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John Santos

Biographic Data

ID3737544
NAMEJohn Santos
GIVEN NAMESJohn
FAMILY NAMESantos
SIGNATURESANTOS J
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2017
H-INDEX0
  • Oriki for Robert Farris Thompson

    Henry John Drewal, C Daniel Dawson et al.•ARTICLE•African Arts•2017

    When Drewal was invited to write a praise piece for Robert Farris Thompson for this issue celebrating the fiftieth anniversary of African Arts, he soon realized it was beyond his body-mind-heart, because Bob himself is larger than life, a person who has touched and inspired so many folks in so many walks of life and thought. So Drewal contacted his dear friend and colleague C. Daniel Dawson, who may know Bob better than anyone, as well as Bob's i…

  • The Cosmic Race

    John Santos, John Phillip Santos•ARTICLE•Transition•1999

    I am one of late-twentieth-century Santoses, born in la Tierra de Viejitas, the Land of Little Old Ladies, a sundrenched riverine empire in south Texas ruled by a dynasty of Mexican dofnas who held court in shady arbors and parlors of San Antonio. To uninitiated, Viejitas might look fragile, with their bundled bluish hair, false teeth, and halting arthritic steps. Their names were ciphers from a lost world: Pepa. Tomasa. Leandra. Margarita. Chita…

  • Sworn to the Drum

    Katherine J Hagedorn, Tom Luddy et al.•ARTICLE•Ethnomusicology•1997

No prominent works on this page.

  • Sworn to the Drum

    Katherine J Hagedorn, Tom Luddy et al.•ARTICLE•Ethnomusicology•1997

  • The Cosmic Race

    John Santos, John Phillip Santos•ARTICLE•Transition•1999

    I am one of late-twentieth-century Santoses, born in la Tierra de Viejitas, the Land of Little Old Ladies, a sundrenched riverine empire in south Texas ruled by a dynasty of Mexican dofnas who held court in shady arbors and parlors of San Antonio. To uninitiated, Viejitas might look fragile, with their bundled bluish hair, false teeth, and halting arthritic steps. Their names were ciphers from a lost world: Pepa. Tomasa. Leandra. Margarita. Chita…

  • Oriki for Robert Farris Thompson

    Henry John Drewal, C Daniel Dawson et al.•ARTICLE•African Arts•2017

    When Drewal was invited to write a praise piece for Robert Farris Thompson for this issue celebrating the fiftieth anniversary of African Arts, he soon realized it was beyond his body-mind-heart, because Bob himself is larger than life, a person who has touched and inspired so many folks in so many walks of life and thought. So Drewal contacted his dear friend and colleague C. Daniel Dawson, who may know Bob better than anyone, as well as Bob's i…

Art (2 works) · Art history (2 works) · Latin American and Latino Studies (2 works) · African studies and sociopolitical issues (1 work) · Animal Law and Welfare (1 work) · Archaeology (1 work) · Astronomy (1 work) · Astrophysics (1 work) · Caribbean history, culture, and politics (1 work) · Citation (1 work)

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