Carol J Murphy
Biographic Data
| ID | 3746062 |
|---|---|
| NAME | Carol J Murphy |
| GIVEN NAMES | Carol J |
| FAMILY NAME | Murphy |
| SIGNATURE | MURPHY C J |
| AFFILIATIONS | University of Florida |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Beckett, Confined (?): Creativity and Constraints in Life and Letters
This article’s title, inspired in part by the recent pandemic, glosses different aspects of confinement that characterize both Beckett and his œuvre: spatial, cultural, physical and, most importantly, linguistic. The latter, as revealed famously in his 1937 “Letter to Axel Kaun”, foregrounds creativity as an act of “boring holes into language” to uncover the music, or silence, the something, or nothing, that lay beneath. Curiously, the second vol…
Julien Gracq Studies
Julien Gracq (1910–2007) was generally considered to be the doyen of French letters at his demise on 22 December 2007, aged ninety-seven. Born Louis Poirier in Saint-Florent-le-Vieil (Maine-et-Loire), Gracq took his nom de plume in 1939 at the time his first novel, Au château d’Argol, was published. Professor agrege of history and geography, notably at the Lycee Claude-Bernard in Paris from 1947 until his retirement in 1970, Gracq began writing f…
Re-Presenting the Real: Jean Paulhan and Jean Fautrier
Carol J. Murphy, Re-Presenting the Real: Jean Paulhan and Jean Fautrier, Yale French Studies, No. 106, The Power of Rhetoric, the Rhetoric of Power: Jean Paulhan's Fiction, Criticism, and Editorial Activity (2004), pp. 71-86
Reassessing Marguerite Duras
Since her death on March 3
Cultures du Surrealisme: Les representations de l'autre
La Femme s'entete: La Part du Feminin dans le Surrealisme
Proust among the Stars
The Allegorical Impulse in the Works of Julien Gracq: History as Rhetorical Enactment in "Le Rivage des Syrtes" and "Un Balcon en Foret"
This text focuses on the role of history in Julien Gracq's novels, Le Rivage Des Syrtes and Un Balcon En Foret, and in his critical essays. It draws on theories of allegory, textuality and history in its analysis of the interplay of fictional and factual history in Gracq's writings
Samuel Beckett and the End of Modernity
A note on texts Introduction 1. Differance: unnamability, postmodernity 2. Madness and the cognito in Murphy 3. Beyond the metaphysics of presence: Watt and the autobiography of negation 4. Beckett's mirror-writing: doubling and differance in Molloy 5. Malone Dies: the death of the author and the end of the book 6. The unnamable: the end of man and the beginning of writing Afterword Notes Works cited Index
Welcome Unreason: A Study of 'Madness' in the Novels of Marguerite Duras
Ecriture feminine et violence: Une etude de Marguerite Duras
Narrative as Theme: Studies in French Fiction
Parcours symboliques chez Julien Gracq: Le Rivage des Syrtes
No prominent works on this page.
Parcours symboliques chez Julien Gracq: Le Rivage des Syrtes
Ecriture feminine et violence: Une etude de Marguerite Duras
Narrative as Theme: Studies in French Fiction
Welcome Unreason: A Study of 'Madness' in the Novels of Marguerite Duras
Samuel Beckett and the End of Modernity
A note on texts Introduction 1. Differance: unnamability, postmodernity 2. Madness and the cognito in Murphy 3. Beyond the metaphysics of presence: Watt and the autobiography of negation 4. Beckett's mirror-writing: doubling and differance in Molloy 5. Malone Dies: the death of the author and the end of the book 6. The unnamable: the end of man and the beginning of writing Afterword Notes Works cited Index
The Allegorical Impulse in the Works of Julien Gracq: History as Rhetorical Enactment in "Le Rivage des Syrtes" and "Un Balcon en Foret"
This text focuses on the role of history in Julien Gracq's novels, Le Rivage Des Syrtes and Un Balcon En Foret, and in his critical essays. It draws on theories of allegory, textuality and history in its analysis of the interplay of fictional and factual history in Gracq's writings
Proust among the Stars
La Femme s'entete: La Part du Feminin dans le Surrealisme
Reassessing Marguerite Duras
Since her death on March 3
Cultures du Surrealisme: Les representations de l'autre
Re-Presenting the Real: Jean Paulhan and Jean Fautrier
Carol J. Murphy, Re-Presenting the Real: Jean Paulhan and Jean Fautrier, Yale French Studies, No. 106, The Power of Rhetoric, the Rhetoric of Power: Jean Paulhan's Fiction, Criticism, and Editorial Activity (2004), pp. 71-86
Julien Gracq Studies
Julien Gracq (1910–2007) was generally considered to be the doyen of French letters at his demise on 22 December 2007, aged ninety-seven. Born Louis Poirier in Saint-Florent-le-Vieil (Maine-et-Loire), Gracq took his nom de plume in 1939 at the time his first novel, Au château d’Argol, was published. Professor agrege of history and geography, notably at the Lycee Claude-Bernard in Paris from 1947 until his retirement in 1970, Gracq began writing f…
Beckett, Confined (?): Creativity and Constraints in Life and Letters
This article’s title, inspired in part by the recent pandemic, glosses different aspects of confinement that characterize both Beckett and his œuvre: spatial, cultural, physical and, most importantly, linguistic. The latter, as revealed famously in his 1937 “Letter to Axel Kaun”, foregrounds creativity as an act of “boring holes into language” to uncover the music, or silence, the something, or nothing, that lay beneath. Curiously, the second vol…
Art (11 works) · French Literature and Critical Theory (5 works) · History (5 works) · Literature (5 works) · Art history (3 works) · Philosophy (3 works) · Psychology (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Epistemology (2 works)