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Albrecht Schneider

Biographic Data

ID3737056
NAMEAlbrecht Schneider
GIVEN NAMESAlbrecht
FAMILY NAMESchneider
SIGNATURESCHNEIDER A
AFFILIATIONSHamburg University of Music and Drama
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS5
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2006
H-INDEX1
  • Comparative and Systematic Musicology in Relation to Ethnomusicology

    Albrecht Schneider•ARTICLE•Ethnomusicology•2006•Cited by: 1

    Research Article| April 01 2006 Comparative and Systematic Musicology in Relation to Ethnomusicology: A Historical and Methodological Survey Albrecht Schneider Albrecht Schneider Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (2): 236–258. https://doi.org/10.2307/20174451 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Albrecht Schneider; Comparative and Syste…

  • A Question of Balance

    Albrecht Schneider, Taylor Aitken Greer et al.•ARTICLE•Ethnomusicology•2002

  • Sound, Pitch, and Scale

    Albrecht Schneider•ARTICLE•Ethnomusicology•2001•Cited by: 3•References: 2

    L'etude des operations d'accord musical et des echelles musicales, particulierement pour les idiophones, necessitant de prendre en compte des aspects acoustiques, perceptifs et cognitifs, une analyse objective de la structure sonore complexe, aussi bien pour l'execution musicale que pour l'ecoute, semble s'imposer. L'A. examine l'apport de l'analyse sonologique - traitement digital du signal et autres techniques similaires - pour l'etude de certa…

  • Melodiegestalten im luxemburgischen Volkslied. Zur Anwendung computergestützter Verfahren bei der Klassifikation von Volksliedabschnitten

    Albrecht Schneider, Damien Sagrillo•ARTICLE•Lied und populäre Kultur / Song…•2000

  • Inharmonic Sounds

    Albrecht Schneider•ARTICLE•Journal of New Music Research•2000•References: 39

    This paper relates the structure of certain types of inharmonic complex sounds such as produced by idiophones (gongs, bells, etc.) to perceptual observations as well as to models of pitch and timbre perception. Since most of the current models operate in the time domain focussing on the concept of periodicity, it is argued that perception of pitch of inharmonic sounds, in general, is more ambiguous because (quasi-)periodicity in many such signals…

  • Vom tonenden Wirbel menschlichen Tuns. Erich M. von Hornbostel als Gestaltpsychologe, Archivar und Musikwissenschaftler

    Albrecht Schneider, Sebastian Klotz•ARTICLE•Ethnomusicology•1999

  • On rhythm perception

    Uwe Seifert, Fabian Olk et al.•ARTICLE•Journal of New Music Research•1995•References: 30

    The first part of this article discusses theoretical issues in rhythm perception, and in particular the so‐called Derler system which has been employed in the interpretation of, mainly, non‐Western rhythmic phenomena. This system can be related to theories of time quanta perception in cognitive neuropsychology. Rhythm perception and theory serve as examples of how to combine results from different disciplines to obtain a unified framework for fur…

  • The Melodic Tradition of Ireland

    Albrecht Schneider, James R Cowdery•ARTICLE•Jahrbuch für Volksliedforschung•1993•Cited by: 1

    This book draws on previous studies of Irish music and general melodic theory to describe the inner workings of a rich melodic tradition. Irish folk music, resting upon monophonic melodies which are varied and ornamented, are thus viewed from several perspectives - ethnographic and musical, insider and theoretical - to weave an integrated image of a still thriving genre. The concepts of family and melody type are starting points for the qualitati…

  • Zu einigen Ansätzen und Verfahren in neueren musiktheoretischen Konzepten

    Albrecht Schneider, Uwe Seifert•ARTICLE•Acta Musicologica•1986

  • Zur Grundlegung der Systematischen Musikwissenschaft

    Vladimir Karbusicky, Albrecht Schneider•ARTICLE•Acta Musicologica•1980

  • History, Myth, and Fiction

    Albrecht Schneider•ARTICLE•Ethnomusicology•1978

  • Musikwissenschaft und Kulturkreislehre

    Dieter Christensen, Albrecht Schneider•ARTICLE•Ethnomusicology•1977

  • Sound, Pitch, and Scale

    Albrecht Schneider•ARTICLE•Ethnomusicology•2001•Cited by: 3•References: 2

    L'etude des operations d'accord musical et des echelles musicales, particulierement pour les idiophones, necessitant de prendre en compte des aspects acoustiques, perceptifs et cognitifs, une analyse objective de la structure sonore complexe, aussi bien pour l'execution musicale que pour l'ecoute, semble s'imposer. L'A. examine l'apport de l'analyse sonologique - traitement digital du signal et autres techniques similaires - pour l'etude de certa…

  • Comparative and Systematic Musicology in Relation to Ethnomusicology

    Albrecht Schneider•ARTICLE•Ethnomusicology•2006•Cited by: 1

    Research Article| April 01 2006 Comparative and Systematic Musicology in Relation to Ethnomusicology: A Historical and Methodological Survey Albrecht Schneider Albrecht Schneider Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (2): 236–258. https://doi.org/10.2307/20174451 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Albrecht Schneider; Comparative and Syste…

  • The Melodic Tradition of Ireland

    Albrecht Schneider, James R Cowdery•ARTICLE•Jahrbuch für Volksliedforschung•1993•Cited by: 1

    This book draws on previous studies of Irish music and general melodic theory to describe the inner workings of a rich melodic tradition. Irish folk music, resting upon monophonic melodies which are varied and ornamented, are thus viewed from several perspectives - ethnographic and musical, insider and theoretical - to weave an integrated image of a still thriving genre. The concepts of family and melody type are starting points for the qualitati…

  • Musikwissenschaft und Kulturkreislehre

    Dieter Christensen, Albrecht Schneider•ARTICLE•Ethnomusicology•1977

  • History, Myth, and Fiction

    Albrecht Schneider•ARTICLE•Ethnomusicology•1978

  • Zur Grundlegung der Systematischen Musikwissenschaft

    Vladimir Karbusicky, Albrecht Schneider•ARTICLE•Acta Musicologica•1980

  • Zu einigen Ansätzen und Verfahren in neueren musiktheoretischen Konzepten

    Albrecht Schneider, Uwe Seifert•ARTICLE•Acta Musicologica•1986

  • The Melodic Tradition of Ireland

    Albrecht Schneider, James R Cowdery•ARTICLE•Jahrbuch für Volksliedforschung•1993•Cited by: 1

    This book draws on previous studies of Irish music and general melodic theory to describe the inner workings of a rich melodic tradition. Irish folk music, resting upon monophonic melodies which are varied and ornamented, are thus viewed from several perspectives - ethnographic and musical, insider and theoretical - to weave an integrated image of a still thriving genre. The concepts of family and melody type are starting points for the qualitati…

  • On rhythm perception

    Uwe Seifert, Fabian Olk et al.•ARTICLE•Journal of New Music Research•1995•References: 30

    The first part of this article discusses theoretical issues in rhythm perception, and in particular the so‐called Derler system which has been employed in the interpretation of, mainly, non‐Western rhythmic phenomena. This system can be related to theories of time quanta perception in cognitive neuropsychology. Rhythm perception and theory serve as examples of how to combine results from different disciplines to obtain a unified framework for fur…

  • Vom tonenden Wirbel menschlichen Tuns. Erich M. von Hornbostel als Gestaltpsychologe, Archivar und Musikwissenschaftler

    Albrecht Schneider, Sebastian Klotz•ARTICLE•Ethnomusicology•1999

  • Melodiegestalten im luxemburgischen Volkslied. Zur Anwendung computergestützter Verfahren bei der Klassifikation von Volksliedabschnitten

    Albrecht Schneider, Damien Sagrillo•ARTICLE•Lied und populäre Kultur / Song…•2000

  • Inharmonic Sounds

    Albrecht Schneider•ARTICLE•Journal of New Music Research•2000•References: 39

    This paper relates the structure of certain types of inharmonic complex sounds such as produced by idiophones (gongs, bells, etc.) to perceptual observations as well as to models of pitch and timbre perception. Since most of the current models operate in the time domain focussing on the concept of periodicity, it is argued that perception of pitch of inharmonic sounds, in general, is more ambiguous because (quasi-)periodicity in many such signals…

  • Sound, Pitch, and Scale

    Albrecht Schneider•ARTICLE•Ethnomusicology•2001•Cited by: 3•References: 2

    L'etude des operations d'accord musical et des echelles musicales, particulierement pour les idiophones, necessitant de prendre en compte des aspects acoustiques, perceptifs et cognitifs, une analyse objective de la structure sonore complexe, aussi bien pour l'execution musicale que pour l'ecoute, semble s'imposer. L'A. examine l'apport de l'analyse sonologique - traitement digital du signal et autres techniques similaires - pour l'etude de certa…

  • A Question of Balance

    Albrecht Schneider, Taylor Aitken Greer et al.•ARTICLE•Ethnomusicology•2002

  • Comparative and Systematic Musicology in Relation to Ethnomusicology

    Albrecht Schneider•ARTICLE•Ethnomusicology•2006•Cited by: 1

    Research Article| April 01 2006 Comparative and Systematic Musicology in Relation to Ethnomusicology: A Historical and Methodological Survey Albrecht Schneider Albrecht Schneider Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (2): 236–258. https://doi.org/10.2307/20174451 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Albrecht Schneider; Comparative and Syste…

Art (6 works) · Computer Science (5 works) · Musicology and Musical Analysis (5 works) · Musical (4 works) · Philosophy (4 works) · Diverse Musicological Studies (3 works) · Literature (3 works) · Psychology (3 works) · Acoustics (2 works) · Ethnomusicology (2 works)

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