Catherine Clay
Biographic Data
| ID | 3742979 |
|---|---|
| NAME | Catherine Clay |
| GIVEN NAMES | Catherine |
| FAMILY NAME | Clay |
| SIGNATURE | CLAY C |
| AFFILIATIONS | Lancaster University |
| ORCID | 0000-0002-4633-6461 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1951 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Afterword
‘The Novelist … Must Write About Politics’
(2020). ‘The Novelist ... Must Write About Politics’: Mary Agnes Hamilton and the Politics of Modern Fiction. Women: a cultural review: Vol. 31, THE INTERWAR WOMAN WRITER: POLITICS AND AESTHETICS. Guest-edited by Clara Jones and Natasha Periyan, pp. 366-383
Women's Periodicals and Print Culture in Britain, 1918-1939
This book recovers and explores a neglected archive of British women’s periodicals and dispels the myths of the supposed demise of feminism and the interwar decades as a retreat to ‘home and duty’ for women in this period. The 1920s and 1930s gave rise to a plurality of new challenges and opportunities for women as consumers, workers, and citizens, as well as wives and mothers. In the process, women produced magazines and periodicals ranging in f…
Time and Tide
This book reconstructs the first two decades of the feminist magazine Time and Tide , founded in 1920 by Lady Margaret Rhondda and other women who had been involved in the women’s suffrage movement. Unique in establishing itself as the only female-run general-audience intellectual weekly in what press historians describe as the ‘golden age’ of the weekly review, Time and Tide both challenged persistent prejudices against women’s participation in …
The Modern Weekly for the Modern Woman’
This article examines the ways in which one of Britain's most significant feminist magazines, Time and Tide (1920–79), constructed a modern feminist identity through its interactions with other feminist print media and with the mainstream interwar press. At once drawing on a long tradition of feminist periodical publishing, from the outset this women-run magazine also worked to distance itself from the feminist label in order to take up a positio…
WHAT WE MIGHT Expect – If the Highbrow Weeklies Advertized like the Patent Foods’
This essay examines both the advertising content and a discourse about commercial culture in the influential feminist weekly Time and Tide from 1920 to 1936. In particular it traces the ways in which this magazine re-worked the periodical codes as it moved from the ‘women's paper’ category to a more general-audience weekly review. A key stage in this transition was Time and Tide's ‘literary turn’ which placed the magazine at the heart of the ‘bat…
European Women
Letters and Women's Passionate Friendships in the Twenty-First Century
(2006). Letters and Women's Passionate Friendships in the Twenty-First Century. a/b: Auto/Biography Studies: Vol. 21, Epistolarity in the Twenty-First Century, pp. 83-92
Re-visiting the friendship of Vera Brittain and Winifred Holtby
This article re-visits the friendship of Vera Brittain and Winifred Holtby through some (largely unpublished) correspondence exchanged in 1926. Building on a body of literature which asserts the personal and professional importance of this friendship, my own analysis moves beyond what I identify as a polarisation of ‘work’; and ‘sexuality’ and reveals a friendship where professional and erotic interests are engaged in a dynamic exchange. In addit…
A note on a Neville ancestry
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Modern Weekly for the Modern Woman’
This article examines the ways in which one of Britain's most significant feminist magazines, Time and Tide (1920–79), constructed a modern feminist identity through its interactions with other feminist print media and with the mainstream interwar press. At once drawing on a long tradition of feminist periodical publishing, from the outset this women-run magazine also worked to distance itself from the feminist label in order to take up a positio…
A note on a Neville ancestry
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Re-visiting the friendship of Vera Brittain and Winifred Holtby
This article re-visits the friendship of Vera Brittain and Winifred Holtby through some (largely unpublished) correspondence exchanged in 1926. Building on a body of literature which asserts the personal and professional importance of this friendship, my own analysis moves beyond what I identify as a polarisation of ‘work’; and ‘sexuality’ and reveals a friendship where professional and erotic interests are engaged in a dynamic exchange. In addit…
Letters and Women's Passionate Friendships in the Twenty-First Century
(2006). Letters and Women's Passionate Friendships in the Twenty-First Century. a/b: Auto/Biography Studies: Vol. 21, Epistolarity in the Twenty-First Century, pp. 83-92
European Women
WHAT WE MIGHT Expect – If the Highbrow Weeklies Advertized like the Patent Foods’
This essay examines both the advertising content and a discourse about commercial culture in the influential feminist weekly Time and Tide from 1920 to 1936. In particular it traces the ways in which this magazine re-worked the periodical codes as it moved from the ‘women's paper’ category to a more general-audience weekly review. A key stage in this transition was Time and Tide's ‘literary turn’ which placed the magazine at the heart of the ‘bat…
The Modern Weekly for the Modern Woman’
This article examines the ways in which one of Britain's most significant feminist magazines, Time and Tide (1920–79), constructed a modern feminist identity through its interactions with other feminist print media and with the mainstream interwar press. At once drawing on a long tradition of feminist periodical publishing, from the outset this women-run magazine also worked to distance itself from the feminist label in order to take up a positio…
Women's Periodicals and Print Culture in Britain, 1918-1939
This book recovers and explores a neglected archive of British women’s periodicals and dispels the myths of the supposed demise of feminism and the interwar decades as a retreat to ‘home and duty’ for women in this period. The 1920s and 1930s gave rise to a plurality of new challenges and opportunities for women as consumers, workers, and citizens, as well as wives and mothers. In the process, women produced magazines and periodicals ranging in f…
Time and Tide
This book reconstructs the first two decades of the feminist magazine Time and Tide , founded in 1920 by Lady Margaret Rhondda and other women who had been involved in the women’s suffrage movement. Unique in establishing itself as the only female-run general-audience intellectual weekly in what press historians describe as the ‘golden age’ of the weekly review, Time and Tide both challenged persistent prejudices against women’s participation in …
‘The Novelist … Must Write About Politics’
(2020). ‘The Novelist ... Must Write About Politics’: Mary Agnes Hamilton and the Politics of Modern Fiction. Women: a cultural review: Vol. 31, THE INTERWAR WOMAN WRITER: POLITICS AND AESTHETICS. Guest-edited by Clara Jones and Natasha Periyan, pp. 366-383
Afterword
Political science (8 works) · Sociology (8 works) · Law (7 works) · Art (6 works) · Gender Studies (6 works) · Politics (6 works) · History (5 works) · Aesthetics (4 works) · Feminism (4 works) · Art history (3 works)