Corinna Campbell
Biographic Data
| ID | 3737547 |
|---|---|
| NAME | Corinna Campbell |
| GIVEN NAMES | Corinna |
| FAMILY NAME | Campbell |
| SIGNATURE | CAMPBELL C |
| AFFILIATIONS | Williams College |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
President's Roundtable
This article is a collection of six revised essays from the 2023 Society for Ethnomusicology President's Roundtable “Tell Me a Story” with an introduction and conclusion to contextualize the essays as vehicles for teaching storywork. At the roundtable, we asked: What stories do ethnomusicologists experience, learn, carry, create, embody, and (re)tell? What atypical labors do stories perform that other forms of speech and writing do not? Which sto…
Maroon, Fiiman, Busikondeesama
This essay features discussions with and among Suriname Maroons engaged in cultural work about the names they choose in self-reference. Maroon is just one choice of many; others include Fiiman (free person) and Busikondeesama (hinterland person). Each name differently configures their relationships to various people, places, and ideas across time and space. These reflections question and challenge what communicative work Maroon does in figuring a…
More than Gold
Maroons (descendants of Africans who escaped enslavement) have long been locked in an antagonistic relationship with the Surinamese government over gold-mining legislation and its reinforcement. This contentious topic includes complex debates over land rights and conflicting economic and environmental priorities. This article considers how three contemporary Maroon popular musicians have gone beyond stock metaphors about gold to reference local e…
Maroon, Fiiman, Busikondeesama
This essay features discussions with and among Suriname Maroons engaged in cultural work about the names they choose in self-reference. Maroon is just one choice of many; others include Fiiman (free person) and Busikondeesama (hinterland person). Each name differently configures their relationships to various people, places, and ideas across time and space. These reflections question and challenge what communicative work Maroon does in figuring a…
Maroon, Fiiman, Busikondeesama
This essay features discussions with and among Suriname Maroons engaged in cultural work about the names they choose in self-reference. Maroon is just one choice of many; others include Fiiman (free person) and Busikondeesama (hinterland person). Each name differently configures their relationships to various people, places, and ideas across time and space. These reflections question and challenge what communicative work Maroon does in figuring a…
More than Gold
Maroons (descendants of Africans who escaped enslavement) have long been locked in an antagonistic relationship with the Surinamese government over gold-mining legislation and its reinforcement. This contentious topic includes complex debates over land rights and conflicting economic and environmental priorities. This article considers how three contemporary Maroon popular musicians have gone beyond stock metaphors about gold to reference local e…
President's Roundtable
This article is a collection of six revised essays from the 2023 Society for Ethnomusicology President's Roundtable “Tell Me a Story” with an introduction and conclusion to contextualize the essays as vehicles for teaching storywork. At the roundtable, we asked: What stories do ethnomusicologists experience, learn, carry, create, embody, and (re)tell? What atypical labors do stories perform that other forms of speech and writing do not? Which sto…
Aesthetics (2 works) · Art (2 works) · Maroon (2 works) · Sociology (2 works) · Visual arts (2 works) · Archaeology (1 works) · Archaeology and Rock Art Studies (1 works) · Caribbean and African Literature and Culture (1 works) · Caribbean history, culture, and politics (1 works) · Diaspora, migration, transnational identity (1 works)