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Howard Pollack

Biographic Data

ID3743626
NAMEHoward Pollack
GIVEN NAMESHoward
FAMILY NAMEPollack
SIGNATUREPOLLACK H
AFFILIATIONSUniversity of Houston
VERIFIEDNo
TOTAL WORKS28
TOTAL CITATIONS1
AUTHOR COUNT28
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Aaron Copland in Latin America

    Howard Pollack•ARTICLE•Fontes artis musicae•2023

    Reviewed by: Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess Howard Pollack Aaron Copland in Latin America: Music and Cultural Politics. By Carol A. Hess. (Music in American Life.) Urbana: University of Illinois Press, 2023. [344 p. ISBN 978-0-252-04485-4 (hardback). $125; ISBN 978-0-252-05400-6 (e-book). $14.95] In addition to all his other notable accomplishments as composer, pianist, conductor, writer, and concert …

  • Antonin Dvořák's New World SymphonyDvořák's Prophecy and the Vexed Fate of Black Classical Music

    Howard Pollack•ARTICLE•American Music•2023

    Although the subject of voluminous commentary over the years, Antonín Dvořák's sympathetic interest in the lives and music of Black Americans—or at least music that the Czech composer perceived as related to Black Americans—seems all the more worthy of reconsideration in light of our current cultural climate. The two monographs reviewed here, without superseding the scholarship of Michael Beckerman in particular, undertake such a challenge in rat…

  • The Ballad of John Latouche

    Howard Pollack•BOOK•The ballad of John Latouche : an…•2017

    Born into a poor Virginian family, John Treville Latouche (1914–1956), in his short life, made a profound mark on America’s musical theater as a lyricist and librettist. The wit and skill of his lyrics elicited comparisons with the likes of Ira Gershwin and Lorenz Hart, but he had too, as Stephen Sondheim noted, “a large vision of what musical theater could be,” and he proved especially venturesome in helping to develop a lyric theater that innov…

  • The Little Friends

    Howard Pollack•BOOK•The ballad of John Latouche : an…•2017

    Latouche had friendship with a circle dubbed by Virgil Thomson “The Little Friends,” which included Harry Dunham, Paul Bowles, Jane Bowles, and Latouche’s future wife Theodora Griffis, the scion of a distinguished and wealthy family. Latouche introduced Jane and Paul Bowles to each other. Latouche’s romantic relationship with Griffis led to marriage, although both were essentially homosexual. The Little Friends formed part of a larger group that …

  • To the Congo and into the Navy

    Howard Pollack•BOOK•The ballad of John Latouche : an…•2017

    Latouche interrupted his Broadway career in order to go to the Belgian Congo (1942-43) to help research and write a documentary with filmmaker André Cauvin for the Belgian government in exile, Congo (1945). The trip also resulted in a travelogue, called Congo as well and released in 1945. After his return from the Congo, Latouche entered the navy, joining the Seabees, and serving in California and in Hawaii (1943–44). On his return to New York, h…

  • Carlos Chavez and His World

    Susana González Aktorie, Ana R Alonso-Minutti et al.•BOOK•Carlos Chávez and His World•2015•Cited by: 1

    Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…

  • Copland, Aaron

    Howard Pollack•CHAPTER•The new Grove dictionary of music…•2013

  • Glorious George

    Robin Holloway, Howard Pollack•ARTICLE•The Musical Times•2008

  • Funny, It Doesn’t Sound Jewish

    Howard Pollack•ARTICLE•American Music•2006

  • Aaron Copland?s Short Symphony and the Challenge to Human Supervision and Control in Music

    Howard Pollack•ARTICLE•Journal of New Music Research•2002

    In his early works, in particular, the Short Symphony (1931-33), Aaron Copland engaged in various rhythmic innovations that taxed the ability of conventional musical notation to accurately express his thoughts and that challenged orchestral conductors to supervise and control events. Although he accomplished this in the context of the modernist rebellion against the so-called tyranny of the barline, he did so in ways distinguished from that of St…

  • Piston, Walter

    Howard Pollack•CHAPTER•The new Grove dictionary of music…•2001

  • Shapero, Harold

    Howard Pollack•CHAPTER•The new Grove dictionary of music…•2001

  • Copland, Aaron

    Howard Pollack•CHAPTER•The new Grove dictionary of music…•2001

  • Aaron Copland

    Jessica Burr, Howard Pollack•ARTICLE•American Music•2000

  • The Dean of Gay American Composers

    Howard Pollack•ARTICLE•American Music•2000

    Scholars and commentators are becoming increasingly aware of the contributions homosexual and bisexual composers have made toward the growth and development of serious American music in the twentieth century. In her article on Classical Music and Opera for the St. James Press Gay and Lesbian Almanac, Nadine Hubbs, for instance, discussing in particular the prominence of Virgil Thomson, Aaron Copland, and Leonard Bernstein, speaks of the central r…

  • German Literature and Music. An Aesthetic Fusion

    Anthony Krupp, Claus Reschke et al.•ARTICLE•German Studies Review•1995

  • Ernst Krenek

    Howard Pollack, John L Stewart•ARTICLE•American Music•1995

  • Harvard Composers

    Joshua Berrett, Howard Pollack•ARTICLE•American Music•1994

  • Sonata pour Piano

    Howard Pollack, Walter Piston•ARTICLE•American Music•1990

  • String Symphony

    Howard Pollack, Ned Rorem•ARTICLE•American Music•1989

  • Nine-Minute Overture

    Howard Pollack, Harold Shapero•ARTICLE•American Music•1989

  • Chamber Music

    Howard Pollack, Samuel Adler et al.•ARTICLE•American Music•1989

  • Conversations with Roger Sessions

    Howard Pollack, Andrea Olmstead•ARTICLE•American Music•1988

    Interviews with the American composer discuss orchestral and local music, music theory, sessions' life, and fellow musicians and composers

  • Scenes from Shir ha-shirim

    Howard Pollack, Mario Davidovsky•ARTICLE•American Music•1988

  • String Quartets, Nos. 1-5

    Howard Pollack, Walter Piston•ARTICLE•American Music•1987

Next
  • Carlos Chavez and His World

    Susana González Aktorie, Ana R Alonso-Minutti et al.•BOOK•Carlos Chávez and His World•2015•Cited by: 1

    Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…

  • Walter Piston

    Bruce Archibald, Howard Pollack•ARTICLE•American Music•1984

  • String Quartets, Nos. 1-5

    Howard Pollack, Walter Piston•ARTICLE•American Music•1987

  • The Mad Frog

    Howard Pollack, Thomas Oboe Lee et al.•ARTICLE•American Music•1987

  • Platinum Spirals

    Howard Pollack, Joan Tower et al.•ARTICLE•American Music•1987

  • Conversations with Roger Sessions

    Howard Pollack, Andrea Olmstead•ARTICLE•American Music•1988

    Interviews with the American composer discuss orchestral and local music, music theory, sessions' life, and fellow musicians and composers

  • Scenes from Shir ha-shirim

    Howard Pollack, Mario Davidovsky•ARTICLE•American Music•1988

  • String Symphony

    Howard Pollack, Ned Rorem•ARTICLE•American Music•1989

  • Nine-Minute Overture

    Howard Pollack, Harold Shapero•ARTICLE•American Music•1989

  • Chamber Music

    Howard Pollack, Samuel Adler et al.•ARTICLE•American Music•1989

  • Sonata pour Piano

    Howard Pollack, Walter Piston•ARTICLE•American Music•1990

  • Harvard Composers

    Joshua Berrett, Howard Pollack•ARTICLE•American Music•1994

  • German Literature and Music. An Aesthetic Fusion

    Anthony Krupp, Claus Reschke et al.•ARTICLE•German Studies Review•1995

  • Ernst Krenek

    Howard Pollack, John L Stewart•ARTICLE•American Music•1995

  • Aaron Copland

    Jessica Burr, Howard Pollack•ARTICLE•American Music•2000

  • The Dean of Gay American Composers

    Howard Pollack•ARTICLE•American Music•2000

    Scholars and commentators are becoming increasingly aware of the contributions homosexual and bisexual composers have made toward the growth and development of serious American music in the twentieth century. In her article on Classical Music and Opera for the St. James Press Gay and Lesbian Almanac, Nadine Hubbs, for instance, discussing in particular the prominence of Virgil Thomson, Aaron Copland, and Leonard Bernstein, speaks of the central r…

  • Piston, Walter

    Howard Pollack•CHAPTER•The new Grove dictionary of music…•2001

  • Shapero, Harold

    Howard Pollack•CHAPTER•The new Grove dictionary of music…•2001

  • Copland, Aaron

    Howard Pollack•CHAPTER•The new Grove dictionary of music…•2001

  • Aaron Copland?s Short Symphony and the Challenge to Human Supervision and Control in Music

    Howard Pollack•ARTICLE•Journal of New Music Research•2002

    In his early works, in particular, the Short Symphony (1931-33), Aaron Copland engaged in various rhythmic innovations that taxed the ability of conventional musical notation to accurately express his thoughts and that challenged orchestral conductors to supervise and control events. Although he accomplished this in the context of the modernist rebellion against the so-called tyranny of the barline, he did so in ways distinguished from that of St…

  • Funny, It Doesn’t Sound Jewish

    Howard Pollack•ARTICLE•American Music•2006

  • Glorious George

    Robin Holloway, Howard Pollack•ARTICLE•The Musical Times•2008

  • Copland, Aaron

    Howard Pollack•CHAPTER•The new Grove dictionary of music…•2013

  • Carlos Chavez and His World

    Susana González Aktorie, Ana R Alonso-Minutti et al.•BOOK•Carlos Chávez and His World•2015•Cited by: 1

    Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…

  • The Ballad of John Latouche

    Howard Pollack•BOOK•The ballad of John Latouche : an…•2017

    Born into a poor Virginian family, John Treville Latouche (1914–1956), in his short life, made a profound mark on America’s musical theater as a lyricist and librettist. The wit and skill of his lyrics elicited comparisons with the likes of Ira Gershwin and Lorenz Hart, but he had too, as Stephen Sondheim noted, “a large vision of what musical theater could be,” and he proved especially venturesome in helping to develop a lyric theater that innov…

  • The Little Friends

    Howard Pollack•BOOK•The ballad of John Latouche : an…•2017

    Latouche had friendship with a circle dubbed by Virgil Thomson “The Little Friends,” which included Harry Dunham, Paul Bowles, Jane Bowles, and Latouche’s future wife Theodora Griffis, the scion of a distinguished and wealthy family. Latouche introduced Jane and Paul Bowles to each other. Latouche’s romantic relationship with Griffis led to marriage, although both were essentially homosexual. The Little Friends formed part of a larger group that …

Art (23 works) · Art history (13 works) · Musicology and Musical Analysis (10 works) · History (8 works) · Visual arts (8 works) · Literature (7 works) · Diverse Musicological Studies (5 works) · Political science (5 works) · Law (4 works) · Musical (4 works)

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