Cheryl Krueger
Biographic Data
| ID | 3745951 |
|---|---|
| NAME | Cheryl Krueger |
| GIVEN NAMES | Cheryl |
| FAMILY NAME | Krueger |
| SIGNATURE | KRUEGER C |
| AFFILIATIONS | University of Virginia |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Under Pressure: Flaubert’s Human Barometers
Roland Barthes called attention to the barometer in ‘Un Coeur simple' to illustrate the concept of l'effet de reel: the presence of objects which constitute a narrative luxury. For Flaubert's characters too, the barometer represents an objet de luxe since it goes unread. This article examines how humans interact with barometers figuratively and physically in Flaubert's works, and how contemporaneous cultural references view conversations about we…
Lettres parfumées, correspondances fatales
Cet article se concentre sur la présence aromatique de deux lettres fictives que nous lisons dans le cadre des pratiques sociales du xix e siècle relatives au parfum. Ces épisodes épistolaires mettent en scène la complexité de l'interprétation des odeurs socialement déchiffrables, en reliant la fragrance au déséquilibre physique et psychologique. Comme les écrits extra-littéraires de l'époque, ces romans expriment une confusion sournoise entre le…
Decadent Perfume: Under the Skin and Through the Page
At the fin de siècle, there is tendency in learned discourse to discredit the salubrious properties of fragrance, and more radically, to deem perfume use potentially toxic and aberrant. It is as if suspicion of perfume supplanted the fear of miasma (smell-borne contagion) as an olfactive indicator of hygienic and social danger. But unlike the involuntary absorption of disease-ridden smells, fin-de-siècle perfume abuse (be it heightened sensitivit…
From, Content, and Critical Distance: The Role of “Creative Personalization” in Language and Content Courses
Absteact. Many academic programs maintain a rigid philosophical and pedagogical separation between introductory language courses and upper‐division, so‐called “content” courses. Such programs tend to consign matters of form to the elementary‐ through advanced‐level language sequence, placing emphasis on meaning in literature and culture courses. This article offers suggestions for drawing attention to form and content in both types of courses. By…
From, Content, and Critical Distance: The Role of “Creative Personalization” in Language and Content Courses
Absteact. Many academic programs maintain a rigid philosophical and pedagogical separation between introductory language courses and upper‐division, so‐called “content” courses. Such programs tend to consign matters of form to the elementary‐ through advanced‐level language sequence, placing emphasis on meaning in literature and culture courses. This article offers suggestions for drawing attention to form and content in both types of courses. By…
Decadent Perfume: Under the Skin and Through the Page
At the fin de siècle, there is tendency in learned discourse to discredit the salubrious properties of fragrance, and more radically, to deem perfume use potentially toxic and aberrant. It is as if suspicion of perfume supplanted the fear of miasma (smell-borne contagion) as an olfactive indicator of hygienic and social danger. But unlike the involuntary absorption of disease-ridden smells, fin-de-siècle perfume abuse (be it heightened sensitivit…
From, Content, and Critical Distance: The Role of “Creative Personalization” in Language and Content Courses
Absteact. Many academic programs maintain a rigid philosophical and pedagogical separation between introductory language courses and upper‐division, so‐called “content” courses. Such programs tend to consign matters of form to the elementary‐ through advanced‐level language sequence, placing emphasis on meaning in literature and culture courses. This article offers suggestions for drawing attention to form and content in both types of courses. By…
Decadent Perfume: Under the Skin and Through the Page
At the fin de siècle, there is tendency in learned discourse to discredit the salubrious properties of fragrance, and more radically, to deem perfume use potentially toxic and aberrant. It is as if suspicion of perfume supplanted the fear of miasma (smell-borne contagion) as an olfactive indicator of hygienic and social danger. But unlike the involuntary absorption of disease-ridden smells, fin-de-siècle perfume abuse (be it heightened sensitivit…
Lettres parfumées, correspondances fatales
Cet article se concentre sur la présence aromatique de deux lettres fictives que nous lisons dans le cadre des pratiques sociales du xix e siècle relatives au parfum. Ces épisodes épistolaires mettent en scène la complexité de l'interprétation des odeurs socialement déchiffrables, en reliant la fragrance au déséquilibre physique et psychologique. Comme les écrits extra-littéraires de l'époque, ces romans expriment une confusion sournoise entre le…
Under Pressure: Flaubert’s Human Barometers
Roland Barthes called attention to the barometer in ‘Un Coeur simple' to illustrate the concept of l'effet de reel: the presence of objects which constitute a narrative luxury. For Flaubert's characters too, the barometer represents an objet de luxe since it goes unread. This article examines how humans interact with barometers figuratively and physically in Flaubert's works, and how contemporaneous cultural references view conversations about we…
Art (3 works) · Historical and Scientific Studies (2 works) · Historical Art and Culture Studies (2 works) · History (2 works) · Philosophy (2 works) · Psychology (2 works) · Aesthetics (1 works) · Art history (1 works) · Barometer (1 works) · Beauty (1 works)