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James Metcalf

Biographic Data

ID3750536
NAMEJames Metcalf
GIVEN NAMESJames
FAMILY NAMEMetcalf
SIGNATUREMETCALF J
AFFILIATIONSKing's College London
ORCID0000-0002-1497-4434
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS2
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Curious Objects

    Open Access•James Metcalf•ARTICLE•ABO Interactive Journal for Women…•2026

    Mary Leapor (1722–1746) has long been recognized as something of a curiosity: a Northamptonshire kitchen maid with a rudimentary education who died at the age of 24, but who also wrote two volumes of poetry. In this essay I read Leapor’s “thing poems” to show how curiosity is also a supervening affective regime in her poetics. Minor and marginal, fixated by perverse objects which tend more to derail than deepen the production of knowledge, curios…

  • What's Queer about Water

    James Metcalf•ARTICLE•GLQ A Journal of Lesbian and Gay…•2025

  • Un-earthing the Eighteenth-Century Churchyard

    Open Access•James Metcalf•ARTICLE•European Journal of Life Writing•2020

    The work of poet and novelist Charlotte Smith (1749–1806) has been consistently associated with life writing through the successive revelations of her autobiographical paratexts. While the life of the author is therefore familiar, Smith’s contribution to the relationship between life writing and death has been less examined. Several of her novels and poems demonstrate an awareness of and departure from the tropes of mid-eighteenth-century ‘gravey…

  • Revisiting the Churchyard

    Open Access•James Metcalf•ARTICLE•European Journal of Life Writing•2020

    The churchyard has always been a site of pilgrimage. The remains of the dead, sanctified as holy relics, conferred a hallowed status on their location in the earth; this, in turn, became a destination for travellers. By the eighteenth century, ‘pilgrims’ consciously mapped their interest in literary remains onto these sacred spaces, drawing their pursuit of literary tourism into a long history of travel to the realms of the venerated dead. Using …

  • Life Writing and Death

    Open Access•Clare Brant, James Metcalf et al.•ARTICLE•European Journal of Life Writing•2020•Cited by: 2•References: 2

    One thing in life we can be certain of: death. But how we talk about death—its inevitability, its causes and its course, its effects, or its places—is susceptible to changing cultural conditions. Reviewing a history of death that begins in prehistory, the distinguished historian of death Thomas Laqueur doubts it is possible to comprehend (in both senses) the topic: ‘Our awareness of death and the dead stands at the edge of culture. As such they m…

  • Life Writing and Death

    Open Access•Clare Brant, James Metcalf et al.•ARTICLE•European Journal of Life Writing•2020•Cited by: 2•References: 2

    One thing in life we can be certain of: death. But how we talk about death—its inevitability, its causes and its course, its effects, or its places—is susceptible to changing cultural conditions. Reviewing a history of death that begins in prehistory, the distinguished historian of death Thomas Laqueur doubts it is possible to comprehend (in both senses) the topic: ‘Our awareness of death and the dead stands at the edge of culture. As such they m…

  • Un-earthing the Eighteenth-Century Churchyard

    Open Access•James Metcalf•ARTICLE•European Journal of Life Writing•2020

    The work of poet and novelist Charlotte Smith (1749–1806) has been consistently associated with life writing through the successive revelations of her autobiographical paratexts. While the life of the author is therefore familiar, Smith’s contribution to the relationship between life writing and death has been less examined. Several of her novels and poems demonstrate an awareness of and departure from the tropes of mid-eighteenth-century ‘gravey…

  • Revisiting the Churchyard

    Open Access•James Metcalf•ARTICLE•European Journal of Life Writing•2020

    The churchyard has always been a site of pilgrimage. The remains of the dead, sanctified as holy relics, conferred a hallowed status on their location in the earth; this, in turn, became a destination for travellers. By the eighteenth century, ‘pilgrims’ consciously mapped their interest in literary remains onto these sacred spaces, drawing their pursuit of literary tourism into a long history of travel to the realms of the venerated dead. Using …

  • Life Writing and Death

    Open Access•Clare Brant, James Metcalf et al.•ARTICLE•European Journal of Life Writing•2020•Cited by: 2•References: 2

    One thing in life we can be certain of: death. But how we talk about death—its inevitability, its causes and its course, its effects, or its places—is susceptible to changing cultural conditions. Reviewing a history of death that begins in prehistory, the distinguished historian of death Thomas Laqueur doubts it is possible to comprehend (in both senses) the topic: ‘Our awareness of death and the dead stands at the edge of culture. As such they m…

  • What's Queer about Water

    James Metcalf•ARTICLE•GLQ A Journal of Lesbian and Gay…•2025

  • Curious Objects

    Open Access•James Metcalf•ARTICLE•ABO Interactive Journal for Women…•2026

    Mary Leapor (1722–1746) has long been recognized as something of a curiosity: a Northamptonshire kitchen maid with a rudimentary education who died at the age of 24, but who also wrote two volumes of poetry. In this essay I read Leapor’s “thing poems” to show how curiosity is also a supervening affective regime in her poetics. Minor and marginal, fixated by perverse objects which tend more to derail than deepen the production of knowledge, curios…

Archaeology (3 works) · Art (3 works) · History (3 works) · Literature (3 works) · Dead sea (2 works) · Literature: history, themes, analysis (2 works) · Poetry (2 works) · Sociology (2 works) · Aesthetics (1 work) · American Environmental and Regional History (1 work)

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