Nathalie Aubert
Biographic Data
| ID | 3746088 |
|---|---|
| NAME | Nathalie Aubert |
| GIVEN NAMES | Nathalie |
| FAMILY NAME | Aubert |
| SIGNATURE | AUBERT N |
| AFFILIATIONS | Oxford Brookes University |
| ORCID | 0000-0002-8139-8326 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Fibropapillomatosis Prevalence and Distribution in Immature Green Turtles (Chelonia mydas) in Martinique Island (Lesser Antilles)
Enchanted Ground
Gavin Parkinson’s Enchanted Ground identifies a Surrealist position on the foundational canon of late nineteenth-century French painting, a canon that emerged in modernist art criticism, art history and curatorship at the beginning to the twentieth century and was consolidated from then up to the mid-1950s. Along the way, Parkinson’s extensive knowledge of the field and his meticulous analyses of the variations in the Surrealists’ position (princ…
We have nothing better than testimony
Art and testimony are often yoked together by the real-life violence of war. The First World War represents a moment in the French literary field which saw an explosion of war narratives. The legitimacy of some of these narratives was questioned after the war by Jean Norton Cru, who examined their validity as testimonies in a book significantly entitled Témoins. Following Ricœur's claim that historical discourse is, in any case, 'metaphorical', I…
The French Avant-Garde
Stephen Forcer & Emma Wagstaff (Eds), Nottingham French Studies, Volume 50, Number 3 Nottingham, University of Nottingham Press, 2011, 142 pages, £30.00, 978 0853582816 This volume consists of nine
Cobra after Cobra’ and the Alba Congress
Les Logogrammes de Christian Dotremont
A l'origine de cet article, il y a la découverte des logogrammes de Christian Dotremont et leur façon singulière d'adresser les problèmes du rapport entre le texte et l'image. Sortes d'arabesques exécutées à l'encre de Chine évoquant la calligraphie orientale, elles sont accompagnées d'un texte d'une longueur variable qui en semble la ‘traduction’. Peintures-poèmes, les logogrammes n'exhibent cependant ni les signes extérieurs de la beauté (comme…
We have nothing better than testimony
Art and testimony are often yoked together by the real-life violence of war. The First World War represents a moment in the French literary field which saw an explosion of war narratives. The legitimacy of some of these narratives was questioned after the war by Jean Norton Cru, who examined their validity as testimonies in a book significantly entitled Témoins. Following Ricœur's claim that historical discourse is, in any case, 'metaphorical', I…
Cobra after Cobra’ and the Alba Congress
Les Logogrammes de Christian Dotremont
A l'origine de cet article, il y a la découverte des logogrammes de Christian Dotremont et leur façon singulière d'adresser les problèmes du rapport entre le texte et l'image. Sortes d'arabesques exécutées à l'encre de Chine évoquant la calligraphie orientale, elles sont accompagnées d'un texte d'une longueur variable qui en semble la ‘traduction’. Peintures-poèmes, les logogrammes n'exhibent cependant ni les signes extérieurs de la beauté (comme…
The French Avant-Garde
Stephen Forcer & Emma Wagstaff (Eds), Nottingham French Studies, Volume 50, Number 3 Nottingham, University of Nottingham Press, 2011, 142 pages, £30.00, 978 0853582816 This volume consists of nine
We have nothing better than testimony
Art and testimony are often yoked together by the real-life violence of war. The First World War represents a moment in the French literary field which saw an explosion of war narratives. The legitimacy of some of these narratives was questioned after the war by Jean Norton Cru, who examined their validity as testimonies in a book significantly entitled Témoins. Following Ricœur's claim that historical discourse is, in any case, 'metaphorical', I…
Enchanted Ground
Gavin Parkinson’s Enchanted Ground identifies a Surrealist position on the foundational canon of late nineteenth-century French painting, a canon that emerged in modernist art criticism, art history and curatorship at the beginning to the twentieth century and was consolidated from then up to the mid-1950s. Along the way, Parkinson’s extensive knowledge of the field and his meticulous analyses of the variations in the Surrealists’ position (princ…
Fibropapillomatosis Prevalence and Distribution in Immature Green Turtles (Chelonia mydas) in Martinique Island (Lesser Antilles)
Art (4 works) · Art history (3 works) · Humanities (2 works) · Amphibian and Reptile Biology (1 works) · Animal ecology (1 works) · Art criticism (1 works) · Art, Politics, and Modernism (1 works) · Art, Technology, and Culture (1 works) · Avant garde (1 works) · Biology (1 works)