Robin D Moore
Biographic Data
| ID | 3737032 |
|---|---|
| NAME | Robin D Moore |
| GIVEN NAMES | Robin D |
| FAMILY NAME | Moore |
| SIGNATURE | MOORE R D |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Violín: Mediating Musical Style and Devotional Practice in 21st-Century Cuba
Afrodescendant religious music in the Caribbean and Latin America typically foregrounds drumming and centuries-old songs of praise to spirit deities. In recent years, a new form of worship, known as a violín or toque de violín, which features the violin alongside the guitar, electronic piano, and/or other instruments commonly associated with popular music, has gained popularity in Cuba. Violines can be understood as loosely defined spaces for per…
The Danzón, North American Racial Discourses, and Reflections on Early Jazz
This essay proposes a way of understanding the formation of jazz as part of a broader transnational exchange of culture. It argues that the processes by which jazz came into being closely resemble others taking place in Cuba and elsewhere, and thus calls for analysis that positions jazz as part of a hemispheric exchange of cultural influences that extend beyond the United States. Second, it reviews and critiques existing scholarship on New Orlean…
Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940
The Bahamas: Islands of Song
The Danzón, North American Racial Discourses, and Reflections on Early Jazz
This essay proposes a way of understanding the formation of jazz as part of a broader transnational exchange of culture. It argues that the processes by which jazz came into being closely resemble others taking place in Cuba and elsewhere, and thus calls for analysis that positions jazz as part of a hemispheric exchange of cultural influences that extend beyond the United States. Second, it reviews and critiques existing scholarship on New Orlean…
Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940
The Bahamas: Islands of Song
The Danzón, North American Racial Discourses, and Reflections on Early Jazz
This essay proposes a way of understanding the formation of jazz as part of a broader transnational exchange of culture. It argues that the processes by which jazz came into being closely resemble others taking place in Cuba and elsewhere, and thus calls for analysis that positions jazz as part of a hemispheric exchange of cultural influences that extend beyond the United States. Second, it reviews and critiques existing scholarship on New Orlean…
Violín: Mediating Musical Style and Devotional Practice in 21st-Century Cuba
Afrodescendant religious music in the Caribbean and Latin America typically foregrounds drumming and centuries-old songs of praise to spirit deities. In recent years, a new form of worship, known as a violín or toque de violín, which features the violin alongside the guitar, electronic piano, and/or other instruments commonly associated with popular music, has gained popularity in Cuba. Violines can be understood as loosely defined spaces for per…
Caribbean history, culture, and politics (3 works) · Cuban History and Society (3 works) · Art (2 works) · Art history (2 works) · History (2 works) · Latin American and Latino Studies (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Anthropology (1 works) · Ceremony (1 works)