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Don Gifford

Biographic Data

ID3757735
NAMEDon Gifford
GIVEN NAMESDon
FAMILY NAMEGifford
SIGNATUREGIFFORD D
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS3
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2011
H-INDEX1
  • Zones of Re-membering: Time, Memory, and (un)Consciousness

    Don Gifford•BOOK•Zones of Re-membering•2011

    Don Gifford in Zones of Re-membering shows clearly, thoughtfully, yet entertainingly how no one explanation will account for the depth and complexity of human experience and its grounding in Memory. Because consciousness is a function of Memory, "life without Memory is no life at all" as Alzheimer's all too frequently demonstrates. Both our individual and collective Memory is stored in the arts, he contends, which in turn provide a way of knowing…

  • The Farther Shore: A Natural History of Perception, 1798-1984

    Open Access•Yi-Fu Tuan, Yi‐fu Tuan et al.•ARTICLE•Geographical Review•1991•Cited by: 3

    This book examines in what way our perception of ourselves and our natural environment has changed over the past 200 years. In his history of everyday life, the author draws on a wealth of sources for illustration: 18th-century natural science, modern technology and the new physics, and the arts

  • Joyce and the Law of the Father

    Robert D Newman, Frances L Restuccia et al.•ARTICLE•South Atlantic Review•1990

  • Joyce Annotated: Notes for 'Dubliners' and 'A Portrait of the Artist as a Young Man'

    Open Access•Don Gifford, James Joyce•BOOK•Joyce annotated•1981

    In James Joyce's early work, as in Ulysses and Finnegans Wake, meanings are often concealed in obscure allusions and details of veiled suggestive power. Consistent recognition of these hidden significances in Dubliners and A Portrait of the Artist as a Young Man would require an encyclopedic knowledge of life in nineteenth- and twentieth-century Dublin such as few readers possess. Now this substantially revised and expanded edition of Don Gifford…

  • The Farther Shore: A Natural History of Perception, 1798-1984

    Open Access•Yi-Fu Tuan, Yi‐fu Tuan et al.•ARTICLE•Geographical Review•1991•Cited by: 3

    This book examines in what way our perception of ourselves and our natural environment has changed over the past 200 years. In his history of everyday life, the author draws on a wealth of sources for illustration: 18th-century natural science, modern technology and the new physics, and the arts

  • Joyce Annotated: Notes for 'Dubliners' and 'A Portrait of the Artist as a Young Man'

    Open Access•Don Gifford, James Joyce•BOOK•Joyce annotated•1981

    In James Joyce's early work, as in Ulysses and Finnegans Wake, meanings are often concealed in obscure allusions and details of veiled suggestive power. Consistent recognition of these hidden significances in Dubliners and A Portrait of the Artist as a Young Man would require an encyclopedic knowledge of life in nineteenth- and twentieth-century Dublin such as few readers possess. Now this substantially revised and expanded edition of Don Gifford…

  • Joyce and the Law of the Father

    Robert D Newman, Frances L Restuccia et al.•ARTICLE•South Atlantic Review•1990

  • The Farther Shore: A Natural History of Perception, 1798-1984

    Open Access•Yi-Fu Tuan, Yi‐fu Tuan et al.•ARTICLE•Geographical Review•1991•Cited by: 3

    This book examines in what way our perception of ourselves and our natural environment has changed over the past 200 years. In his history of everyday life, the author draws on a wealth of sources for illustration: 18th-century natural science, modern technology and the new physics, and the arts

  • Zones of Re-membering: Time, Memory, and (un)Consciousness

    Don Gifford•BOOK•Zones of Re-membering•2011

    Don Gifford in Zones of Re-membering shows clearly, thoughtfully, yet entertainingly how no one explanation will account for the depth and complexity of human experience and its grounding in Memory. Because consciousness is a function of Memory, "life without Memory is no life at all" as Alzheimer's all too frequently demonstrates. Both our individual and collective Memory is stored in the arts, he contends, which in turn provide a way of knowing…

History (4 works) · Philosophy (4 works) · Art (3 works) · Irish and British Studies (2 works) · Law (2 works) · Literature (2 works) · The arts (2 works) · Visual arts (2 works) · Aesthetics (1 works) · American Environmental and Regional History (1 works)

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