Kate Nichols
Datos Biográficos
| ID | 3743053 |
|---|---|
| NOMBRE | Kate Nichols |
| NOMBRES | Kate |
| APELLIDO | Nichols |
| FIRMA | NICHOLS K |
| AFILIACIONES | University of Birmingham |
| ORCID | 0000-0002-5807-3021 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2014 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 0 |
Indigenous Dispossession and Settler Colonial Art Galleries
Histories of settler colonial art galleries have tended to present these institutions as distant attempts to replicate British models. This essay argues that settler/Indigenous interactions, and the violent dispossession of Indigenous peoples, were fundamental to the formation of settler colonial art galleries, through a case study of the 1880s acquisition and reception of Danish painter A. F. A. Schenck's Anguish (1878) at the National Gallery o…
Sculpture, Faith, and the Many Worlds of Victorian Sculpture
This roundtable comment piece raises questions about the significance of materials, subject matter and form, and location and display to interpretations of W. F. Woodington’s 1862 Genesis panel at St Paul’s Cathedral. The panel was commissioned as an adjunct to the Wellington Memorial, and depicts the conclusion of the first military engagement in the Bible, the Battle of the Vale of Siddim. It features 18 human figures, three sheep, and two cows…
Reframing Stained Glass in Nineteenth-Century Britain
The introduction to this issue of 19 takes the form of a roundtable discussion between the guest editors Dr Jasmine Allen (The Stained Glass Museum), Dr Gareth Atkins (Queens’ College, Cambridge), and Dr Kate Nichols (Birmingham). Each contributor reflects on the research potential of stained glass in their respective fields and the reasons for its neglect; together, they will also consider the fresh issues and questions raised by the cross-disci…
Scientific Delirium Madness 2.0
June 01 2016 Scientific Delirium Madness 2.0: Gallery Allison Cobb, Allison Cobb Allison Cobb, Email: [email protected] Search for other works by this author on: This Site Google Scholar Luca Forcucci, Luca Forcucci Luca Forcucci, Email: [email protected] Search for other works by this author on: This Site Google Scholar Deborah Forster, Deborah Forster Deborah Forster, Email: [email protected] Search for other works by this author on: T…
Arthur Hacker's Syrinx (1892)
Representations of rape and sexual violence abound in Victorian painting, but art historical analysis of this phenomenon has been scarce. This article uses Arthur Hacker's 1892 painting Syrinx to examine late nineteenth-century approaches and responses to visually representing rape. How did the representation of rape relate to the newly respectable aesthetic category of the artistic nude? Syrinx depicts a standing unclothed young woman attempting…
Transformative Beauty
The most comprehensive collections of Victorian painting in Britain are undoubtedly to be found in the public art museums of the industrial Midlands and north-west. But until now, there has been no
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Transformative Beauty
The most comprehensive collections of Victorian painting in Britain are undoubtedly to be found in the public art museums of the industrial Midlands and north-west. But until now, there has been no
Scientific Delirium Madness 2.0
June 01 2016 Scientific Delirium Madness 2.0: Gallery Allison Cobb, Allison Cobb Allison Cobb, Email: [email protected] Search for other works by this author on: This Site Google Scholar Luca Forcucci, Luca Forcucci Luca Forcucci, Email: [email protected] Search for other works by this author on: This Site Google Scholar Deborah Forster, Deborah Forster Deborah Forster, Email: [email protected] Search for other works by this author on: T…
Arthur Hacker's Syrinx (1892)
Representations of rape and sexual violence abound in Victorian painting, but art historical analysis of this phenomenon has been scarce. This article uses Arthur Hacker's 1892 painting Syrinx to examine late nineteenth-century approaches and responses to visually representing rape. How did the representation of rape relate to the newly respectable aesthetic category of the artistic nude? Syrinx depicts a standing unclothed young woman attempting…
Reframing Stained Glass in Nineteenth-Century Britain
The introduction to this issue of 19 takes the form of a roundtable discussion between the guest editors Dr Jasmine Allen (The Stained Glass Museum), Dr Gareth Atkins (Queens’ College, Cambridge), and Dr Kate Nichols (Birmingham). Each contributor reflects on the research potential of stained glass in their respective fields and the reasons for its neglect; together, they will also consider the fresh issues and questions raised by the cross-disci…
Sculpture, Faith, and the Many Worlds of Victorian Sculpture
This roundtable comment piece raises questions about the significance of materials, subject matter and form, and location and display to interpretations of W. F. Woodington’s 1862 Genesis panel at St Paul’s Cathedral. The panel was commissioned as an adjunct to the Wellington Memorial, and depicts the conclusion of the first military engagement in the Bible, the Battle of the Vale of Siddim. It features 18 human figures, three sheep, and two cows…
Indigenous Dispossession and Settler Colonial Art Galleries
Histories of settler colonial art galleries have tended to present these institutions as distant attempts to replicate British models. This essay argues that settler/Indigenous interactions, and the violent dispossession of Indigenous peoples, were fundamental to the formation of settler colonial art galleries, through a case study of the 1880s acquisition and reception of Danish painter A. F. A. Schenck's Anguish (1878) at the National Gallery o…
Art (6 obras) · Art history (5 obras) · Historical Art and Culture Studies (4 obras) · Sociology (4 obras) · Aesthetics (3 obras) · Visual arts (3 obras) · Archaeology (2 obras) · Literature (2 obras) · Museums and Cultural Heritage (2 obras) · Painting (2 obras)