Mackenzie Edwards
Biographic Data
| ID | 3741832 |
|---|---|
| NAME | Mackenzie Edwards |
| GIVEN NAMES | Mackenzie |
| FAMILY NAME | Edwards |
| SIGNATURE | EDWARDS M |
| AFFILIATIONS | York University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Comfy fat queer love
This piece uses Sara Ahmed’s writing on the notion of public comfort as a jumping off point and incorporates fat studies scholarship to explore the private comfort offered by fat queer love. Working with digital posts from superfat non-binary writer J Aprileo (Comfy Fat) on Instagram, Patreon, and their website, and to a lesser extent the posts of Corissa Enneking (Fat Girl Flow), this paper examines the power of queer fat kinship to contravene t…
“Spread my thighs and imagine a better, fatter world”
I make the claim that the erotic has significant uses for fat activist art. I examine the work of Toronto-based, queer, South Asian, fat artist Anshuman Iddamsetty (@boarlord) on Instagram, Patreon, and Only Fans. I draw on Audre Lorde’s writing on the erotic while at the same time challenging her sidelining of the pornographic, using Iddamsetty’s nude self-portraiture as a counterexample of the possibility for an erotic pornographic. My analysis…
Damaged like me
No prominent works on this page.
Damaged like me
Comfy fat queer love
This piece uses Sara Ahmed’s writing on the notion of public comfort as a jumping off point and incorporates fat studies scholarship to explore the private comfort offered by fat queer love. Working with digital posts from superfat non-binary writer J Aprileo (Comfy Fat) on Instagram, Patreon, and their website, and to a lesser extent the posts of Corissa Enneking (Fat Girl Flow), this paper examines the power of queer fat kinship to contravene t…
“Spread my thighs and imagine a better, fatter world”
I make the claim that the erotic has significant uses for fat activist art. I examine the work of Toronto-based, queer, South Asian, fat artist Anshuman Iddamsetty (@boarlord) on Instagram, Patreon, and Only Fans. I draw on Audre Lorde’s writing on the erotic while at the same time challenging her sidelining of the pornographic, using Iddamsetty’s nude self-portraiture as a counterexample of the possibility for an erotic pornographic. My analysis…
Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Diversity and Impact of Dance (2 works) · Gender Studies (2 works) · Law (2 works) · Obesity and Health Practices (2 works) · Political science (2 works) · Queer (2 works) · Anthropology (1 work)