get access Peter Burke Peter Burke Emmanuel College, Cambridge Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume 116, Issue 466, April 2001, Pages 513–514, https://doi.org/10.1093/ehr/116.466.513 Published: 01 April 2001

  • The Fragile Universe

    Open Access•Patrick Burke•BOOK•Fragile Universe•1979

  • Fragile Universe

    John Hick, Patrick Burke•BOOK•Fragile Universe•1979

  • Culture

    Patrick Burke•CHAPTER•Fragile Universe•1979

    The traveller through the regions of the Nile and the Ganges, if he passes by the stagnant ponds the currents have dug out and abandoned, will see lotuses rising out of the slime and ascending through the muddy water, leaving the surface behind and climbing up into the air, and opening their buds, bursts of colour spurning the touch of the water and dirt that bears them. If such a flower grew only in the beautiful places appropriate to it, it mig…

  • Popularity and the Classics

    P J Burke, Patrick Burke•ARTICLE•The Musical Times•1926

  • The Political Economy of Exile in the Great Dismal Swamp

    Open Access•Daniel O Sayers, Patrick Burke et al.•ARTICLE•International Journal of…•2007•Cited by: 20•References: 50

  • Tear down the walls

    Open Access•Patrick Burke•ARTICLE•Popular Music•2010•Cited by: 2•References: 15

    While the notion of the 'rock revolution' of the 1960s has by now become commonplace, scholars have rarely addressed the racial implications of this purported revolution. This article examines a notorious 1968 blackface performance by Grace Slick, lead singer of Jefferson Airplane, to shed light on a significant tendency in 1960s rock: white musicians casting themselves as political revolutionaries by enacting an idealised vision of African Ameri…

  • Popularity and the Classics

    P J Burke, Patrick Burke•ARTICLE•The Musical Times•1926

  • The Fragile Universe

    Open Access•Patrick Burke•BOOK•Fragile Universe•1979

  • Fragile Universe

    John Hick, Patrick Burke•BOOK•Fragile Universe•1979

  • Culture

    Patrick Burke•CHAPTER•Fragile Universe•1979

    The traveller through the regions of the Nile and the Ganges, if he passes by the stagnant ponds the currents have dug out and abandoned, will see lotuses rising out of the slime and ascending through the muddy water, leaving the surface behind and climbing up into the air, and opening their buds, bursts of colour spurning the touch of the water and dirt that bears them. If such a flower grew only in the beautiful places appropriate to it, it mig…

  • Johan Huizinga

    Patrick Burke•ARTICLE•The English Historical Review•2001

    Journal Article Johan Huizinga: Geschichtswissenschaft als Kulturgeschichte, Christoph Strupp Get access Peter Burke Peter Burke Emmanuel College, Cambridge Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume 116, Issue 466, April 2001, Pages 513–514, https://doi.org/10.1093/ehr/116.466.513 Published: 01 April 2001

  • Literacy and Written Culture in Early Modern Central Europe

    Patrick Burke•ARTICLE•The English Historical Review•2002

    1Emmanuel College, Cambridge Literacy and Written Culture in Early Modern Central Europe István GyörgyTóth BudapestCentral European U.P. 2000266£25.95

  • Kearney's Wagner

    Open Access•Patrick Burke, Patrick J Burke•ARTICLE•Man and World•2003

  • The Cambridge Companion to Brian Friel

    Open Access•Thomas Kilroy, Frank McGuinness et al.•BOOK•The Cambridge companion to Brian…•2006

    Brian Friel is widely recognized as Ireland's greatest living playwright, winning an international reputation through such acclaimed works as Translations (1980) and Dancing at Lughnasa (1990). This 2006 collection of specially commissioned essays includes contributions from leading commentators on Friel's work (including two fellow playwrights) and explores the entire range of his career from his 1964 breakthrough with Philadelphia, Here I Come!…

  • Oasis of Swing

    Patrick Burke•ARTICLE•American Music•2006

    Research Article| October 01 2006 Oasis of Swing: The Onyx Club, Jazz, and White Masculinity in the Early 1930s Patrick Burke Patrick Burke Search for other works by this author on: This Site Google American Music (2006) 24 (3): 320–346. https://doi.org/10.2307/25046035 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Patrick Burke; Oasis of Swing: The Onyx Club, Jazz, and White Masculinity in the …

  • The Political Economy of Exile in the Great Dismal Swamp

    Open Access•Daniel O Sayers, Patrick Burke et al.•ARTICLE•International Journal of…•2007•Cited by: 20•References: 50

  • Your Humble Servant

    Patrick Burke•ARTICLE•The English Historical Review•2008

    This slim volume represents the first-fruits of an ambitious Dutch project on ‘Cultural and Political Brokerage in Early Modern Europe’, with eleven essays based on conference papers. The contributors come from Britain, the USA, Germany and Denmark as well as from the Netherlands, and their interests range from economic and political history to the history of the book and the history of art. The thread binding the contributions together is that o…

  • Come in and Hear the Truth

    Susan Curtis, Patrick Burke•ARTICLE•Journal of American History•2009

  • Tear down the walls

    Open Access•Patrick Burke•ARTICLE•Popular Music•2010•Cited by: 2•References: 15

    While the notion of the 'rock revolution' of the 1960s has by now become commonplace, scholars have rarely addressed the racial implications of this purported revolution. This article examines a notorious 1968 blackface performance by Grace Slick, lead singer of Jefferson Airplane, to shed light on a significant tendency in 1960s rock: white musicians casting themselves as political revolutionaries by enacting an idealised vision of African Ameri…

  • Clamor of the Godz

    Patrick Burke•ARTICLE•American Music•2011

    Research Article| May 01 2011 Clamor of the Godz: Radical Incompetence in 1960s Rock Patrick Burke Patrick Burke Search for other works by this author on: This Site Google American Music (2011) 29 (1): 35–63. https://doi.org/10.5406/americanmusic.29.1.0035 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Patrick Burke; Clamor of the Godz: Radical Incompetence in 1960s Rock. American Music 1 January 2011; 29 (1): 35–63. doi…

  • Pops

    Patrick Burke•ARTICLE•Journal of American History•2011

    Terry Teachout modestly describes Pops as a “synthesis” of other scholars’ research (p. 380). It is true that Louis Armstrong's fascinating story, from his impoverished childhood in New Orleans to his incredible achievement as a jazz innovator to his later success as a pop star and movie actor, has been covered in whole or in part by many other works, including James Lincoln Collier's controversial “psychobiography” (p. 374), Louis Armstrong: An …

  • The Barbarian Principle: Merleau-Ponty, Schelling, and the Question of Nature

    Jason Wirth, Patrick Burke•BOOK•The Barbarian Principle:…•2013

  • The Screamers

    Open Access•Patrick Burke•ARTICLE•Daedalus•2013

    While screaming during popular music performances (at least loudly amplified ones) has become unremarkable and even expected, the mid-twentieth-century United States witnessed a series of debates over the appropriateness and significance of screaming. These debates, fraught with moral judgment and often open panic, focused on issues central to American popular music: sexuality, race, class, and the rights and responsibilities of the individual. T…

  • Kīkā Kila

    Patrick Burke•ARTICLE•Ethnohistory•2017

    John W. Troutman’s new book is a history of global cultural transformation and appropriation centered on a specific musical instrument: the Hawaiian steel guitar, or kīkā kila. By employing kīkā kila as a case study, the book sheds light on the history and politics of Hawai‘i, from sovereign kingdom to fiftieth state, and the dramatic way in which an obscure, local musical tradition became fundamental to the development of popular music around th…

  • Norwegian Nationalism and the Ethnographic ‘Village’

    Open Access•Patrick Burke•ARTICLE•twentieth-century music•2025

    Kongolandsbyen was an ‘ethnographic village’ staged in Oslo as part of Norway’s Jubilee Exhibition of 1914. The ‘village’ housed and displayed a troupe of eighty Senegalese performers including musicians playing kora, balafon, and other instruments. Examining music’s performance and reception in Kongolandsbyen demonstrates how colonialist practices and beliefs influenced even European nations, such as Norway, that were nominally non-imperialist. …

  • Literacy in the disciplines

    Open Access•Patrick Burke•ARTICLE•Teaching and Teacher Education•2025•References: 5

  • New writing communities

    Open Access•Arild Michel Bakken, Patrick Burke et al.•ARTICLE•Frontiers in Education•2026

    Introduction Generative AI creates new possibilities for meaningful literacy work in schools, including opportunities for students to write for real audiences across linguistic boundaries. This study explores students' perspectives on a specially designed platform (AILIT) that enabled them to compose texts, have these texts translated by an integrated large language model, and share them with students in other countries. The receiving students re…

  • ‘We all have to do our bit

    Open Access•Patrick Burke•ARTICLE•Irish Educational Studies•2026

    Over a decade has passed since the publication and enactment of the first National Literacy and Numeracy Strategy (NLNS; Department of Education and Skills. 2011. Literacy and Numeracy for Learning and Life: The National Strategy to Improve Literacy and Numeracy among Children and Young People 2011–2020. Dublin: Department of Education and Skills). This paper provides insights into the reality of its enactment across a range of primary and post-p…

  • Depolicing in Chicago

    Open Access•William P McCarty, Ashley N Muchow et al.•ARTICLE•Crime & Delinquency•2026

    The release of video showing a Chicago Police Department (CPD) officer fatally shooting 17-year-old Laquan McDonald resulted in widespread outrage and scrutiny of the CPD. This study examines whether the video’s release influenced arrest and traffic stop rates in Chicago. It adds to the existing depolicing literature through its focus on the CPD’s specialized units contrasted with officers assigned to patrol. The results indicate that arrest rate…

History (12 works) · Art (11 works) · Law (9 works) · Art history (8 works) · History (8 works) · Political science (8 works) · Sociology (8 works) · Music History and Culture (5 works) · Politics (5 works) · Psychology (5 works)

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