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Hilary Robinson

Biographic Data

ID3742467
NAMEHilary Robinson
GIVEN NAMESHilary
FAMILY NAMERobinson
SIGNATUREROBINSON H
AFFILIATIONSUniversity of Ulster
ORCID0000-0002-3153-3788
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS3
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Women, feminism, and art schools

    Open Access•Hilary Robinson•ARTICLE•Women s Studies International Forum•2021

  • Reading Art, Reading Irigaray

    Hilary Robinson•BOOK•Reading Art, Reading Irigaray•2006

    Luce Irigaray is one of the foremost philosophers and feminist thinkers. Her work has had an impact on the visual arts. What does her work really mean when it comes to the art made by women artists? This work reveals the implications of Irigaray’s work for the relationships between gender, subjectivity, language and art

  • Feminism-Art-Theory, an Anthology 1968-2000

    Marilynn Lincoln Board, Hilary Robinson•ARTICLE•Woman s Art Journal•2005

  • Approaching Painting through Feminine Morphology

    Open Access•Hilary Robinson•ARTICLE•Paragraph•2002•Cited by: 1

  • Disruptive Women Artists

    Hilary Robinson•ARTICLE•Irish Studies Review•2000•References: 1

  • Within the Pale infrom

    Hilary Robinson•ARTICLE•Journal of Gender Studies•1997•References: 9

    In the winter of 1994–1995 the Irish Museum of Modem Art, Dublin (IMMA) held a season of exhibitions under the umbrella title from: Beyond the Pale. The publicity for the season high‐lighted two issues in particular: the English colonial concept of ‘the pale’ as it was developed in Dublin, and the positioning of Irish culture in relation to this in a post‐colonial period; and the importance of the concept of ‘the feminine’ in contemporary art pra…

  • Sounding the Depths

    M Roth, Hilary Robinson•ARTICLE•Woman s Art Journal•1995

  • Irish/woman/artwork

    Hilary Robinson•ARTICLE•Feminist Review•1995•Cited by: 2

    This paper concentrates upon particular artworks from Irish women artists. It demonstrates that there are certain themes which recur in their artwork. These include dislocation, particularities about place and contestation around language, all of which are rooted in the lived experience of being Irish, being female and being an artist. At the same time the paper provides readings of this artwork which demonstrate that these experiences are divers…

  • Looking on

    Patricia Mathews, Hilary Robinson•REVIEW•Woman s Art Journal•1989

  • The World Trade Center

    Hilary Robinson•ARTICLE•Urban Studies•1979

  • Homes in High Flats

    Graham D Rowles, Pearl Jephcott et al.•ARTICLE•Economic Geography•1973

  • Irish/woman/artwork

    Hilary Robinson•ARTICLE•Feminist Review•1995•Cited by: 2

    This paper concentrates upon particular artworks from Irish women artists. It demonstrates that there are certain themes which recur in their artwork. These include dislocation, particularities about place and contestation around language, all of which are rooted in the lived experience of being Irish, being female and being an artist. At the same time the paper provides readings of this artwork which demonstrate that these experiences are divers…

  • Approaching Painting through Feminine Morphology

    Open Access•Hilary Robinson•ARTICLE•Paragraph•2002•Cited by: 1

  • Homes in High Flats

    Graham D Rowles, Pearl Jephcott et al.•ARTICLE•Economic Geography•1973

  • The World Trade Center

    Hilary Robinson•ARTICLE•Urban Studies•1979

  • Looking on

    Patricia Mathews, Hilary Robinson•REVIEW•Woman s Art Journal•1989

  • Sounding the Depths

    M Roth, Hilary Robinson•ARTICLE•Woman s Art Journal•1995

  • Irish/woman/artwork

    Hilary Robinson•ARTICLE•Feminist Review•1995•Cited by: 2

    This paper concentrates upon particular artworks from Irish women artists. It demonstrates that there are certain themes which recur in their artwork. These include dislocation, particularities about place and contestation around language, all of which are rooted in the lived experience of being Irish, being female and being an artist. At the same time the paper provides readings of this artwork which demonstrate that these experiences are divers…

  • Within the Pale infrom

    Hilary Robinson•ARTICLE•Journal of Gender Studies•1997•References: 9

    In the winter of 1994–1995 the Irish Museum of Modem Art, Dublin (IMMA) held a season of exhibitions under the umbrella title from: Beyond the Pale. The publicity for the season high‐lighted two issues in particular: the English colonial concept of ‘the pale’ as it was developed in Dublin, and the positioning of Irish culture in relation to this in a post‐colonial period; and the importance of the concept of ‘the feminine’ in contemporary art pra…

  • Disruptive Women Artists

    Hilary Robinson•ARTICLE•Irish Studies Review•2000•References: 1

  • Approaching Painting through Feminine Morphology

    Open Access•Hilary Robinson•ARTICLE•Paragraph•2002•Cited by: 1

  • Feminism-Art-Theory, an Anthology 1968-2000

    Marilynn Lincoln Board, Hilary Robinson•ARTICLE•Woman s Art Journal•2005

  • Reading Art, Reading Irigaray

    Hilary Robinson•BOOK•Reading Art, Reading Irigaray•2006

    Luce Irigaray is one of the foremost philosophers and feminist thinkers. Her work has had an impact on the visual arts. What does her work really mean when it comes to the art made by women artists? This work reveals the implications of Irigaray’s work for the relationships between gender, subjectivity, language and art

  • Women, feminism, and art schools

    Open Access•Hilary Robinson•ARTICLE•Women s Studies International Forum•2021

Art (9 works) · Cultural Industries and Urban Development (5 works) · Gender Studies (4 works) · History (4 works) · Political science (4 works) · Sociology (4 works) · Visual arts (4 works) · Art, Politics, and Modernism (3 works) · Feminism (3 works) · Irish (3 works)

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