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Marion Peter Holt

Biographic Data

ID3762960
NAMEMarion Peter Holt
GIVEN NAMESMarion Peter
FAMILY NAMEHolt
SIGNATUREHOLT M P
AFFILIATIONSFaculty of 1000 (United States)
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS0
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1966
LATEST PUBLICATION YEAR2010
H-INDEX0
  • James Francis McMillan (1948-2010)

    Marion Peter Holt, W J Sheils•ARTICLE•French History•2010

  • Plays in Search of Identity: Challenging the Canon

    Marion Peter Holt•ARTICLE•Hispanic Research Journal•2009

    In the literary canon of twentieth-century Spanish theatre, Historia de una escalera, Escuadra hacia la muerte, and Tres sombreros de copa stand out — more for their historical importance than their scenic values, and the three authors of these plays wrote more innovative works of exceptional aesthetic and thematic interest. Also, among the richness of post-Lorcan theatre, there are outstanding plays by other dramatists that merit re-evaluation a…

  • The Reluctant Lovers (review)

    Marion Peter Holt•ARTICLE•Theatre Journal•1998

    Reviewed by: The Reluctant Lovers Marion Peter Holt The Reluctant Lovers. By Tirso de Molina. Bawdy Planet Theater Company. Clemente Soto Velez Cultural Center, New York. 30 May 1997. Click for larger view View full resolution Figure 1. Serafina (Kim Ima) in Bawdy Planet Theatre of New York’s production of Gail Lerner’s adaptation of Tirso de Molina’s The Reluctant Lovers, directed by Colin Campbell. Clemente Soto Velez Cultural Center, New York.…

  • El teatro en Espana: Entre la tradicion y la vanguardia (1918-1939)

    Marion Peter Holt, Dru Dougherty et al.•ARTICLE•Hispania•1994

  • Las Meninas

    Malcolm Alan Compitello, Antonio Buero-Vallejo et al.•ARTICLE•Hispania•1989

  • Political Violence in Drama: Classical Models, Contemporary Variations

    Elizabeth C Ramirez, Mary Karen Dahl et al.•ARTICLE•Theatre Journal•1988

  • Pitfalls in Spanish

    Oscar Ozete, Marion Peter Holt et al.•ARTICLE•Hispania•1987

  • The Sleep of Reason

    Rosemary Shevlin Wei, Rosemary Shevlin Weiss et al.•ARTICLE•Theatre Journal•1987

  • Divinas palabras

    Marion Peter Holt, Ramón del Valle-Inclán et al.•ARTICLE•Performing Arts Journal•1986

  • Luces de Bohemia

    Marion Peter Holt, Ramón del Valle-Inclán et al.•ARTICLE•Performing Arts Journal•1985

  • El Veneno del Teatro

    Marion Peter Holt, Rodolf Sirera et al.•ARTICLE•Performing Arts Journal•1984

  • Noviembre y un poco de yerba and Petra Regalada

    Marion Peter Holt, Antonio Gala et al.•ARTICLE•Hispania•1983

  • Jose Lopez Rubio

    Anthony M Pasquariello, Marion Peter Holt•ARTICLE•Hispania•1982

  • The Inmates of the Convent of Saint Mary Egyptian

    Marion Peter Holt, Jose Martin Recuerda et al.•ARTICLE•Theatre Journal•1980

  • Spanish Underground Drama

    Marion Peter Holt, George E Wellwarth•ARTICLE•Hispania•1975

  • El carrusell

    John E Dial, Victor Ruiz Iriarte et al.•ARTICLE•Hispania•1971

  • The Spanish Literature Course in Translation

    Marion Peter Holt•ARTICLE•Hispania•1969

    (4) Instead of diphthongization, there may be elision of the first vowel if neither 1 nor 2 apply, and the following additional conditions hold: (a) the first vowel is lower than the second; (b) the first vowel is unstressed; and (c) the two vowels are not opposed to each other as to the front/ back distinction, /a/ being neutral. Thus, casa humilde [ksumilde] 'modest house', caso humano [k~sumaino] 'human case', but lo ataca * [latika] 'he attac…

  • López Rubio's Venture into Serious Drama

    Marion Peter Holt•ARTICLE•Hispania•1966

No prominent works on this page.

  • López Rubio's Venture into Serious Drama

    Marion Peter Holt•ARTICLE•Hispania•1966

  • The Spanish Literature Course in Translation

    Marion Peter Holt•ARTICLE•Hispania•1969

    (4) Instead of diphthongization, there may be elision of the first vowel if neither 1 nor 2 apply, and the following additional conditions hold: (a) the first vowel is lower than the second; (b) the first vowel is unstressed; and (c) the two vowels are not opposed to each other as to the front/ back distinction, /a/ being neutral. Thus, casa humilde [ksumilde] 'modest house', caso humano [k~sumaino] 'human case', but lo ataca * [latika] 'he attac…

  • El carrusell

    John E Dial, Victor Ruiz Iriarte et al.•ARTICLE•Hispania•1971

  • Spanish Underground Drama

    Marion Peter Holt, George E Wellwarth•ARTICLE•Hispania•1975

  • The Inmates of the Convent of Saint Mary Egyptian

    Marion Peter Holt, Jose Martin Recuerda et al.•ARTICLE•Theatre Journal•1980

  • Jose Lopez Rubio

    Anthony M Pasquariello, Marion Peter Holt•ARTICLE•Hispania•1982

  • Noviembre y un poco de yerba and Petra Regalada

    Marion Peter Holt, Antonio Gala et al.•ARTICLE•Hispania•1983

  • El Veneno del Teatro

    Marion Peter Holt, Rodolf Sirera et al.•ARTICLE•Performing Arts Journal•1984

  • Luces de Bohemia

    Marion Peter Holt, Ramón del Valle-Inclán et al.•ARTICLE•Performing Arts Journal•1985

  • Divinas palabras

    Marion Peter Holt, Ramón del Valle-Inclán et al.•ARTICLE•Performing Arts Journal•1986

  • Pitfalls in Spanish

    Oscar Ozete, Marion Peter Holt et al.•ARTICLE•Hispania•1987

  • The Sleep of Reason

    Rosemary Shevlin Wei, Rosemary Shevlin Weiss et al.•ARTICLE•Theatre Journal•1987

  • Political Violence in Drama: Classical Models, Contemporary Variations

    Elizabeth C Ramirez, Mary Karen Dahl et al.•ARTICLE•Theatre Journal•1988

  • Las Meninas

    Malcolm Alan Compitello, Antonio Buero-Vallejo et al.•ARTICLE•Hispania•1989

  • El teatro en Espana: Entre la tradicion y la vanguardia (1918-1939)

    Marion Peter Holt, Dru Dougherty et al.•ARTICLE•Hispania•1994

  • The Reluctant Lovers (review)

    Marion Peter Holt•ARTICLE•Theatre Journal•1998

    Reviewed by: The Reluctant Lovers Marion Peter Holt The Reluctant Lovers. By Tirso de Molina. Bawdy Planet Theater Company. Clemente Soto Velez Cultural Center, New York. 30 May 1997. Click for larger view View full resolution Figure 1. Serafina (Kim Ima) in Bawdy Planet Theatre of New York’s production of Gail Lerner’s adaptation of Tirso de Molina’s The Reluctant Lovers, directed by Colin Campbell. Clemente Soto Velez Cultural Center, New York.…

  • Plays in Search of Identity: Challenging the Canon

    Marion Peter Holt•ARTICLE•Hispanic Research Journal•2009

    In the literary canon of twentieth-century Spanish theatre, Historia de una escalera, Escuadra hacia la muerte, and Tres sombreros de copa stand out — more for their historical importance than their scenic values, and the three authors of these plays wrote more innovative works of exceptional aesthetic and thematic interest. Also, among the richness of post-Lorcan theatre, there are outstanding plays by other dramatists that merit re-evaluation a…

  • James Francis McMillan (1948-2010)

    Marion Peter Holt, W J Sheils•ARTICLE•French History•2010

Art (10 works) · Historical and Modern Theater Studies (7 works) · History (5 works) · Spanish Literature and Culture Studies (5 works) · Literature (4 works) · Drama (3 works) · Early Modern Spanish Literature (3 works) · History (3 works) · Humanities (3 works) · Linguistics (3 works)

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