Henry Kingsbury

Biographic Data

ID3737066
NAMEHenry Kingsbury
GIVEN NAMESHenry
FAMILY NAMEKingsbury
SIGNATUREKINGSBURY H
AFFILIATIONSBrown University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS29
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR1997
H-INDEX3

  • New Testament Anthropology and the Claim of an Ethnographer's Voice

    Open AccessHenry KingsburyARTICLEDialectical Anthropology1997

  • Henry Kingsbury's Response

    Henry KingsburyARTICLEEthnomusicology1997

  • Should Ethnomusicology Be Abolished? (Reprise)

    Henry KingsburyARTICLEEthnomusicology1997Cited by: 6References: 2

    Cet article se veut la continuation d'une reflexion amorcee par Fred Liberman en 1977 qui posait la question d'une eventuelle abolition de l'ethnomusicologie. L'ethnomusicologie ne semble pas hors course actuellement ; elle a su se faire une place autonome entre l'ethnologie et la musicologie mais sa rhetorique generale s'est fossilisee dans les propositions de la fin du XIX e siecle. L'A. suggere d'adopter le terme de sociomusicologie au lieu d'…

  • Heartland Excursions

    Open AccessHenry Kingsbury, Bruno NettlARTICLENotes1996Cited by: 5

  • Sociological Factors in Musicological Poetics

    Henry KingsburyARTICLEEthnomusicology1991Cited by: 2References: 4

    Sur la rencontre des domaines litteraire, sociologique et musical. L'A. s'interesse aux implications sociologiques de l'ecriture musicologique et aux configurations sociales impliquees dans l'imagerie rhetorique du discours musicologique : la diction figurative de la musicologie a une signification sociale et litteraire

  • Discord

    Henry Kingsbury, John BeckerARTICLEEthnomusicology1991

  • Music, Talent and Performance

    Ellen Koskoff, Henry KingsburyARTICLEEthnomusicology1990

  • Music, Communication, Ideology

    Henry Kingsbury, Michael Jenne et al.ARTICLEYearbook for Traditional Music1988

  • Miraculous Voices

    Donald F Tuzin, Donald Tuzin et al.ARTICLECurrent Anthropology1984Cited by: 16

    Ritual sounds produced by the secret men's cult of the Ilahita Arapesh (East Sepik Province, Papua New Guinea) evoke feelings which, even to the operators, are mysterious in perceptual origin and therefore iconically apposite to, and validating of, the mysterious "spirit voices" these sounds are claimed literally to be. This paper examines the proposition that certain sounds affect the central nervous system in a manner that arouses feelings of t…