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Klaus P Wachsmann

Biographic Data

ID3737097
NAMEKlaus P Wachsmann
GIVEN NAMESKlaus P
FAMILY NAMEWachsmann
SIGNATUREWACHSMANN K P
VERIFIEDNo
TOTAL WORKS27
TOTAL CITATIONS29
AUTHOR COUNT26
EDITOR COUNT1
FIRST PUBLICATION YEAR1949
LATEST PUBLICATION YEAR2012
H-INDEX3
  • Hornbostel Opera Omnia

    Klaus P Wachsmann, Dieter Christensen et al.•BOOK•Hornbostel Opera Omnia•2012

  • Instruments, classification of

    Klaus Wachsmann, Klaus P Wachsmann et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Lute

    Klaus Wachsmann, Klaus P Wachsmann et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Lyre

    Klaus Wachsmann, Klaus P Wachsmann et al.•CHAPTER•The new Grove dictionary of music…•2001

  • The Changeability of Musical Experience

    Klaus Wachsmann, Klaus P Wachsmann•ARTICLE•Ethnomusicology•1982•Cited by: 1

    I greatly appreciate the honor of having been nominated to give the Distinguished Lecture at this meeting, especially because this annual series was initiated by my friend, the late Charles Seeger (1977:179-188). On that occasion, in 1976, Charles thought it appropriate to consider the making of a survey of the field of as a whole and to develop his view that, as he put it, musicology of whatever kind, is a speech study. To him, speech and music …

  • The Anthropology of Music

    Open Access•Klaus Wachsmann, Klaus P Wachsmann et al.•ARTICLE•RAIN•1978

  • Hornbostel Opera Omnia

    Marcia Herndon, G Behague et al.•ARTICLE•Ethnomusicology•1976

  • A “Shiplike” string instrument from West Africa

    Klaus Wachsmann, Klaus P Wachsmann•ARTICLE•Ethnos•1973•References: 5

    1973). A “Shiplike” string instrument from West Africa. Ethnos: Vol. 38, No. 1-4, pp. 43-56

  • Spencer to Hood: A Changing View of Non-European Music

    Klaus Wachsmann, Klaus P Wachsmann•ARTICLE•Proceedings of the Royal…•1973•References: 1

  • Essays on Music and History in Africa

    David W Ames, Klaus Wachsmann et al.•ARTICLE•Ethnomusicology•1973

  • Essays on Music and History in Africa

    Alan P Merriam, Klaus P Wachsmann•ARTICLE•African Arts•1972•Cited by: 5

  • Essays on Music and History in Africa

    Gerald W Hartwig, Klaus P Wachsmann•ARTICLE•The International Journal of…•1972•Cited by: 5

  • The Interrelations of Musical Instruments, Musical Forms, and Cultural Systems in Africa

    Klaus P Wachsmann, Russell Kay•ARTICLE•Technology and Culture•1971

    The technological study of African music shows that instruments and forms are generally bound up with cultural systems. Interrelations among them can be traced at many different levels, although this discussion will be limited to only three of these. The level of social function is perhaps most accessible to us in these times of social turmoil. It is easy to see that an instrument can be said to reinforce the social order in all sorts of ways and…

  • Universal Perspectives in Music

    Klaus P Wachsmann•ARTICLE•Ethnomusicology•1971•Cited by: 1

    I have looked carefully at the description of our topic; and it seems that it would be possible to talk about if we left out the word Professor McAllester's exposition on the heightening of experience has almost convinced me of that possibility. And it also occurred to me that we could leave in, but take universals out, with equal impunity. One could equally safely and fruitfully leave out both words-and this would leave us with perspectives, whe…

  • Music

    Klaus P Wachsmann•ARTICLE•Journal of the Folklore Institute•1969•Cited by: 1

  • The Freedom Songs of the Somali Republic

    Klaus Wachsmann, Klaus P Wachsmann et al.•ARTICLE•Ethnomusicology•1966

  • A Select Bibliography of Music in Africa

    Gilbert Rouget, L J P Gaskin et al.•ARTICLE•Revue de musicologie•1965

  • Primitive Music

    Klaus P Wachsmann, John Greenway•ARTICLE•Western Folklore•1965

  • Some Speculations Concerning a Drum Chime in Buganda

    Klaus P Wachsmann•ARTICLE•Man•1965

  • Classification of Music Instruments

    Theodore C Grame, Erich Moritz Von Hornbostel et al.•ARTICLE•Ethnomusicology•1963

  • A Rare Nuba Trumpet Collected by the Seligmans

    Klaus P Wachsmann•ARTICLE•Man•1963

  • The sociology of recording in Africa south of the Sahara

    Open Access•Klaus Wachsmann, Klaus P Wachsmann•ARTICLE•African Music Journal of the…•1959

    In recent years, at conferences on the welfare of folk music, much comment could be heard on the rapidity and thoroughness of the changes which affect society today. However, there was no witch-hunting; the mood was not to blame but to understand. Although there was a feeling that it was pointless to resist this kind of change, there was also some mental reservation that some good might be done if the disruption of continuity in folk music could …

  • V International Congress of Anthropological and Ethnological Sciences: A Report on the Ethnomusicological Section

    Klaus P Wachsmann•ARTICLE•Man•1957

  • A Study of Norms in the Tribal Music of Uganda

    Klaus P Wachsmann•ARTICLE•Ethnomusicology•1957•Cited by: 3•References: 2

    out, with interruptions, over a period of five years; a systematic survey on disc and tape has been made, and there are now some 1,500 recorded items in the archives of the Museum. The survey was organized on a tribal basis, and we developed the programme to take account not only of musical aspects but of social functions. We feel that no more fieldwork should be done--except, of course, where gaps must be filled or specific tests carried out--an…

  • Tribal Crafts of Uganda

    Margaret Trowell, Klaus P Wachsmann•ARTICLE•The South African Archaeological…•1953•Cited by: 10

Next
  • Tribal Crafts of Uganda

    Margaret Trowell, Klaus P Wachsmann•ARTICLE•The South African Archaeological…•1953•Cited by: 10

  • Essays on Music and History in Africa

    Alan P Merriam, Klaus P Wachsmann•ARTICLE•African Arts•1972•Cited by: 5

  • Essays on Music and History in Africa

    Gerald W Hartwig, Klaus P Wachsmann•ARTICLE•The International Journal of…•1972•Cited by: 5

  • A Study of Norms in the Tribal Music of Uganda

    Klaus P Wachsmann•ARTICLE•Ethnomusicology•1957•Cited by: 3•References: 2

    out, with interruptions, over a period of five years; a systematic survey on disc and tape has been made, and there are now some 1,500 recorded items in the archives of the Museum. The survey was organized on a tribal basis, and we developed the programme to take account not only of musical aspects but of social functions. We feel that no more fieldwork should be done--except, of course, where gaps must be filled or specific tests carried out--an…

  • Musicology in Uganda

    Klaus P Wachsmann•ARTICLE•The Journal of the Royal…•1952•Cited by: 3

  • The Changeability of Musical Experience

    Klaus Wachsmann, Klaus P Wachsmann•ARTICLE•Ethnomusicology•1982•Cited by: 1

    I greatly appreciate the honor of having been nominated to give the Distinguished Lecture at this meeting, especially because this annual series was initiated by my friend, the late Charles Seeger (1977:179-188). On that occasion, in 1976, Charles thought it appropriate to consider the making of a survey of the field of as a whole and to develop his view that, as he put it, musicology of whatever kind, is a speech study. To him, speech and music …

  • Universal Perspectives in Music

    Klaus P Wachsmann•ARTICLE•Ethnomusicology•1971•Cited by: 1

    I have looked carefully at the description of our topic; and it seems that it would be possible to talk about if we left out the word Professor McAllester's exposition on the heightening of experience has almost convinced me of that possibility. And it also occurred to me that we could leave in, but take universals out, with equal impunity. One could equally safely and fruitfully leave out both words-and this would leave us with perspectives, whe…

  • Music

    Klaus P Wachsmann•ARTICLE•Journal of the Folklore Institute•1969•Cited by: 1

  • Ngoma: An Introduction to Music for Southern Africans. By Hugh T. Tracey. Longmans, Green & Co., London: 1948

    Open Access•Klaus P Wachsmann•ARTICLE•Africa•1949

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Musicology in Uganda

    Klaus P Wachsmann•ARTICLE•The Journal of the Royal…•1952•Cited by: 3

  • Tribal Crafts of Uganda

    Margaret Trowell, Klaus P Wachsmann•ARTICLE•The South African Archaeological…•1953•Cited by: 10

  • V International Congress of Anthropological and Ethnological Sciences: A Report on the Ethnomusicological Section

    Klaus P Wachsmann•ARTICLE•Man•1957

  • A Study of Norms in the Tribal Music of Uganda

    Klaus P Wachsmann•ARTICLE•Ethnomusicology•1957•Cited by: 3•References: 2

    out, with interruptions, over a period of five years; a systematic survey on disc and tape has been made, and there are now some 1,500 recorded items in the archives of the Museum. The survey was organized on a tribal basis, and we developed the programme to take account not only of musical aspects but of social functions. We feel that no more fieldwork should be done--except, of course, where gaps must be filled or specific tests carried out--an…

  • The sociology of recording in Africa south of the Sahara

    Open Access•Klaus Wachsmann, Klaus P Wachsmann•ARTICLE•African Music Journal of the…•1959

    In recent years, at conferences on the welfare of folk music, much comment could be heard on the rapidity and thoroughness of the changes which affect society today. However, there was no witch-hunting; the mood was not to blame but to understand. Although there was a feeling that it was pointless to resist this kind of change, there was also some mental reservation that some good might be done if the disruption of continuity in folk music could …

  • Classification of Music Instruments

    Theodore C Grame, Erich Moritz Von Hornbostel et al.•ARTICLE•Ethnomusicology•1963

  • A Rare Nuba Trumpet Collected by the Seligmans

    Klaus P Wachsmann•ARTICLE•Man•1963

  • A Select Bibliography of Music in Africa

    Gilbert Rouget, L J P Gaskin et al.•ARTICLE•Revue de musicologie•1965

  • Primitive Music

    Klaus P Wachsmann, John Greenway•ARTICLE•Western Folklore•1965

  • Some Speculations Concerning a Drum Chime in Buganda

    Klaus P Wachsmann•ARTICLE•Man•1965

  • The Freedom Songs of the Somali Republic

    Klaus Wachsmann, Klaus P Wachsmann et al.•ARTICLE•Ethnomusicology•1966

  • Music

    Klaus P Wachsmann•ARTICLE•Journal of the Folklore Institute•1969•Cited by: 1

  • The Interrelations of Musical Instruments, Musical Forms, and Cultural Systems in Africa

    Klaus P Wachsmann, Russell Kay•ARTICLE•Technology and Culture•1971

    The technological study of African music shows that instruments and forms are generally bound up with cultural systems. Interrelations among them can be traced at many different levels, although this discussion will be limited to only three of these. The level of social function is perhaps most accessible to us in these times of social turmoil. It is easy to see that an instrument can be said to reinforce the social order in all sorts of ways and…

  • Universal Perspectives in Music

    Klaus P Wachsmann•ARTICLE•Ethnomusicology•1971•Cited by: 1

    I have looked carefully at the description of our topic; and it seems that it would be possible to talk about if we left out the word Professor McAllester's exposition on the heightening of experience has almost convinced me of that possibility. And it also occurred to me that we could leave in, but take universals out, with equal impunity. One could equally safely and fruitfully leave out both words-and this would leave us with perspectives, whe…

  • Essays on Music and History in Africa

    Alan P Merriam, Klaus P Wachsmann•ARTICLE•African Arts•1972•Cited by: 5

  • Essays on Music and History in Africa

    Gerald W Hartwig, Klaus P Wachsmann•ARTICLE•The International Journal of…•1972•Cited by: 5

  • A “Shiplike” string instrument from West Africa

    Klaus Wachsmann, Klaus P Wachsmann•ARTICLE•Ethnos•1973•References: 5

    1973). A “Shiplike” string instrument from West Africa. Ethnos: Vol. 38, No. 1-4, pp. 43-56

  • Spencer to Hood: A Changing View of Non-European Music

    Klaus Wachsmann, Klaus P Wachsmann•ARTICLE•Proceedings of the Royal…•1973•References: 1

  • Essays on Music and History in Africa

    David W Ames, Klaus Wachsmann et al.•ARTICLE•Ethnomusicology•1973

  • Hornbostel Opera Omnia

    Marcia Herndon, G Behague et al.•ARTICLE•Ethnomusicology•1976

  • The Anthropology of Music

    Open Access•Klaus Wachsmann, Klaus P Wachsmann et al.•ARTICLE•RAIN•1978

  • The Changeability of Musical Experience

    Klaus Wachsmann, Klaus P Wachsmann•ARTICLE•Ethnomusicology•1982•Cited by: 1

    I greatly appreciate the honor of having been nominated to give the Distinguished Lecture at this meeting, especially because this annual series was initiated by my friend, the late Charles Seeger (1977:179-188). On that occasion, in 1976, Charles thought it appropriate to consider the making of a survey of the field of as a whole and to develop his view that, as he put it, musicology of whatever kind, is a speech study. To him, speech and music …

  • Instruments, classification of

    Klaus Wachsmann, Klaus P Wachsmann et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Lute

    Klaus Wachsmann, Klaus P Wachsmann et al.•CHAPTER•The new Grove dictionary of music…•2001

Art (16 works) · Diverse Musicological Studies (11 works) · History (11 works) · History (7 works) · Computer Science (6 works) · Music History and Culture (6 works) · Visual arts (6 works) · African history and culture studies (5 works) · Sociology (5 works) · Global Maritime and Colonial Histories (4 works)

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