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Jaimey Hamilton Faris

Biographic Data

ID3742002
NAMEJaimey Hamilton Faris
GIVEN NAMESJaimey Hamilton
FAMILY NAMEFaris
SIGNATUREFARIS J H
AFFILIATIONSUniversity of Hawaiʻi at Mānoa
ORCID0000-0003-4647-4474
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS4
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Exhibition Review

    Open Access•Jaimey Hamilton Faris•ARTICLE•Pacific Arts•2025

    Exhibition review: Hawaiʻi Triennial 2025: Aloha Nō , curated by Wassan Al-Khudhairi, Binna Choi, and Noelle M.K.Y. Kahanu. The exhibition was presented at fourteen venues on Oʻahu, Maui, and Hawaiʻi Island, February 15–May 4, 2025

  • Diasporic Soundings of a Disappeared Sensorium

    Jaimey Hamilton Faris, May Joseph•ARTICLE•Asian Diasporic Visual Cultures…•2022

  • Ocean Weaves

    Open Access•Jaimey Hamilton Faris•ARTICLE•Feminist Review•2022•Cited by: 1•References: 22

    This article engages weaving as a model of feminist decolonial climate justice methodology in Oceania. In particular, it looks to three weaver-activists who use their practices to reclaim the matrixial power of the ocean (as maternal womb and network of relation) in the face of ongoing US occupation in the Pacific: Marshallese poet and climate activist Kathy Jetn̄il-Kijiner; Hawai'i-based settler-ally weaver and installation artist Mary Babcock; …

  • Gestures of Survivance

    Open Access•Jaimey Hamilton Faris•ARTICLE•Pacific Arts•2021

    This article describes Sāmoan-Australian artist Angela Tiatia’s performance video Lick (2015) as an act of Pacific Islander survivance. Recorded in and with the coastal waters of Tuvalu, the work emphasizes a direct and responsive encounter with the Pacific Ocean. The video’s intentional emphasis on Tiatia’s malu, a tattoo specific to Sāmoan women, and her choregraphed leg and hand gestures of balance represent a powerful visual proclamation of T…

  • Sisters of Ocean and Ice

    Open Access•Jaimey Hamilton Faris•ARTICLE•Shima•2019•Cited by: 3

    The video poem Rise: From One Island to Another, a 2018 collaboration between Marshallese poet Kathy Jetnl-Kijiner and Inuk poet Aka Nivina from Kalaallit Nunaat (Greenland) raises key questions about the antimonies of climate mitigation and adaptation discourses across oceans and islands. As "sisters of ocean and ice," the poets reference the climate relationships between ice melt in Greenland and sea inundation of the Marshall Islands as part o…

  • Pop art

    Jaimey Hamilton Faris•CHAPTER•2003

  • Sisters of Ocean and Ice

    Open Access•Jaimey Hamilton Faris•ARTICLE•Shima•2019•Cited by: 3

    The video poem Rise: From One Island to Another, a 2018 collaboration between Marshallese poet Kathy Jetnl-Kijiner and Inuk poet Aka Nivina from Kalaallit Nunaat (Greenland) raises key questions about the antimonies of climate mitigation and adaptation discourses across oceans and islands. As "sisters of ocean and ice," the poets reference the climate relationships between ice melt in Greenland and sea inundation of the Marshall Islands as part o…

  • Ocean Weaves

    Open Access•Jaimey Hamilton Faris•ARTICLE•Feminist Review•2022•Cited by: 1•References: 22

    This article engages weaving as a model of feminist decolonial climate justice methodology in Oceania. In particular, it looks to three weaver-activists who use their practices to reclaim the matrixial power of the ocean (as maternal womb and network of relation) in the face of ongoing US occupation in the Pacific: Marshallese poet and climate activist Kathy Jetn̄il-Kijiner; Hawai'i-based settler-ally weaver and installation artist Mary Babcock; …

  • Pop art

    Jaimey Hamilton Faris•CHAPTER•2003

  • Sisters of Ocean and Ice

    Open Access•Jaimey Hamilton Faris•ARTICLE•Shima•2019•Cited by: 3

    The video poem Rise: From One Island to Another, a 2018 collaboration between Marshallese poet Kathy Jetnl-Kijiner and Inuk poet Aka Nivina from Kalaallit Nunaat (Greenland) raises key questions about the antimonies of climate mitigation and adaptation discourses across oceans and islands. As "sisters of ocean and ice," the poets reference the climate relationships between ice melt in Greenland and sea inundation of the Marshall Islands as part o…

  • Gestures of Survivance

    Open Access•Jaimey Hamilton Faris•ARTICLE•Pacific Arts•2021

    This article describes Sāmoan-Australian artist Angela Tiatia’s performance video Lick (2015) as an act of Pacific Islander survivance. Recorded in and with the coastal waters of Tuvalu, the work emphasizes a direct and responsive encounter with the Pacific Ocean. The video’s intentional emphasis on Tiatia’s malu, a tattoo specific to Sāmoan women, and her choregraphed leg and hand gestures of balance represent a powerful visual proclamation of T…

  • Diasporic Soundings of a Disappeared Sensorium

    Jaimey Hamilton Faris, May Joseph•ARTICLE•Asian Diasporic Visual Cultures…•2022

  • Ocean Weaves

    Open Access•Jaimey Hamilton Faris•ARTICLE•Feminist Review•2022•Cited by: 1•References: 22

    This article engages weaving as a model of feminist decolonial climate justice methodology in Oceania. In particular, it looks to three weaver-activists who use their practices to reclaim the matrixial power of the ocean (as maternal womb and network of relation) in the face of ongoing US occupation in the Pacific: Marshallese poet and climate activist Kathy Jetn̄il-Kijiner; Hawai'i-based settler-ally weaver and installation artist Mary Babcock; …

  • Exhibition Review

    Open Access•Jaimey Hamilton Faris•ARTICLE•Pacific Arts•2025

    Exhibition review: Hawaiʻi Triennial 2025: Aloha Nō , curated by Wassan Al-Khudhairi, Binna Choi, and Noelle M.K.Y. Kahanu. The exhibition was presented at fourteen venues on Oʻahu, Maui, and Hawaiʻi Island, February 15–May 4, 2025

Sociology (4 works) · Computer Science (3 works) · Anthropology (2 works) · Art (2 works) · Ecology (2 works) · Gender Studies (2 works) · Indigenous (2 works) · Law (2 works) · Political science (2 works) · Aesthetics (1 work)

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