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Robin Fiddian

Biographic Data

ID3762059
NAMERobin Fiddian
GIVEN NAMESRobin
FAMILY NAMEFiddian
SIGNATUREFIDDIAN R
AFFILIATIONSUniversity of Oxford
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS0
AUTHOR COUNT10
EDITOR COUNT1
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Centennial Reflections

    Robin Fiddian•ARTICLE•Bulletin of Spanish Studies•2023

    Borges’ thoughts on centenaries evince a complexity that his enthusiasts should bear in mind when hurrying to celebrate his first hundred years in the literary domain. Focusing on the moral paradox of ‘Tema del traidor y del héroe’, this study notes the betrayal of the epic possibilities of a national and family centenary, and finds a similar scepticism in a later poem, ‘Elegía de la patria’. As a counterweight, an essay written in January 1965 o…

  • The Modern Spanish Canon

    Robin Fiddian•ARTICLE•Hispanic Research Journal•2019

    "The Modern Spanish Canon: Visibility, Cultural Capital and the Academy." Hispanic Research Journal, 20(4), pp. 416–417

  • Dirty Realism and Filthy Lucre

    Robin Fiddian, Olivia Vázquez-Medina•ARTICLE•Bulletin of Spanish Studies•2012

    The category of ‘dirty realism’ has been associated with Cuban fiction of the Special Period (1990–2005) by several critics including Anke Birkenmaier, Guillermina De Ferrari and Esther Whitfield.1

  • Género, ética, y arte

    Robin Fiddian•ARTICLE•Hispanic Research Journal•2010

    The complexity of lead character Marco Zuloaga's role in Hable con ella has been underestimated in existing studies of Almodóvar's film, more enthralled by the sexually ambiguous figure of Benigno and his insemination-through-rape of Alicia. This article stresses Marco's importance as moral touchstone and aesthetic yardstick of the film and comments on his surprisingly conventional persona in its gender design. Marco's name also encodes hitherto …

  • Entre la pantalla y el libro

    Open Access•Robin Fiddian•ARTICLE•Arbor•2010

    El origen de las relaciones entre la obra literaria de García Márquez y el cine se encuentra en una serie de reseñas de películas, que el autor colombiano escribe para el periódico bogotano El Espectador, a mediados de los cincuenta. En las páginas del diario capitalino, da a conocer por primera vez su afición por el neorrealismo italiano, por ciertas películas italianas contemporáneas de tema femenino, y por ¡Bienvenido, Mr. Marshall!, de Luis G…

  • Buenos Aires and Benares

    Robin Fiddian, Robin W Fiddian•ARTICLE•Bulletin of Spanish Studies•2005

    The full-text of this article is not currently available in ORA, but you may be able to access the article via the publisher copy link on this record page. Citation: Fiddian, R. W. (2005). 'Buenos Aires and Benares: interlocking landscapes in the early poetry of Jorge Luis Borges', Bulletin of Spanish Studies 82(3&4), 353-362. [Available at http://www.informaworld.com/openurl?genre=article&issn=1475%2d3820&volume=82&issue=3&spage=353]. N.B. Dr Fi…

  • Open Bracket, Close Bracket

    Robin Fiddian•ARTICLE•Hispanic Review•2003

    With the creation of the printing press, modern European writing acquired many conventions, of which the lunulae, or parentheses in the form of round brackets, have proved one of the most versatile and enduring. The author of a landmark study on the exploitation of parentheses in English printed verse has provided a case history of the phenomenon, accounting for its development from the time of the Elizabethans, through the crucible of Romantic p…

  • The Novels of Fernando del Paso

    Daniel John Nappo, Robin Fiddian et al.•ARTICLE•Hispania•2003

  • Latin America and Beyond

    Robin Fiddian•ARTICLE•Interventions•2003

    Leopoldo Zea was born in Mexico City in 1912 and is a unique survivor, at the beginning of the twenty-first century, of a generation that lived through the turmoil of the Mexican Revolution of 1910–20. Regarding that event as a model for the nationalist and anticolonialist revolutions that were destined to occur elsewhere, Zea subsequently became a spokesman for the antiimperialism of the American subcontinent post-1945, choosing to interpret the…

  • Postcolonial Perspectives on the Cultures of Latin America and Lusophone Africa

    Robin W Fiddian, Robin Fiddian•BOOK•Postcolonial Perspectives on the…•2000

  • Ignacio Aldecoa

    Ricardo Landeira, Robin Fiddian•ARTICLE•Hispania•1981

No prominent works on this page.

  • Ignacio Aldecoa

    Ricardo Landeira, Robin Fiddian•ARTICLE•Hispania•1981

  • Postcolonial Perspectives on the Cultures of Latin America and Lusophone Africa

    Robin W Fiddian, Robin Fiddian•BOOK•Postcolonial Perspectives on the…•2000

  • Open Bracket, Close Bracket

    Robin Fiddian•ARTICLE•Hispanic Review•2003

    With the creation of the printing press, modern European writing acquired many conventions, of which the lunulae, or parentheses in the form of round brackets, have proved one of the most versatile and enduring. The author of a landmark study on the exploitation of parentheses in English printed verse has provided a case history of the phenomenon, accounting for its development from the time of the Elizabethans, through the crucible of Romantic p…

  • The Novels of Fernando del Paso

    Daniel John Nappo, Robin Fiddian et al.•ARTICLE•Hispania•2003

  • Latin America and Beyond

    Robin Fiddian•ARTICLE•Interventions•2003

    Leopoldo Zea was born in Mexico City in 1912 and is a unique survivor, at the beginning of the twenty-first century, of a generation that lived through the turmoil of the Mexican Revolution of 1910–20. Regarding that event as a model for the nationalist and anticolonialist revolutions that were destined to occur elsewhere, Zea subsequently became a spokesman for the antiimperialism of the American subcontinent post-1945, choosing to interpret the…

  • Buenos Aires and Benares

    Robin Fiddian, Robin W Fiddian•ARTICLE•Bulletin of Spanish Studies•2005

    The full-text of this article is not currently available in ORA, but you may be able to access the article via the publisher copy link on this record page. Citation: Fiddian, R. W. (2005). 'Buenos Aires and Benares: interlocking landscapes in the early poetry of Jorge Luis Borges', Bulletin of Spanish Studies 82(3&4), 353-362. [Available at http://www.informaworld.com/openurl?genre=article&issn=1475%2d3820&volume=82&issue=3&spage=353]. N.B. Dr Fi…

  • Género, ética, y arte

    Robin Fiddian•ARTICLE•Hispanic Research Journal•2010

    The complexity of lead character Marco Zuloaga's role in Hable con ella has been underestimated in existing studies of Almodóvar's film, more enthralled by the sexually ambiguous figure of Benigno and his insemination-through-rape of Alicia. This article stresses Marco's importance as moral touchstone and aesthetic yardstick of the film and comments on his surprisingly conventional persona in its gender design. Marco's name also encodes hitherto …

  • Entre la pantalla y el libro

    Open Access•Robin Fiddian•ARTICLE•Arbor•2010

    El origen de las relaciones entre la obra literaria de García Márquez y el cine se encuentra en una serie de reseñas de películas, que el autor colombiano escribe para el periódico bogotano El Espectador, a mediados de los cincuenta. En las páginas del diario capitalino, da a conocer por primera vez su afición por el neorrealismo italiano, por ciertas películas italianas contemporáneas de tema femenino, y por ¡Bienvenido, Mr. Marshall!, de Luis G…

  • Dirty Realism and Filthy Lucre

    Robin Fiddian, Olivia Vázquez-Medina•ARTICLE•Bulletin of Spanish Studies•2012

    The category of ‘dirty realism’ has been associated with Cuban fiction of the Special Period (1990–2005) by several critics including Anke Birkenmaier, Guillermina De Ferrari and Esther Whitfield.1

  • The Modern Spanish Canon

    Robin Fiddian•ARTICLE•Hispanic Research Journal•2019

    "The Modern Spanish Canon: Visibility, Cultural Capital and the Academy." Hispanic Research Journal, 20(4), pp. 416–417

  • Centennial Reflections

    Robin Fiddian•ARTICLE•Bulletin of Spanish Studies•2023

    Borges’ thoughts on centenaries evince a complexity that his enthusiasts should bear in mind when hurrying to celebrate his first hundred years in the literary domain. Focusing on the moral paradox of ‘Tema del traidor y del héroe’, this study notes the betrayal of the epic possibilities of a national and family centenary, and finds a similar scepticism in a later poem, ‘Elegía de la patria’. As a counterweight, an essay written in January 1965 o…

Art (9 works) · Art history (5 works) · Humanities (4 works) · Literature (4 works) · Philosophy (4 works) · Philosophy (4 works) · Aesthetics (3 works) · Borges, Kipling, and Jewish Identity (3 works) · Geography (3 works) · Law (3 works)

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