Arnaldo M Cruz-Malavé
Biographic Data
| ID | 3750564 |
|---|---|
| NAME | Arnaldo M Cruz-Malavé |
| GIVEN NAMES | Arnaldo M |
| FAMILY NAME | Cruz-Malavé |
| SIGNATURE | CRUZ-MALAVÉ A M |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The Queer Return of Manuel Ramos Otero
Manuel Ramos Otero is one of the most radical avant-garde voices in Caribbean letters. Born in 1948, he arrived a “sexile” at age twenty in New York City, where he wrote most of his work in Spanish
Dancing in an Enclosure
An examination of the significance of dance performances in the demonstrations of the Puerto Rican summer of 2019, this essay argues that these performances belong to a history of irreverent, extravagant mourning gestures that periodically irrupt in Puerto Rican culture as decolonial practices by dislocating the socially prescribed binding between performance and affect. Using the theories of Saidiya Hartman, José Esteban Muñoz, and Juana María R…
"Lezama Lima's "Julián del Casal
This examination of José Lezama Lima's groundbreaking essay on the controversial late-nineteenth-century Cuban poet Julián del Casal situates the essay in the postrevolutionary context in which it first appeared in a Havana newspaper in 1941, a year after the ratification of the Constitution of 1940 and the publication of Fernando Ortiz's celebrated Cuban Counterpoint. It explores Lezama Lima's essay as a response to this moment in Cuban history …
Between Irony and Belief
In the 1960s, camp's ironic register expanded to many of the decade's cultural and artistic discourses, becoming hegemonic in historical accounts. This essay examines the response of two queer diasporic Puerto Rican artists, the filmmaker José Rodríguez-Soltero and the drag performer "superstar" Mario Montez, who were members of New York's artistic underground, to such an expansion. While Puerto Rican and Latino migrants to the city were associat…
No prominent works on this page.
Between Irony and Belief
In the 1960s, camp's ironic register expanded to many of the decade's cultural and artistic discourses, becoming hegemonic in historical accounts. This essay examines the response of two queer diasporic Puerto Rican artists, the filmmaker José Rodríguez-Soltero and the drag performer "superstar" Mario Montez, who were members of New York's artistic underground, to such an expansion. While Puerto Rican and Latino migrants to the city were associat…
"Lezama Lima's "Julián del Casal
This examination of José Lezama Lima's groundbreaking essay on the controversial late-nineteenth-century Cuban poet Julián del Casal situates the essay in the postrevolutionary context in which it first appeared in a Havana newspaper in 1941, a year after the ratification of the Constitution of 1940 and the publication of Fernando Ortiz's celebrated Cuban Counterpoint. It explores Lezama Lima's essay as a response to this moment in Cuban history …
Dancing in an Enclosure
An examination of the significance of dance performances in the demonstrations of the Puerto Rican summer of 2019, this essay argues that these performances belong to a history of irreverent, extravagant mourning gestures that periodically irrupt in Puerto Rican culture as decolonial practices by dislocating the socially prescribed binding between performance and affect. Using the theories of Saidiya Hartman, José Esteban Muñoz, and Juana María R…
The Queer Return of Manuel Ramos Otero
Manuel Ramos Otero is one of the most radical avant-garde voices in Caribbean letters. Born in 1948, he arrived a “sexile” at age twenty in New York City, where he wrote most of his work in Spanish
Latin American and Latino Studies (4 works) · Queer (4 works) · Art (3 works) · Cuban History and Society (3 works) · Gender Studies (3 works) · Gender Studies (3 works) · Literature (3 works) · Sociology (3 works) · Art history (2 works) · History (2 works)