Bernardo Antonio Gonzalez
Biographic Data
| ID | 3763247 |
|---|---|
| NAME | Bernardo Antonio Gonzalez |
| GIVEN NAMES | Bernardo Antonio |
| FAMILY NAME | Gonzalez |
| SIGNATURE | GONZALEZ B A |
| AFFILIATIONS | Wesleyan University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Redefining the contours of hispanicity in '92
The showcasing of José Sanchis Sinisterra’s Lope de Aguirre, traidor within the V Centenario was significant for various reasons. The event bestowed legitimacy upon a playwright who foregrounded marginality as a matter of principle and aesthetic. He promoted theater as a catalyst for social and political reforms while insisting on institutional support for theater to thrive.Directed by José Luis Gómez, the 1992 production of Lope de Aguirre, trai…
The travel writer in disguise
Between 1803 and 1818, the Catalan entrepreneur Domingo Badía y Leblich (1767–1818) toured North Africa and the Middle East disguised as a certain ‘Ali Bey’, an Abbasid prince from Aleppo whose alibi for his faulty Arabic was his long-term residence in Europe. Billed as a scientific exploration, Ali Bey's journey was commissioned by Carlos IV's Prime Minister, Manuel Godoy, who viewed Badía as an agent of Spanish colonialism. The memoirs in which…
Discurso teorico y puesta en escena en los anos sesenta
Reception and Renewal in Modern Spanish Theatre
and Renewal in Modern Spanish Theatre: 1939-1963. By John London. London: W. S. Maney and Son, 1967. 273 pages. The author's primary goal is to show how foreign theater was perceived in Spain in the period circumscribed by Franco's rise to power and Spain's social, economic, and cultural rebirth in the 1960s. Reception is measured by the critical reaction to key premieres of European and North American plays and by the influence of foreign theate…
Parabolas de identidad
Reality and Time in the Oleza Novels of Gabriel Miro
Reception and Renewal in Modern Spanish Theatre
and Renewal in Modern Spanish Theatre: 1939-1963. By John London. London: W. S. Maney and Son, 1967. 273 pages. The author's primary goal is to show how foreign theater was perceived in Spain in the period circumscribed by Franco's rise to power and Spain's social, economic, and cultural rebirth in the 1960s. Reception is measured by the critical reaction to key premieres of European and North American plays and by the influence of foreign theate…
Reality and Time in the Oleza Novels of Gabriel Miro
Parabolas de identidad
Reception and Renewal in Modern Spanish Theatre
and Renewal in Modern Spanish Theatre: 1939-1963. By John London. London: W. S. Maney and Son, 1967. 273 pages. The author's primary goal is to show how foreign theater was perceived in Spain in the period circumscribed by Franco's rise to power and Spain's social, economic, and cultural rebirth in the 1960s. Reception is measured by the critical reaction to key premieres of European and North American plays and by the influence of foreign theate…
Discurso teorico y puesta en escena en los anos sesenta
The travel writer in disguise
Between 1803 and 1818, the Catalan entrepreneur Domingo Badía y Leblich (1767–1818) toured North Africa and the Middle East disguised as a certain ‘Ali Bey’, an Abbasid prince from Aleppo whose alibi for his faulty Arabic was his long-term residence in Europe. Billed as a scientific exploration, Ali Bey's journey was commissioned by Carlos IV's Prime Minister, Manuel Godoy, who viewed Badía as an agent of Spanish colonialism. The memoirs in which…
Redefining the contours of hispanicity in '92
The showcasing of José Sanchis Sinisterra’s Lope de Aguirre, traidor within the V Centenario was significant for various reasons. The event bestowed legitimacy upon a playwright who foregrounded marginality as a matter of principle and aesthetic. He promoted theater as a catalyst for social and political reforms while insisting on institutional support for theater to thrive.Directed by José Luis Gómez, the 1992 production of Lope de Aguirre, trai…
Art (6 works) · Humanities (4 works) · History (3 works) · History (3 works) · Literature (3 works) · Spanish Culture and Identity (3 works) · Historical and Modern Theater Studies (2 works) · Latin American Literature Studies (2 works) · Law (2 works) · Law (2 works)