Amanda Crawley Jackson
Biographic Data
| ID | 3746077 |
|---|---|
| NAME | Amanda Crawley Jackson |
| GIVEN NAMES | Amanda Crawley |
| FAMILY NAME | Jackson |
| SIGNATURE | JACKSON A C |
| AFFILIATIONS | University of Sheffield |
| ORCID | 0000-0001-5858-2072 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Making common ground with strangers at Furnace Park
In this article we seek to widen the debate about the sites and processes of encounter with strangers by examining the ways in which ‘strangeness’ necessarily fades within the familiarisation processes at play in any sustained and situated place-making. Our analysis draws upon our experiences of encountering strangers – and of our familiarisation with them – in the initial, year-long, site acquisition and preparation phase of a project to create …
(Re-)appropriations
This article discusses recent work by the Franco-Algerian artist, Kader Attia, in which the artist explores the (unevenly) intertwined modernities of France and Algeria. It demonstrates how, particularly in his treatment of the French banlieues, the artist highlights the continuities between colonial modernity and the reality of contemporary relations (political, economic and cultural) between the global North and South, France and Algeria. Secon…
Deux temps de lecture
This paper explores the process and practice of inscription and impression in the photographic works of Natacha Lesueur. It suggests that while Lesueur engages with the idiom of the fashion photograph, this is to subvert rather than affirm the genre. Her photographs play with and speak to the nature of the photographic medium itself (which is time-based, materially ephemeral and, in the popular consciousness, linked with stereotypical portrayals …
Grammatical fictions
Simone de Beauvoir
Beauvoir, S. de, Letters to Sartre, translated by Hoare, Q. (Radius, 1991), 531pp., £20, ISBN 0 09 174774 0 Moi, T., Simone de Beauvoir: The Making of an Intellectual Woman (Blackwell, 1994), 324pp., £12.95, ISBN 9 631 19181 X
Making common ground with strangers at Furnace Park
In this article we seek to widen the debate about the sites and processes of encounter with strangers by examining the ways in which ‘strangeness’ necessarily fades within the familiarisation processes at play in any sustained and situated place-making. Our analysis draws upon our experiences of encountering strangers – and of our familiarisation with them – in the initial, year-long, site acquisition and preparation phase of a project to create …
(Re-)appropriations
This article discusses recent work by the Franco-Algerian artist, Kader Attia, in which the artist explores the (unevenly) intertwined modernities of France and Algeria. It demonstrates how, particularly in his treatment of the French banlieues, the artist highlights the continuities between colonial modernity and the reality of contemporary relations (political, economic and cultural) between the global North and South, France and Algeria. Secon…
Simone de Beauvoir
Beauvoir, S. de, Letters to Sartre, translated by Hoare, Q. (Radius, 1991), 531pp., £20, ISBN 0 09 174774 0 Moi, T., Simone de Beauvoir: The Making of an Intellectual Woman (Blackwell, 1994), 324pp., £12.95, ISBN 9 631 19181 X
Grammatical fictions
Deux temps de lecture
This paper explores the process and practice of inscription and impression in the photographic works of Natacha Lesueur. It suggests that while Lesueur engages with the idiom of the fashion photograph, this is to subvert rather than affirm the genre. Her photographs play with and speak to the nature of the photographic medium itself (which is time-based, materially ephemeral and, in the popular consciousness, linked with stereotypical portrayals …
(Re-)appropriations
This article discusses recent work by the Franco-Algerian artist, Kader Attia, in which the artist explores the (unevenly) intertwined modernities of France and Algeria. It demonstrates how, particularly in his treatment of the French banlieues, the artist highlights the continuities between colonial modernity and the reality of contemporary relations (political, economic and cultural) between the global North and South, France and Algeria. Secon…
Making common ground with strangers at Furnace Park
In this article we seek to widen the debate about the sites and processes of encounter with strangers by examining the ways in which ‘strangeness’ necessarily fades within the familiarisation processes at play in any sustained and situated place-making. Our analysis draws upon our experiences of encountering strangers – and of our familiarisation with them – in the initial, year-long, site acquisition and preparation phase of a project to create …
Sociology (5 works) · Art (4 works) · Law (3 works) · Law (3 works) · Philosophy (3 works) · Philosophy (3 works) · Political science (3 works) · Psychology (3 works) · Visual arts (2 works) · Aesthetics (1 work)