Dudley Andrews

Biographic Data

ID376579
NAMEDudley Andrews
GIVEN NAMESDudley
FAMILY NAMEAndrews
SIGNATUREANDREWS D
AFFILIATIONSYale University
ORCID0000-0003-3591-9650
VERIFIEDYes
TOTAL WORKS18
TOTAL CITATIONS7
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2025
H-INDEX2

  • Three responses to ‘Bazin's third hand’

    Open AccessDudley Andrews, Dominic Lash et al.ARTICLEScreen2025

  • National Turbulence and the Turbos of the World Cinema System

    Dudley Andrews, Dudley AndrewARTICLEStudies in World Cinema2021

    From the outset cinema was metropolitan. Producers needed access to financing, pools of talent, specialized equipment, and laboratories that one could only find in urban centers. In certain cinema-cities (Berlin, Paris, Buenos Aires, Mumbai, Taipei, etc.) reside ambitious writers, producers, and filmmakers who were driven to outdo, or modify, or simply copy what they saw, employing their own culture’s raw material. Thus, the Jameson-Moretti law a…

  • Announcing the End of the Film Era

    Dudley Andrews, Dudley Andrew Dudley AndrewARTICLECultural Critique2017References: 1

  • Tami Williams, Germaine Dulac: A Cinema of Sensations

    Open AccessDudley Andrews, Dudley AndrewARTICLENineteenth Century Theatre and Film2017

  • Futures of Comparative Literature: Acla State of the Discipline Report

    Dudley Andrews, Ursula K Heise et al.BOOKFutures of Comparative Literature2017Cited by: 3

    Futures of Comparative Literature is a cutting-edge report on the state of the discipline in Comparative Literature. Offering a broad spectrum of viewpoints from all career stages, a variety of different institutions, and many language backgrounds, this collection is fully global and diverse. The book includes previously unpublished interviews with key figures in the discipline as well as a range of different essays - short pieces on key topics a…

  • A mobilidade enraizada: Contradições Do Cinema Africano

    Open AccessDudley AndrewsARTICLERebeca - Revista Brasileira de…2017

    Tradução: Moema FrancaMoema Franca é doutora em Études du Monde Lusophone, pela Universidade de Paris 3 - Sorbonne Nouvelle (2016), onde também concluiu o mestrado em Langues, Lettres, Arts, Societés Contemporaines (2005-2007). Possui mestrado em Comunicação e Culturas Contemporâneas pela UFBA (2004). É autora de Bem Aqui, em Lugar Nenhum (7Letras, 2013), livro de contos finalista do Prêmio Jabuti 2014.e-mail: [email protected] Este artigo f…

  • Fatih Akin’s moral geometry

    Dudley Andrews, Dudley AndrewOTHERThe Global Auteur2016

  • Roundtable on the Return to Classical Film Theory

    Dudley Andrews, Anton Kaes et al.ARTICLEOctober2014

    Stuart Liebman: I want to take up several issues in Malcolm's introduction in order to amplify, and perhaps to qualify, some of his remarks. He rightly notes that we are presently living through a period of scholarly engagement with early film theory. Malcolm implies that the current interest is somehow larger and more extensive than it used to be, and there is some truth in that. In addition to those texts he mentions, one must cite Richard Tayl…

  • The Core and the Flow of Film Studies

    Dudley AndrewsARTICLECritical Inquiry2009Cited by: 4References: 5

  • Historical Critique and History as Criticism

    Dudley AndrewsARTICLECamera Obscura Feminism Culture…1988

    Other| September 01 1988 Historical Critique and History as Criticism Jim Hillier, Cahiers du Cinéma: the 1950s and Cahiers du Cinéma: the 1960s (Cambridge, Mass.: Harvard University Press, 1985 and 1986) Dudley Andrew Dudley Andrew Search for other works by this author on: This Site Google Camera Obscura (1988) 6 (3 (18)): 127–136. https://doi.org/10.1215/02705346-6-3_18-127 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citatio…

  • Concepts in Film Theory

    John Mowitt, Dudley AndrewsARTICLESubStance1986

    This book is designed for anyone with a serious interest in the art of film. It is both a history of film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz. Andrew sets out these major theorists one against the other forcing them to speak to common issues, thereby making them reveal the bases of their thought. He compares…

  • Of Canons and Quietism: Dudley Andrew Responds to Janet Staiger's "The Politics of Film Canons" ("Cinema Journal," Spring 1985)

    Dudley Andrews, Dudley AndrewARTICLECinema Journal1985

  • Questions of Cinema

    Judith Mayne, Dudley Andrews et al.ARTICLESubStance1983

  • Interpretation, the Spirit in the Body

    Dudley Andrews, Dudley AndrewARTICLEThe Bulletin of the Midwest…1982

  • Sound in France: The Origins of a Native School

    Dudley Andrews, Dudley AndrewARTICLEYale French Studies1980

  • Andre Bazin

    Michael Early, Dudley Andrews et al.ARTICLEPerforming Arts Journal1979

  • The Postwar Struggle for Color

    Dudley Andrews, Dudley AndrewARTICLECinema Journal1979

    Current ideology/technology studies have warned us about depending on invention as an explanation either of a process or of its use in the history of cinema.1 Instead we have begun looking at the interplay of macroeconomics, the economics of the film industry, the ideology which forms that industry and informs it products, and the effects of this ideology and this economy on the investments of 1) industry, 2) research areas, 3) spectator desire

  • The gravity of “sunrise”

    Dudley AndrewsARTICLEQuarterly Review of Film Studies1977

    (1977). The gravity of “sunrise”. Quarterly Review of Film Studies: Vol. 2, No. 3, pp. 356-387