Jane Bowers
Biographic Data
| ID | 3737229 |
|---|---|
| NAME | Jane Bowers |
| GIVEN NAMES | Jane |
| FAMILY NAME | Bowers |
| SIGNATURE | BOWERS J |
| AFFILIATIONS | Claremont Colleges |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 14 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Francois Devienne's Nouvelle Methode Theorique et Pratique Pour la Flute
First published in 1999, this volume contains a translation of the Devienne flute method along with a facsimile of the original French text. Introduced, annotated and translated by Jane Bowers with commentary by Thomas Boehm, the treatise republished here appeared during the French revolution and was authored by an established composer, performer and teacher of chamber music, symphonies, concert symphonies and operas in Paris, as well as a distin…
"Vivaldi's Music for Flute and Recorder" by Federico Sardelli
Bowers discusses and critiques Sardelli's book on Vivaldi's music for flute and recorder
Disembodied Voices: Music and Culture in an Early Modern Italian Convent
Tromlitz on Playing the Flute: A Résumé
Identifies the highlights of Ardal Powell's translation of Johann Georg Tromlitz's treatise Ausfuhrlicher und grundlicher Unterricht die Flote zu spielen. Tromlitz's treatise contains information on both flute technique and performance practice in the late 18th c. The following topics in Tromlitz's treatise are analyzed in detail: practicing, tone quality, playing with expressivity, intonation, Articulation, rhythm and tempo, ornamentation, and t…
"I Can Stand More Trouble Than Any Little Woman My Size": Observations on the Meanings of the Blues of Estelle "Mama" Yancey
Mama Yancey and the Revival Blues Tradition
David Evans has conceptualized the folk blues tradition as consisting of concentric circles expanding outward from individual practitioners into their local traditions, and thence to the regional traditions, with all such contributions contained finally within the folk blues tradition as a whole. The elements of tradition (repertoire and musical style) are seen as normally traveling in both directions through these circles from one level to the n…
Women Making Music: The Western Art Tradition, 1150-1950
Mary Carr Moore, American Composer
Women Making Music
The Emergence of Women Composers in Italy, 1566–1700
Women Making Music: The Western Art Tradition, 1150-1950
Women Making Music
The Emergence of Women Composers in Italy, 1566–1700
Women Making Music: The Western Art Tradition, 1150-1950
Mary Carr Moore, American Composer
Women Making Music: The Western Art Tradition, 1150-1950
Mama Yancey and the Revival Blues Tradition
David Evans has conceptualized the folk blues tradition as consisting of concentric circles expanding outward from individual practitioners into their local traditions, and thence to the regional traditions, with all such contributions contained finally within the folk blues tradition as a whole. The elements of tradition (repertoire and musical style) are seen as normally traveling in both directions through these circles from one level to the n…
"I Can Stand More Trouble Than Any Little Woman My Size": Observations on the Meanings of the Blues of Estelle "Mama" Yancey
Tromlitz on Playing the Flute: A Résumé
Identifies the highlights of Ardal Powell's translation of Johann Georg Tromlitz's treatise Ausfuhrlicher und grundlicher Unterricht die Flote zu spielen. Tromlitz's treatise contains information on both flute technique and performance practice in the late 18th c. The following topics in Tromlitz's treatise are analyzed in detail: practicing, tone quality, playing with expressivity, intonation, Articulation, rhythm and tempo, ornamentation, and t…
Disembodied Voices: Music and Culture in an Early Modern Italian Convent
"Vivaldi's Music for Flute and Recorder" by Federico Sardelli
Bowers discusses and critiques Sardelli's book on Vivaldi's music for flute and recorder
Francois Devienne's Nouvelle Methode Theorique et Pratique Pour la Flute
First published in 1999, this volume contains a translation of the Devienne flute method along with a facsimile of the original French text. Introduced, annotated and translated by Jane Bowers with commentary by Thomas Boehm, the treatise republished here appeared during the French revolution and was authored by an established composer, performer and teacher of chamber music, symphonies, concert symphonies and operas in Paris, as well as a distin…
Art (10 works) · Art history (7 works) · Musicology and Musical Analysis (6 works) · Visual arts (5 works) · Diverse Musicological Studies (4 works) · History (4 works) · Flute (3 works) · Blues (2 works) · Historical Influence and Diplomacy (2 works) · Humanities (2 works)