Dorothea Smartt
Biographic Data
| ID | 3742268 |
|---|---|
| NAME | Dorothea Smartt |
| GIVEN NAMES | Dorothea |
| FAMILY NAME | Smartt |
| SIGNATURE | SMARTT D |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Women, Black Arts, and Brixton in the 1980s
Born in Manchester to a British mother and Nigerian father, SuAndi became a performance poet in 1985. She has made several recordings of her work and published four collections of poetry: Style (1990), Nearly Forty (1994), There Will Be No More Tears (1996), and I Love the Blackness of My People (2003). Her poems have been widely anthologized, and she has also written two librettos: The Calling (2005) and The Libretto of Mary Seacole, published i…
Panama Canal — Death by Harassment; Found Poems — On the Panama Canal
© Gareth Underwood[Found Poem, Harpers Weekly 1909]At the south end of the Miraflores tunnelmany cave-ins have occurredto delay the work andharass the workmen[from Winifred Lewellin James's A Woman
All those Attempts in the Changing Room
Poetry
Poems
When Our Ship Comes in
Motherlands
Women, Black Arts, and Brixton in the 1980s
Born in Manchester to a British mother and Nigerian father, SuAndi became a performance poet in 1985. She has made several recordings of her work and published four collections of poetry: Style (1990), Nearly Forty (1994), There Will Be No More Tears (1996), and I Love the Blackness of My People (2003). Her poems have been widely anthologized, and she has also written two librettos: The Calling (2005) and The Libretto of Mary Seacole, published i…
Motherlands
When Our Ship Comes in
Poems
Poetry
All those Attempts in the Changing Room
Panama Canal — Death by Harassment; Found Poems — On the Panama Canal
© Gareth Underwood[Found Poem, Harpers Weekly 1909]At the south end of the Miraflores tunnelmany cave-ins have occurredto delay the work andharass the workmen[from Winifred Lewellin James's A Woman
Women, Black Arts, and Brixton in the 1980s
Born in Manchester to a British mother and Nigerian father, SuAndi became a performance poet in 1985. She has made several recordings of her work and published four collections of poetry: Style (1990), Nearly Forty (1994), There Will Be No More Tears (1996), and I Love the Blackness of My People (2003). Her poems have been widely anthologized, and she has also written two librettos: The Calling (2005) and The Libretto of Mary Seacole, published i…
Art (4 works) · Literature (4 works) · Poetry (4 works) · Sociology (4 works) · Anthropology (3 works) · Cultural Studies (3 works) · Feminism (3 works) · Gender Studies (3 works) · History (3 works) · History (3 works)