Galina Gornostaeva
Biographic Data
| ID | 3758713 |
|---|---|
| NAME | Galina Gornostaeva |
| GIVEN NAMES | Galina |
| FAMILY NAME | Gornostaeva |
| SIGNATURE | GORNOSTAEVA G |
| AFFILIATIONS | University of Westminster |
| ORCID | 0000-0002-8395-9318 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Design and sustainability in the fashion industry: The example of independent labels in London
The fashion industry is deemed to be notoriously unsustainable. Fashion brands and their multiple stakeholders recognize both environmental and social negative externalities that the industry generates. Fashion capitals like London accommodate innovative fashion businesses, which are expected to be sustainability pioneers. This paper evaluates which sustainability practices fashion brands in London accommodate and whether those with profound inve…
The development of digital commerce in the fashion industry: The typology of emerging designers in London
The Creative Underclass in the Production of Place: Example of Camden Town in London
Camden Town in London is a mature cultural quarter with a contradictory mix of affluent middle class and homeless; Starbucks and street markets; counter-cultural groups and tourists; participants in the night time economy and shopkeepers; media corporations and the “creative underclass.” There is a tension between the various stakeholders with their different powers. The patterns of cultural production and consumption in the area are complicated …
The governance of innovation in the film and television industry
This pre-print paper is copyright of the author, but it is free to be used for research purposes as long as it is properly attributed. Permissions for multiple reproductions should be addressed to the author. This paper is intended to circulate work that readers might not otherwise be able to access. If your institution does subscribe to the journal, please access it via that link.
The Wolves and Lambs of the Creative City: The Sustainability of Film and Television Producers in London
The sustainability of creative producers-businesses and individuals-depends in part on the state of the urban environment, especially the one of the street. Relationships with the street differ among creative producers with different power positions and levels of embeddedness in street life. Thus an approach to the sustainability of the creative city needs to move beyond the simplistic ideals of “mixed use” and “vitality” to an understanding of t…
The film and television industry in london's suburbs: Lifestyle of the rich or losers' retreat
There is growing evidence of the decentralization of the film and television (FTV) industry in London. The article demonstrates that this decentralization is happening in a counter-intuitive manner: first, it is more widespread in micro production companies, which are most vulnerable to the loss of face-to-face connectivity; second, it occurs not in ‘town centres’ characterized by better services and connections, but in the residential suburbs. T…
Digitisation and Face-to-Face Interactions: The Example of the Film Industry in London
More useful Londons: The comparative development of alternative concepts of London
London's development pattern graphically illustrates the importance and problems of urban definition. The pattern we observe is radically different depending on whether one examines the data for administrative definitions of London or London defined on functional boundaries. Even the answer to such an apparently simple question as to whether London was growing or declining varies according to the definition of London taken; the ambiguity as to wh…
The Creative Underclass in the Production of Place: Example of Camden Town in London
Camden Town in London is a mature cultural quarter with a contradictory mix of affluent middle class and homeless; Starbucks and street markets; counter-cultural groups and tourists; participants in the night time economy and shopkeepers; media corporations and the “creative underclass.” There is a tension between the various stakeholders with their different powers. The patterns of cultural production and consumption in the area are complicated …
The Wolves and Lambs of the Creative City: The Sustainability of Film and Television Producers in London
The sustainability of creative producers-businesses and individuals-depends in part on the state of the urban environment, especially the one of the street. Relationships with the street differ among creative producers with different power positions and levels of embeddedness in street life. Thus an approach to the sustainability of the creative city needs to move beyond the simplistic ideals of “mixed use” and “vitality” to an understanding of t…
More useful Londons: The comparative development of alternative concepts of London
London's development pattern graphically illustrates the importance and problems of urban definition. The pattern we observe is radically different depending on whether one examines the data for administrative definitions of London or London defined on functional boundaries. Even the answer to such an apparently simple question as to whether London was growing or declining varies according to the definition of London taken; the ambiguity as to wh…
Digitisation and Face-to-Face Interactions: The Example of the Film Industry in London
The film and television industry in london's suburbs: Lifestyle of the rich or losers' retreat
There is growing evidence of the decentralization of the film and television (FTV) industry in London. The article demonstrates that this decentralization is happening in a counter-intuitive manner: first, it is more widespread in micro production companies, which are most vulnerable to the loss of face-to-face connectivity; second, it occurs not in ‘town centres’ characterized by better services and connections, but in the residential suburbs. T…
The governance of innovation in the film and television industry
This pre-print paper is copyright of the author, but it is free to be used for research purposes as long as it is properly attributed. Permissions for multiple reproductions should be addressed to the author. This paper is intended to circulate work that readers might not otherwise be able to access. If your institution does subscribe to the journal, please access it via that link.
The Wolves and Lambs of the Creative City: The Sustainability of Film and Television Producers in London
The sustainability of creative producers-businesses and individuals-depends in part on the state of the urban environment, especially the one of the street. Relationships with the street differ among creative producers with different power positions and levels of embeddedness in street life. Thus an approach to the sustainability of the creative city needs to move beyond the simplistic ideals of “mixed use” and “vitality” to an understanding of t…
The Creative Underclass in the Production of Place: Example of Camden Town in London
Camden Town in London is a mature cultural quarter with a contradictory mix of affluent middle class and homeless; Starbucks and street markets; counter-cultural groups and tourists; participants in the night time economy and shopkeepers; media corporations and the “creative underclass.” There is a tension between the various stakeholders with their different powers. The patterns of cultural production and consumption in the area are complicated …
The development of digital commerce in the fashion industry: The typology of emerging designers in London
Design and sustainability in the fashion industry: The example of independent labels in London
The fashion industry is deemed to be notoriously unsustainable. Fashion brands and their multiple stakeholders recognize both environmental and social negative externalities that the industry generates. Fashion capitals like London accommodate innovative fashion businesses, which are expected to be sustainability pioneers. This paper evaluates which sustainability practices fashion brands in London accommodate and whether those with profound inve…
Cultural Industries and Urban Development (6 works) · Sociology (6 works) · Business (5 works) · Advertising (4 works) · Computer Science (3 works) · Economics (3 works) · History (3 works) · Marketing (3 works) · Social science (3 works) · Archaeology (2 works)