Cecilia Myers
Biographic Data
| ID | 376304 |
|---|---|
| NAME | Cecilia Myers |
| GIVEN NAMES | Cecilia |
| FAMILY NAME | Myers |
| SIGNATURE | MYERS C |
| AFFILIATIONS | Theda Station Dunkeld Pastoral Co. Pty Ltd Kununurra Western Australia Australia |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 36 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 3 |
Superpositions and superimpositions in rock art studies: Reading the rock face at Pundawar Manbur, Kimberley, northwest Australia
Patterns of superposition in rock art are often used to systematically construct style sequences. However, once on the rock, images can affect subsequent engagements with the art, the rock surface, the site, and its surrounding landscape, and this recursiveness can be studied through the superimpositions (significantly overlaid markings) on a rock face. This is an opportunity for archaeologists to investigate the culture of engagement not just at…
Micro‐stromatolitic laminations and the origins of engraved, oxalate‐rich accretions from Australian rock art shelters
Distinctive, dark‐coloured, glaze‐like mineral accretions are common on low‐angle surfaces in sandstone rock shelters in the Kimberley region of north‐western Australia, where they provide an attractive medium for the production of deep engravings, and occasionally, are associated with painted rock art. These accretions form within the shelter dripline and are similar to those reported from other sites around the world, where they have been used …
Ages for Australia's oldest rock paintings
Walsh, Grahame Leslie
Plants before farming: The deep history of plant-use and representation in the rock art of Australia's Kimberley region
Ages for Australia's oldest rock paintings
Superpositions and superimpositions in rock art studies: Reading the rock face at Pundawar Manbur, Kimberley, northwest Australia
Patterns of superposition in rock art are often used to systematically construct style sequences. However, once on the rock, images can affect subsequent engagements with the art, the rock surface, the site, and its surrounding landscape, and this recursiveness can be studied through the superimpositions (significantly overlaid markings) on a rock face. This is an opportunity for archaeologists to investigate the culture of engagement not just at…
Micro‐stromatolitic laminations and the origins of engraved, oxalate‐rich accretions from Australian rock art shelters
Distinctive, dark‐coloured, glaze‐like mineral accretions are common on low‐angle surfaces in sandstone rock shelters in the Kimberley region of north‐western Australia, where they provide an attractive medium for the production of deep engravings, and occasionally, are associated with painted rock art. These accretions form within the shelter dripline and are similar to those reported from other sites around the world, where they have been used …
Plants before farming: The deep history of plant-use and representation in the rock art of Australia's Kimberley region
Walsh, Grahame Leslie
Micro‐stromatolitic laminations and the origins of engraved, oxalate‐rich accretions from Australian rock art shelters
Distinctive, dark‐coloured, glaze‐like mineral accretions are common on low‐angle surfaces in sandstone rock shelters in the Kimberley region of north‐western Australia, where they provide an attractive medium for the production of deep engravings, and occasionally, are associated with painted rock art. These accretions form within the shelter dripline and are similar to those reported from other sites around the world, where they have been used …
Ages for Australia's oldest rock paintings
Superpositions and superimpositions in rock art studies: Reading the rock face at Pundawar Manbur, Kimberley, northwest Australia
Patterns of superposition in rock art are often used to systematically construct style sequences. However, once on the rock, images can affect subsequent engagements with the art, the rock surface, the site, and its surrounding landscape, and this recursiveness can be studied through the superimpositions (significantly overlaid markings) on a rock face. This is an opportunity for archaeologists to investigate the culture of engagement not just at…
Archaeology (4 works) · Archaeology and Rock Art Studies (4 works) · Geography (4 works) · Pleistocene-Era Hominins and Archaeology (3 works) · Rock art (3 works) · Archaeology and ancient environmental studies (2 works) · Art (2 works) · Geology (2 works) · Pacific and Southeast Asian Studies (2 works) · Agriculture (1 works)