Sophia Beal
Biographic Data
| ID | 3762287 |
|---|---|
| NAME | Sophia Beal |
| GIVEN NAMES | Sophia |
| FAMILY NAME | Beal |
| SIGNATURE | BÉAL S |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Performance, Collaboration, and Authority in Contemporary Brazilian Documentaries
Recent Brazilian documentaries underscore the epistemic and aesthetic potential of creative performances of one’s own experience. Examples can be found in Rodrigo Siqueira’s Terra deu, terra come (2010), Ariel Ortega and Patrícia Ferreira’s Bicicletas de Nhanderú (2011), and Adirley Queirós’s Branco sai, preto fica (2014). In these films, the person who has experience with a given topic is portrayed as an authority, and their authority derives fr…
Espaços movediços e conflitantes na Manaus de Milton Hatoum
As práticas espaciais destruidoras que tiveram lugar em Manaus durante a ditadura militar assombram Cinzas do Norte, de Milton Hatoum, de 2005. A ambientação do romance nos faz considerar como a cidade é significativa tanto para a narrativa imaginária, quanto para além dos limites do romance. Descobrimos, neste processo, uma Manaus em mudança contínua, que desafia a representação e ostenta as marcas de lutas de poder e violência histórica. A arqu…
The Real and Promised Bras lia
To write about Brasília in the 1960s was to write about a dual city, part symbol and part reality. This dual city grew out of an impulse to oversimplify representations of the real city in order to preserve its mythic promise of national progress. The oversimplifications derived from a national desire to showcase how Brazil had found an authentic path toward its own progress, as opposed to copying preexisting models in other nations. Three texts …
No prominent works on this page.
The Real and Promised Bras lia
To write about Brasília in the 1960s was to write about a dual city, part symbol and part reality. This dual city grew out of an impulse to oversimplify representations of the real city in order to preserve its mythic promise of national progress. The oversimplifications derived from a national desire to showcase how Brazil had found an authentic path toward its own progress, as opposed to copying preexisting models in other nations. Three texts …
Espaços movediços e conflitantes na Manaus de Milton Hatoum
As práticas espaciais destruidoras que tiveram lugar em Manaus durante a ditadura militar assombram Cinzas do Norte, de Milton Hatoum, de 2005. A ambientação do romance nos faz considerar como a cidade é significativa tanto para a narrativa imaginária, quanto para além dos limites do romance. Descobrimos, neste processo, uma Manaus em mudança contínua, que desafia a representação e ostenta as marcas de lutas de poder e violência histórica. A arqu…
Performance, Collaboration, and Authority in Contemporary Brazilian Documentaries
Recent Brazilian documentaries underscore the epistemic and aesthetic potential of creative performances of one’s own experience. Examples can be found in Rodrigo Siqueira’s Terra deu, terra come (2010), Ariel Ortega and Patrícia Ferreira’s Bicicletas de Nhanderú (2011), and Adirley Queirós’s Branco sai, preto fica (2014). In these films, the person who has experience with a given topic is portrayed as an authority, and their authority derives fr…
Art (3 works) · History (3 works) · Aesthetics (2 works) · Humanities (2 works) · Literature (2 works) · Sociology (2 works) · Urban Development and Societal Issues (2 works) · Cinema and Media Studies (1 works) · Computer Science (1 works) · Copying (1 works)