Don W Cruickshank
Biographic Data
| ID | 3763922 |
|---|---|
| NAME | Don W Cruickshank |
| GIVEN NAMES | Don W |
| FAMILY NAME | Cruickshank |
| SIGNATURE | CRUICKSHANK D W |
| AFFILIATIONS | University College Dublin |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
A Bibliography of Other Books and Articles Cited
No abstract available
Calderón and the Conclusión defendida por un soldado del campo de Tarragona (1641): Commentary and Edition
The Conclusión defendida por un soldado del campo de Tarragona del ciego furor de Cataluña is a pamphlet ostensibly printed in Pamplona in 1641, and dealing with events in the Reapers’ War (1640–1652); although anonymous, it has been attributed to the dramatist Pedro Calderón. This paper finds more evidence for his authorship, investigates the date and place of printing, and compares details of the content with other sources of information about …
Reducir a estilo noble y cortés el hurtar’: Calderón's Luis Pérez el gallego
Real-life bandits often became literary characters (Antonio Roca, Serrallonga, Roque Guinart, San Pedro Armengol, San Franco de Sena), but there is no evidence that Calderón based Luis Pérez el gallego on a real person, despite the historical setting. His Luis is ambiguous: loyal to his friends, but willing to commit crimes to obtain what he sees as fair treatment for them and for himself; brave and generous, but anti-semitic and sometimes ruthle…
Two Alleged Calderón-Moreto Collaborations
Both Calderón and Moreto were involved in collaboration plays: the former in about fourteen, the latter perhaps in twenty. Uncertain attribution of such plays has been a problem for both writers, but particularly for Moreto. This article examines two plays, La adúltera penitente and La fingida Arcadia. The first has been attributed to Cáncer, Moreto and Matos, and, more recently, to Calderón, Moreto and Matos. The second has been attributed to Mo…
Introduction Ann L. Mackenzie, Scholar and Editor
All Done with Mirrors: Calderonian Experiments in Staging
Journeymen-Printers, Heresy, and the Inquisition in Sixteenth-Century Spain
Lecciones calderonianas
Lecciones calderonianas
Pedro Calderon de la Barca, La fiera, el rayo y la piedra
Samuel Pepys's Spanish Plays
The First Edition of El Burlador de Sevilla
A LTHOUGH a number of years have passed since Don Jaime Moll drew attention to the ten-year ban (1625-1634) on the printing of novels and plays in Castile, scholars have been slow to take note of what his discovery implies.1 The first implication must be that any novels or plays produced with a Castilian imprint during these years should be regarded with suspicion. Into this category falls, for example, the Primera parte of Tirso de Molina's play…
Spanish & English Literature of the 16th & 17th Centuries: Studies in Discretion, Illusion, and Mutability
The First Edition of El Burlador de Sevilla
A LTHOUGH a number of years have passed since Don Jaime Moll drew attention to the ten-year ban (1625-1634) on the printing of novels and plays in Castile, scholars have been slow to take note of what his discovery implies.1 The first implication must be that any novels or plays produced with a Castilian imprint during these years should be regarded with suspicion. Into this category falls, for example, the Primera parte of Tirso de Molina's play…
Spanish & English Literature of the 16th & 17th Centuries: Studies in Discretion, Illusion, and Mutability
Samuel Pepys's Spanish Plays
Pedro Calderon de la Barca, La fiera, el rayo y la piedra
Lecciones calderonianas
Lecciones calderonianas
Journeymen-Printers, Heresy, and the Inquisition in Sixteenth-Century Spain
All Done with Mirrors: Calderonian Experiments in Staging
Two Alleged Calderón-Moreto Collaborations
Both Calderón and Moreto were involved in collaboration plays: the former in about fourteen, the latter perhaps in twenty. Uncertain attribution of such plays has been a problem for both writers, but particularly for Moreto. This article examines two plays, La adúltera penitente and La fingida Arcadia. The first has been attributed to Cáncer, Moreto and Matos, and, more recently, to Calderón, Moreto and Matos. The second has been attributed to Mo…
Introduction Ann L. Mackenzie, Scholar and Editor
Reducir a estilo noble y cortés el hurtar’: Calderón's Luis Pérez el gallego
Real-life bandits often became literary characters (Antonio Roca, Serrallonga, Roque Guinart, San Pedro Armengol, San Franco de Sena), but there is no evidence that Calderón based Luis Pérez el gallego on a real person, despite the historical setting. His Luis is ambiguous: loyal to his friends, but willing to commit crimes to obtain what he sees as fair treatment for them and for himself; brave and generous, but anti-semitic and sometimes ruthle…
Calderón and the Conclusión defendida por un soldado del campo de Tarragona (1641): Commentary and Edition
The Conclusión defendida por un soldado del campo de Tarragona del ciego furor de Cataluña is a pamphlet ostensibly printed in Pamplona in 1641, and dealing with events in the Reapers’ War (1640–1652); although anonymous, it has been attributed to the dramatist Pedro Calderón. This paper finds more evidence for his authorship, investigates the date and place of printing, and compares details of the content with other sources of information about …
A Bibliography of Other Books and Articles Cited
No abstract available
Art (10 works) · Early Modern Spanish Literature (8 works) · Philosophy (7 works) · History (6 works) · Philosophy (6 works) · History (5 works) · Humanities (5 works) · Computer Science (4 works) · Historical Art and Architecture Studies (3 works) · Art history (2 works)