Holly Kruse
Biographic Data
| ID | 3743464 |
|---|---|
| NAME | Holly Kruse |
| GIVEN NAMES | Holly |
| FAMILY NAME | Kruse |
| SIGNATURE | KRUSE H |
| AFFILIATIONS | Rogers State University |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 78 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1969 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Resonance, Reverberation, and Rhythms
This panel explores the theories, concepts, and methodologies appropriate to the exploration of the “vibratory power” of transduction where sound and other digitally mediated forms of reverberation conjure affective and corporeal bonds of resonance and solidarity. The first three papers engage in a critical interrogation of sound as epistemology and ontologies in digital networked media, with a focus on streaming internet radio. More specifically…
Pleasure+gender+play
From the start, play and game studies scholars have investigated the experiences of women and girls who play games online, as well as gendered assumptions around digital as well as non-digital play (Brunner et al., 2000; Bryce & Rutter, 2002; Delamere & Shaw, 2008; Fron et al., 2007a, 2007b; Pearce, 2009). Scholars have challenged ideas such as that girls and women have weaker gameplay skills than boys and men (Jenson & De Castell, 2008), that wo…
Terminal markets
This paper describes two parallel markets that are part of the contemporary online economy of horse racing–pari-mutuel wagering and racehorse rescue — both of which are driven by the emotional labor of participants and both of which are gendered. The expectation of participants in masculinely defined pari-mutuel markets is that they will invest resources to make a profit, while those involved in the femininely defined racehorse rescue market expe…
Multimedia Use in a Sport Setting
Although there is a growing body of research on public social practices related to the use of mobile phones, internet terminals, and laptops, there are few integrated analyses of the uses of multiple interactive technologies in public settings, and especially those involving sports. This article looks at one such space in which technology is embedded in a complicated network of social and economic relations: the screen dominated pari-mutuel horse…
Local Identity and Independent Music Scenes, Online and Off
Independent music scenes were prominent in the last two decades of the 20th century, but today indie music can be disseminated online, and internet tools allow people in distant locations to engage with each other easily online. With the popularity of the internet, some local spaces devoted to music are becoming less popular and less viable. Yet local spaces continue to provide the infrastructure for music scenes. On the basis of archival researc…
Betting on News Corporation
The desire by media companies in the United States to promote interactive television technologies despite the lack of success of previous interactive TV trials persists in the early twenty-first century. Multinational conglomerates are exploiting services like horse race wagering as a profitable platform for enticing users to sign up for interactive TV. News Corporation, for instance, offers interactive wagering services via the Television Games …
Social Interaction, the Arrangement of Interior Space, and Racetrack Renovation
Recent and planned renovations of horse racing sites create simulcast monitor- viewing spaces to accommodate different forms of social interaction at racetracks, and, at new off-track betting facilities (OTBs), they are made to re-semble upscale sports bars. Furthermore, interactive horse race wagering services are now accessible in private space. Competition with other sports and leisure options has made viewing racing, even in person, an increa…
Narrowcast technology, interactivity, and the economic relations of space
A shift in the horse racing industry toward the satellite simulcasting of races for wagering at off-track betting facilities has driven horse racing toward the use of interactive communication technologies. The result is a structure of economic, social, and policy relations that is intended to organize the public and private spaces of members of the industry’s target markets
Subcultural identity in alternative music culture
Angela McRobbie (1992) has recently observed that what is currently missing from Marxist cultural studies is a sense of urgency. In part, I believe this lack of urgency is the result of cultural studies' tendency ultimately to privilege theory over lived experience; the lived experiences of the post-baby boom generation seem especially neglected. As a 1991 issue of Spin magazine told its readers:Magazines and newspapers such as Time and the New Y…
Kate Bush
An organization of impersonal relations
As the Internet has enabled near-instantaneous transmission of buying and selling information by brokers through servers in financial markets, and from bettors through servers in parimutuel horse racing markets, transactions that once took place in face-to-face settings are now dependent on far-reaching global communication flows. This article explores the ways in which the Internet has influenced the dissemination of information in public, tempo…
Subcultural identity in alternative music culture
Angela McRobbie (1992) has recently observed that what is currently missing from Marxist cultural studies is a sense of urgency. In part, I believe this lack of urgency is the result of cultural studies' tendency ultimately to privilege theory over lived experience; the lived experiences of the post-baby boom generation seem especially neglected. As a 1991 issue of Spin magazine told its readers:Magazines and newspapers such as Time and the New Y…
Local Identity and Independent Music Scenes, Online and Off
Independent music scenes were prominent in the last two decades of the 20th century, but today indie music can be disseminated online, and internet tools allow people in distant locations to engage with each other easily online. With the popularity of the internet, some local spaces devoted to music are becoming less popular and less viable. Yet local spaces continue to provide the infrastructure for music scenes. On the basis of archival researc…
Social Interaction, the Arrangement of Interior Space, and Racetrack Renovation
Recent and planned renovations of horse racing sites create simulcast monitor- viewing spaces to accommodate different forms of social interaction at racetracks, and, at new off-track betting facilities (OTBs), they are made to re-semble upscale sports bars. Furthermore, interactive horse race wagering services are now accessible in private space. Competition with other sports and leisure options has made viewing racing, even in person, an increa…
Narrowcast technology, interactivity, and the economic relations of space
A shift in the horse racing industry toward the satellite simulcasting of races for wagering at off-track betting facilities has driven horse racing toward the use of interactive communication technologies. The result is a structure of economic, social, and policy relations that is intended to organize the public and private spaces of members of the industry’s target markets
An organization of impersonal relations
As the Internet has enabled near-instantaneous transmission of buying and selling information by brokers through servers in financial markets, and from bettors through servers in parimutuel horse racing markets, transactions that once took place in face-to-face settings are now dependent on far-reaching global communication flows. This article explores the ways in which the Internet has influenced the dissemination of information in public, tempo…
Kate Bush
Subcultural identity in alternative music culture
Angela McRobbie (1992) has recently observed that what is currently missing from Marxist cultural studies is a sense of urgency. In part, I believe this lack of urgency is the result of cultural studies' tendency ultimately to privilege theory over lived experience; the lived experiences of the post-baby boom generation seem especially neglected. As a 1991 issue of Spin magazine told its readers:Magazines and newspapers such as Time and the New Y…
Narrowcast technology, interactivity, and the economic relations of space
A shift in the horse racing industry toward the satellite simulcasting of races for wagering at off-track betting facilities has driven horse racing toward the use of interactive communication technologies. The result is a structure of economic, social, and policy relations that is intended to organize the public and private spaces of members of the industry’s target markets
Social Interaction, the Arrangement of Interior Space, and Racetrack Renovation
Recent and planned renovations of horse racing sites create simulcast monitor- viewing spaces to accommodate different forms of social interaction at racetracks, and, at new off-track betting facilities (OTBs), they are made to re-semble upscale sports bars. Furthermore, interactive horse race wagering services are now accessible in private space. Competition with other sports and leisure options has made viewing racing, even in person, an increa…
Betting on News Corporation
The desire by media companies in the United States to promote interactive television technologies despite the lack of success of previous interactive TV trials persists in the early twenty-first century. Multinational conglomerates are exploiting services like horse race wagering as a profitable platform for enticing users to sign up for interactive TV. News Corporation, for instance, offers interactive wagering services via the Television Games …
Multimedia Use in a Sport Setting
Although there is a growing body of research on public social practices related to the use of mobile phones, internet terminals, and laptops, there are few integrated analyses of the uses of multiple interactive technologies in public settings, and especially those involving sports. This article looks at one such space in which technology is embedded in a complicated network of social and economic relations: the screen dominated pari-mutuel horse…
Local Identity and Independent Music Scenes, Online and Off
Independent music scenes were prominent in the last two decades of the 20th century, but today indie music can be disseminated online, and internet tools allow people in distant locations to engage with each other easily online. With the popularity of the internet, some local spaces devoted to music are becoming less popular and less viable. Yet local spaces continue to provide the infrastructure for music scenes. On the basis of archival researc…
Terminal markets
This paper describes two parallel markets that are part of the contemporary online economy of horse racing–pari-mutuel wagering and racehorse rescue — both of which are driven by the emotional labor of participants and both of which are gendered. The expectation of participants in masculinely defined pari-mutuel markets is that they will invest resources to make a profit, while those involved in the femininely defined racehorse rescue market expe…
Pleasure+gender+play
From the start, play and game studies scholars have investigated the experiences of women and girls who play games online, as well as gendered assumptions around digital as well as non-digital play (Brunner et al., 2000; Bryce & Rutter, 2002; Delamere & Shaw, 2008; Fron et al., 2007a, 2007b; Pearce, 2009). Scholars have challenged ideas such as that girls and women have weaker gameplay skills than boys and men (Jenson & De Castell, 2008), that wo…
Resonance, Reverberation, and Rhythms
This panel explores the theories, concepts, and methodologies appropriate to the exploration of the “vibratory power” of transduction where sound and other digitally mediated forms of reverberation conjure affective and corporeal bonds of resonance and solidarity. The first three papers engage in a critical interrogation of sound as epistemology and ontologies in digital networked media, with a focus on streaming internet radio. More specifically…
Sociology (9 works) · Computer Science (8 works) · Business (7 works) · Digital Games and Media (7 works) · Political science (6 works) · Advertising (5 works) · Marketing (5 works) · World Wide Web (5 works) · Aesthetics (4 works) · Art (4 works)