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Ruth Harvey

Biographic Data

ID3745977
NAMERuth Harvey
GIVEN NAMESRuth
FAMILY NAMEHarvey
SIGNATUREHARVEY R
AFFILIATIONSRoyal Holloway University of London
ORCID0000-0002-1428-9621
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS2
WORKS AS AUTHOR9
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1963
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Loyalty and Litigation in the Troubadour Love-lyric

    Open Access•Ruth Harvey•ARTICLE•Journal of Medieval History•2026

  • Literature of the Crusades

    Simon Thomas ca /21 Jh Parsons, Simon Thomas Parsons et al.•EDITOR•BOOK•Literature of the Crusades•2018

  • Écrire, trobar

    Open Access•Ruth Harvey•ARTICLE•Revue des langues romanes•2016

    Comment le troubadour évoque-t-il sa propre créativité artistique ? Au fil des années, la représentation de l’acte de trobar a fait l’objet de plusieurs études et de remarques notées au passage par les érudits. On a souligné la fameuse « circularité du chant », l’équivalence entre « aimer » et « chanter », et entre « chanter » et « composer ». On n’a pas manqué de signaler le goût des poètes pour les métaphores tirées de l’artisanat et de la vie …

  • Rhymes and ‘Rusty Words’ in Marcabru's Songs

    Richard Harvey, Ruth Harvey•ARTICLE•French Studies•2002•Cited by: 1

    This article explores a selection of issues concerning troubadour versification which are the products of insights gained in the course of preparing the new critical edition of the works of Marcabru. The manuscript evidence and editorial interpretation of this suggest that some pieces in the corpus of this poet's surviving songs contain irregularities in the quality, position and sequence of rhymes, features which flout the normative versificator…

  • A Nourishing Spirituality

    Open Access•Ruth Harvey•ARTICLE•Feminist Theology•2000

  • The wives of the ‘first troubadour’, Duke William IX of Aquitaine

    Ruth Harvey, Ruth E Harvey•ARTICLE•Journal of Medieval History•1993•Cited by: 1

    The sources which offer insights into the life of Duke William IX of Aquitaine, the ‘first troubadour’, are few and disparate in nature. This study focuses on the conclusions which have been drawn from Anglo-Norman chroniclers' accounts of his clashes with the Church, reportedly over the issue of his adultery, and on Latin poems in praise of the bishop who excommunicated William and whom the duke persecuted. While it is generally believed that th…

  • Gelwez Gebende’—the Kulturmorphologie of a Topos

    Open Access•Ruth Harvey•ARTICLE•German Life and Letters•1975

  • Formen mittelalterlicher Literatur

    Open Access•Ruth Harvey•ARTICLE•German Life and Letters•1973

  • Minnesang and the ‘Sweet Lyric’

    Open Access•Ruth Harvey•ARTICLE•German Life and Letters•1963

  • The Icelandic Saga

    Gerald Bordman, Peter Hallberg et al.•ARTICLE•Journal of American Folklore•1963

  • Rhymes and ‘Rusty Words’ in Marcabru's Songs

    Richard Harvey, Ruth Harvey•ARTICLE•French Studies•2002•Cited by: 1

    This article explores a selection of issues concerning troubadour versification which are the products of insights gained in the course of preparing the new critical edition of the works of Marcabru. The manuscript evidence and editorial interpretation of this suggest that some pieces in the corpus of this poet's surviving songs contain irregularities in the quality, position and sequence of rhymes, features which flout the normative versificator…

  • The wives of the ‘first troubadour’, Duke William IX of Aquitaine

    Ruth Harvey, Ruth E Harvey•ARTICLE•Journal of Medieval History•1993•Cited by: 1

    The sources which offer insights into the life of Duke William IX of Aquitaine, the ‘first troubadour’, are few and disparate in nature. This study focuses on the conclusions which have been drawn from Anglo-Norman chroniclers' accounts of his clashes with the Church, reportedly over the issue of his adultery, and on Latin poems in praise of the bishop who excommunicated William and whom the duke persecuted. While it is generally believed that th…

  • Minnesang and the ‘Sweet Lyric’

    Open Access•Ruth Harvey•ARTICLE•German Life and Letters•1963

  • The Icelandic Saga

    Gerald Bordman, Peter Hallberg et al.•ARTICLE•Journal of American Folklore•1963

  • Formen mittelalterlicher Literatur

    Open Access•Ruth Harvey•ARTICLE•German Life and Letters•1973

  • Gelwez Gebende’—the Kulturmorphologie of a Topos

    Open Access•Ruth Harvey•ARTICLE•German Life and Letters•1975

  • The wives of the ‘first troubadour’, Duke William IX of Aquitaine

    Ruth Harvey, Ruth E Harvey•ARTICLE•Journal of Medieval History•1993•Cited by: 1

    The sources which offer insights into the life of Duke William IX of Aquitaine, the ‘first troubadour’, are few and disparate in nature. This study focuses on the conclusions which have been drawn from Anglo-Norman chroniclers' accounts of his clashes with the Church, reportedly over the issue of his adultery, and on Latin poems in praise of the bishop who excommunicated William and whom the duke persecuted. While it is generally believed that th…

  • A Nourishing Spirituality

    Open Access•Ruth Harvey•ARTICLE•Feminist Theology•2000

  • Rhymes and ‘Rusty Words’ in Marcabru's Songs

    Richard Harvey, Ruth Harvey•ARTICLE•French Studies•2002•Cited by: 1

    This article explores a selection of issues concerning troubadour versification which are the products of insights gained in the course of preparing the new critical edition of the works of Marcabru. The manuscript evidence and editorial interpretation of this suggest that some pieces in the corpus of this poet's surviving songs contain irregularities in the quality, position and sequence of rhymes, features which flout the normative versificator…

  • Écrire, trobar

    Open Access•Ruth Harvey•ARTICLE•Revue des langues romanes•2016

    Comment le troubadour évoque-t-il sa propre créativité artistique ? Au fil des années, la représentation de l’acte de trobar a fait l’objet de plusieurs études et de remarques notées au passage par les érudits. On a souligné la fameuse « circularité du chant », l’équivalence entre « aimer » et « chanter », et entre « chanter » et « composer ». On n’a pas manqué de signaler le goût des poètes pour les métaphores tirées de l’artisanat et de la vie …

  • Literature of the Crusades

    Simon Thomas ca /21 Jh Parsons, Simon Thomas Parsons et al.•EDITOR•BOOK•Literature of the Crusades•2018

  • Loyalty and Litigation in the Troubadour Love-lyric

    Open Access•Ruth Harvey•ARTICLE•Journal of Medieval History•2026

Philosophy (6 works) · Art (5 works) · Computer Science (5 works) · History (5 works) · Linguistics (5 works) · Medieval European Literature and History (4 works) · Philosophy (4 works) · Art history (3 works) · Citation (3 works) · German (3 works)

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