Jane Rosenthal
Biographic Data
| ID | 3764634 |
|---|---|
| NAME | Jane Rosenthal |
| GIVEN NAMES | Jane |
| FAMILY NAME | Rosenthal |
| SIGNATURE | ROSENTHAL J |
| AFFILIATIONS | Columbia University |
| ORCID | 0000-0002-7114-1682 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Anonymous versus public student feedback systems: Metacognition and achievement with graduate learners
The Chalcan Woman’s Song: Sex as a Political Metaphor in Fifteenth-Century Mexico
In 1479 (the year 13-Reed), some men from the towns of Chalco-Amaquemecan and Tlamanalco went for the first time to sing in Mexico-Tenochtitlan: the Mexica (Aztecs) held hegemony in the area, including Chalco. The song they sang was a war song called the “Song of the Woman Warrior.” They played it for the tlatoani, or ruler, Lord Axayacatl (ca 1469-1481), performing it in the patio outside his house of women. Unfortunately, the performance got of…
The Role of Art in the Late Anglo-Saxon Church. Richard Gameson
The Pictorial Arts of the West, 800-1200. C. R. Dodwell
The Anglo-Saxon gospelbooks of Judith, countess of Flanders: Their text, make-up and function
The subjects of this paper are four eleventh-century Anglo-Saxon gospel-books and their patron, Judith, countess of Flanders. Two of them, with their distinguished late Anglo-Saxon illuminations and their precious silver-gilt bindings, are among the more celebrated treasures of the Pierpont Morgan Library in New York. The remaining two, which are now preserved at the Hessische Landesbibliothek in Fulda, and at the Archives of Monte Cassino, may n…
A Study of Chiriquian Antiquities
The Chalcan Woman’s Song: Sex as a Political Metaphor in Fifteenth-Century Mexico
In 1479 (the year 13-Reed), some men from the towns of Chalco-Amaquemecan and Tlamanalco went for the first time to sing in Mexico-Tenochtitlan: the Mexica (Aztecs) held hegemony in the area, including Chalco. The song they sang was a war song called the “Song of the Woman Warrior.” They played it for the tlatoani, or ruler, Lord Axayacatl (ca 1469-1481), performing it in the patio outside his house of women. Unfortunately, the performance got of…
A Study of Chiriquian Antiquities
The Anglo-Saxon gospelbooks of Judith, countess of Flanders: Their text, make-up and function
The subjects of this paper are four eleventh-century Anglo-Saxon gospel-books and their patron, Judith, countess of Flanders. Two of them, with their distinguished late Anglo-Saxon illuminations and their precious silver-gilt bindings, are among the more celebrated treasures of the Pierpont Morgan Library in New York. The remaining two, which are now preserved at the Hessische Landesbibliothek in Fulda, and at the Archives of Monte Cassino, may n…
The Pictorial Arts of the West, 800-1200. C. R. Dodwell
The Role of Art in the Late Anglo-Saxon Church. Richard Gameson
The Chalcan Woman’s Song: Sex as a Political Metaphor in Fifteenth-Century Mexico
In 1479 (the year 13-Reed), some men from the towns of Chalco-Amaquemecan and Tlamanalco went for the first time to sing in Mexico-Tenochtitlan: the Mexica (Aztecs) held hegemony in the area, including Chalco. The song they sang was a war song called the “Song of the Woman Warrior.” They played it for the tlatoani, or ruler, Lord Axayacatl (ca 1469-1481), performing it in the patio outside his house of women. Unfortunately, the performance got of…
Anonymous versus public student feedback systems: Metacognition and achievement with graduate learners
Art (4 works) · History (4 works) · Art history (3 works) · Classics (3 works) · History (3 works) · Ancient history (2 works) · Anglo saxon (2 works) · Classics (2 works) · Computer Science (2 works) · Download (2 works)