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C Brian Morris

Biographic Data

ID3762211
NAMEC Brian Morris
GIVEN NAMESC Brian
FAMILY NAMEMorris
SIGNATUREMORRIS C B
AFFILIATIONSUniversity of California, Los Angeles
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS2
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR2010
H-INDEX1
  • Subtle Subversions. Reading Golden Age Sonnets by Iberian Women - By Gwyn Fox

    Open Access•C Brian Morris•ARTICLE•Renaissance Studies•2010

  • Brief Encounter

    C Brian Morris•ARTICLE•Bulletin of Spanish Studies•2009

    Me siento bien aqui [New York]. Mejor que en Paris, al que le noto un poco podrido y viejo.1 1Federico Garcia Lorca, letter to his parents of 28 June 1929, in Epistolario completo, ed. Andrew A. An

  • Son of Andalusia

    Luis Fernández Cifuentes, C Brian Morris•ARTICLE•Hispanic Review•2000

    Romance Languages and Literatures

  • Garcia Lorca

    John C Wilcox, C Brian Morris et al.•ARTICLE•Hispanic Review•1993

  • Voices in a Void

    C Brian Morris•ARTICLE•Hispania•1989

  • The Poetry of Santa Teresa

    C Brian Morris•ARTICLE•Hispania•1986•Cited by: 1

  • Divertissement as Distraction in Lorca's La zapatera prodigiosa

    C Brian Morris•ARTICLE•Hispania•1986

    Lorca's description of La zapatera prodigiosa as a issues a challenge that critics have accepted, either to contend, as E Allen Josephs has done, that violence derives . . . from its theatrical technique (55), or to question the validity of the dramatist's choice of word, as in Antonio Espina's comment on esta deliciosa farsa que el autor califica de sin ninguna raz6n. The choice of violenta is as calculated as that of

  • Lorca

    C Brian Morris, Miguel García-Posada et al.•ARTICLE•Hispanic Review•1985

  • Satan's offerings’

    C Brian Morris•ARTICLE•Renaissance and Modern Studies•1984•References: 1

  • Charles Chaplin's Tryst with Spain

    Open Access•C Brian Morris•ARTICLE•Journal of Contemporary History•1983•Cited by: 1

    Chaplin's little tramp is indestructible; instantly recognizable, he still exercises a magnetic appeal, whether we see him looking down wistfully from a wall of Dudley Moore's room in the film Arthur (1981) or, in a television advertisement based on Modern Times, saving himself from lunatic machines and bankruptcy by a visit to the showroom of a famous computer company. In Spain the 'Chaplin of Tenerife' currently follows the example of such Amer…

  • Spanish Painting

    Norman Narotzky, John F Moffitt et al.•ARTICLE•Leonardo•1977

  • A Generation of Spanish Poets 1920-1936

    Howard T Young, C Brian Morris•ARTICLE•Hispania•1971

  • The Poetry of Santa Teresa

    C Brian Morris•ARTICLE•Hispania•1986•Cited by: 1

  • Charles Chaplin's Tryst with Spain

    Open Access•C Brian Morris•ARTICLE•Journal of Contemporary History•1983•Cited by: 1

    Chaplin's little tramp is indestructible; instantly recognizable, he still exercises a magnetic appeal, whether we see him looking down wistfully from a wall of Dudley Moore's room in the film Arthur (1981) or, in a television advertisement based on Modern Times, saving himself from lunatic machines and bankruptcy by a visit to the showroom of a famous computer company. In Spain the 'Chaplin of Tenerife' currently follows the example of such Amer…

  • A Generation of Spanish Poets 1920-1936

    Howard T Young, C Brian Morris•ARTICLE•Hispania•1971

  • Spanish Painting

    Norman Narotzky, John F Moffitt et al.•ARTICLE•Leonardo•1977

  • Charles Chaplin's Tryst with Spain

    Open Access•C Brian Morris•ARTICLE•Journal of Contemporary History•1983•Cited by: 1

    Chaplin's little tramp is indestructible; instantly recognizable, he still exercises a magnetic appeal, whether we see him looking down wistfully from a wall of Dudley Moore's room in the film Arthur (1981) or, in a television advertisement based on Modern Times, saving himself from lunatic machines and bankruptcy by a visit to the showroom of a famous computer company. In Spain the 'Chaplin of Tenerife' currently follows the example of such Amer…

  • Satan's offerings’

    C Brian Morris•ARTICLE•Renaissance and Modern Studies•1984•References: 1

  • Lorca

    C Brian Morris, Miguel García-Posada et al.•ARTICLE•Hispanic Review•1985

  • The Poetry of Santa Teresa

    C Brian Morris•ARTICLE•Hispania•1986•Cited by: 1

  • Divertissement as Distraction in Lorca's La zapatera prodigiosa

    C Brian Morris•ARTICLE•Hispania•1986

    Lorca's description of La zapatera prodigiosa as a issues a challenge that critics have accepted, either to contend, as E Allen Josephs has done, that violence derives . . . from its theatrical technique (55), or to question the validity of the dramatist's choice of word, as in Antonio Espina's comment on esta deliciosa farsa que el autor califica de sin ninguna raz6n. The choice of violenta is as calculated as that of

  • Voices in a Void

    C Brian Morris•ARTICLE•Hispania•1989

  • Garcia Lorca

    John C Wilcox, C Brian Morris et al.•ARTICLE•Hispanic Review•1993

  • Son of Andalusia

    Luis Fernández Cifuentes, C Brian Morris•ARTICLE•Hispanic Review•2000

    Romance Languages and Literatures

  • Brief Encounter

    C Brian Morris•ARTICLE•Bulletin of Spanish Studies•2009

    Me siento bien aqui [New York]. Mejor que en Paris, al que le noto un poco podrido y viejo.1 1Federico Garcia Lorca, letter to his parents of 28 June 1929, in Epistolario completo, ed. Andrew A. An

  • Subtle Subversions. Reading Golden Age Sonnets by Iberian Women - By Gwyn Fox

    Open Access•C Brian Morris•ARTICLE•Renaissance Studies•2010

Art (10 works) · Spanish Literature and Culture Studies (6 works) · History (5 works) · Comparative Literary Analysis and Criticism (4 works) · History (4 works) · Early Modern Spanish Literature (3 works) · Humanities (3 works) · Linguistics (3 works) · Literature (3 works) · Philosophy (3 works)

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