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Laura Hinton

Biographic Data

ID3742801
NAMELaura Hinton
GIVEN NAMESLaura
FAMILY NAMEHinton
SIGNATUREHINTON L
AFFILIATIONSCity College of New York
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2010
H-INDEX0
  • The Return of Nostalgia: A Fetishistic Spectator in Leslie Scalapino'sThe Return of Paintingand the Hudson River School of Art

    Laura Hinton•ARTICLE•Textual Practice•2010

  • Poet's Theater: An Introduction

    Open Access•Heidi R Bean, Laura Hinton•ARTICLE•Postmodern Culture•2009

    Poet's Theater:An Introduction Heidi R. Bean (bio) and Laura Hinton (bio) This special issue of Postmodern Culture takes up a subject until now only rarely discussed in the annals of academic scholarship: that of contemporary American poet's theater. But what exactly is a "poet's theater"? Is it primarily a type of writing done by poets for the stage--trying their hand, so to speak, at a theater genre, as the novelist Henry James once did, winnin…

  • No. 25 from "Winter Dreams" (Dirge)

    Laura Hinton•ARTICLE•Feminist Studies•2005

  • To Write Within Situations of Contradiction: An Introduction to the Cross-Genre Writings of Carla Harryman

    Open Access•Laura Hinton, Carla Harryman•ARTICLE•Postmodern Culture•2005

    To Write Within Situations of Contradiction: An Introduction to the Cross-Genre Writings of Carla Harryman Laura Hinton (bio) and Carla Harryman Abstract This interview took place in New York City in May 2003. It was revised via email exchanges between Carla Harryman and Laura Hinton from that time through 2005. One of the most innovative and sometimes overlooked founding writers of the West Coast Language Poetry school is Carla Harryman, author …

  • We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics

    Kathleen Nicklaus, Laura Hinton et al.•ARTICLE•South Atlantic Review•2002

  • Giving Isabel an “ado” (adieu): Sympathy and sadomasochism in Henry James's preface to the portrait of a lady

    Laura Hinton•ARTICLE•Women s Studies•1999•References: 5

    (1999). Giving Isabel an “ado” (adieu): Sympathy and sadomasochism in Henry James's preface to the portrait of a lady. Women's Studies: Vol. 28, No. 3, pp. 303-333

  • The contemporary long poem: Feminist intersections and experiments

    Karen Brennan, Kathleen Crown et al.•ARTICLE•Women s Studies•1998

    As we have seen in the preceding essays, contemporary women poets working in expansive forms have both claimed and challenged the cultural authority of the long poem. They have done so using diverse aesthetic modes, ranging from historically focused collage poems to formally intricate lyric sequences to massive works of epic breadth and comprehensiveness. Despite these different aesthetic choices, feminist poets writing in extended forms, have em…

No prominent works on this page.

  • The contemporary long poem: Feminist intersections and experiments

    Karen Brennan, Kathleen Crown et al.•ARTICLE•Women s Studies•1998

    As we have seen in the preceding essays, contemporary women poets working in expansive forms have both claimed and challenged the cultural authority of the long poem. They have done so using diverse aesthetic modes, ranging from historically focused collage poems to formally intricate lyric sequences to massive works of epic breadth and comprehensiveness. Despite these different aesthetic choices, feminist poets writing in extended forms, have em…

  • Giving Isabel an “ado” (adieu): Sympathy and sadomasochism in Henry James's preface to the portrait of a lady

    Laura Hinton•ARTICLE•Women s Studies•1999•References: 5

    (1999). Giving Isabel an “ado” (adieu): Sympathy and sadomasochism in Henry James's preface to the portrait of a lady. Women's Studies: Vol. 28, No. 3, pp. 303-333

  • We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics

    Kathleen Nicklaus, Laura Hinton et al.•ARTICLE•South Atlantic Review•2002

  • No. 25 from "Winter Dreams" (Dirge)

    Laura Hinton•ARTICLE•Feminist Studies•2005

  • To Write Within Situations of Contradiction: An Introduction to the Cross-Genre Writings of Carla Harryman

    Open Access•Laura Hinton, Carla Harryman•ARTICLE•Postmodern Culture•2005

    To Write Within Situations of Contradiction: An Introduction to the Cross-Genre Writings of Carla Harryman Laura Hinton (bio) and Carla Harryman Abstract This interview took place in New York City in May 2003. It was revised via email exchanges between Carla Harryman and Laura Hinton from that time through 2005. One of the most innovative and sometimes overlooked founding writers of the West Coast Language Poetry school is Carla Harryman, author …

  • Poet's Theater: An Introduction

    Open Access•Heidi R Bean, Laura Hinton•ARTICLE•Postmodern Culture•2009

    Poet's Theater:An Introduction Heidi R. Bean (bio) and Laura Hinton (bio) This special issue of Postmodern Culture takes up a subject until now only rarely discussed in the annals of academic scholarship: that of contemporary American poet's theater. But what exactly is a "poet's theater"? Is it primarily a type of writing done by poets for the stage--trying their hand, so to speak, at a theater genre, as the novelist Henry James once did, winnin…

  • The Return of Nostalgia: A Fetishistic Spectator in Leslie Scalapino'sThe Return of Paintingand the Hudson River School of Art

    Laura Hinton•ARTICLE•Textual Practice•2010

Art (7 works) · Literature (3 works) · Philosophy (3 works) · Philosophy (3 works) · Poetry (3 works) · Poetry Analysis and Criticism (3 works) · Sociology (3 works) · Art history (2 works) · Gender Studies (2 works) · Gender Studies (2 works)

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