Nezih Erdogan
Biographic Data
| ID | 3766319 |
|---|---|
| NAME | Nezih Erdogan |
| GIVEN NAMES | Nezih |
| FAMILY NAME | Erdogan |
| SIGNATURE | ERDOĞAN N |
| AFFILIATIONS | Bilkent University |
| ORCID | 0000-0002-3232-0223 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 22 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 3 |
Companion Encyclopedia of Middle Eastern and North African Film
The first yearsCinema, as a Western form of visual expression and entertainment, did not encounter resistance in Turkey, a country culturally and geographically bridging East and West.It perfectly represented the ambivalent attitudes of the national / cultural identity under construction.On one hand, cinema came as a sign of modernization / Westernization, not only for the images of the West being projected onto the screen, but also for the condi…
Institutional Intervention in the Distribution and Exhibition of Hollywood Films in Turkey
Veiled and Revealed
Veiled and Revealed Nezih Erdogan Meyda Yegenoglu, Colonial Fantasies: Towards a Feminist Reading of Orientalism. London and New York: Cambridge UP, 1998. When feminist studies, as it developed in the Anglo-American world, turned to Third World countries, it produced a discourse which put an emphasis on the situation of women oppressed in male-dominant societies marked by backwardness. This discourse regarded women of the less democratic, less le…
Beyond Tradition and Modernity
August 01 2000 Beyond Tradition and Modernity: Digital Shadow Theater Ugur Güdükbay, Ugur Güdükbay Department of Computer Engineering, Bilkent University, 06533 Bilkent Ankara, Turkey. E-mail: [email protected]. Search for other works by this author on: This Site Google Scholar Fatih Erol, Fatih Erol Department of Computer Engineering, Bilkent University, 06533 Bilkent Ankara, Turkey. E-mail: ≤[email protected]. Search for other wo…
Narratives of resistance
Journal Article Narratives of resistance: national identity and ambivalence in the Turkish melodrama between 1965 and 1975 Get access Nezih Erdogan Nezih Erdogan Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 39, Issue 3, Autumn 1998, Pages 259–271, https://doi.org/10.1093/screen/39.3.259 Published: 01 October 1998
Companion Encyclopedia of Middle Eastern and North African Film
The first yearsCinema, as a Western form of visual expression and entertainment, did not encounter resistance in Turkey, a country culturally and geographically bridging East and West.It perfectly represented the ambivalent attitudes of the national / cultural identity under construction.On one hand, cinema came as a sign of modernization / Westernization, not only for the images of the West being projected onto the screen, but also for the condi…
Institutional Intervention in the Distribution and Exhibition of Hollywood Films in Turkey
Narratives of resistance
Journal Article Narratives of resistance: national identity and ambivalence in the Turkish melodrama between 1965 and 1975 Get access Nezih Erdogan Nezih Erdogan Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 39, Issue 3, Autumn 1998, Pages 259–271, https://doi.org/10.1093/screen/39.3.259 Published: 01 October 1998
Narratives of resistance
Journal Article Narratives of resistance: national identity and ambivalence in the Turkish melodrama between 1965 and 1975 Get access Nezih Erdogan Nezih Erdogan Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 39, Issue 3, Autumn 1998, Pages 259–271, https://doi.org/10.1093/screen/39.3.259 Published: 01 October 1998
Veiled and Revealed
Veiled and Revealed Nezih Erdogan Meyda Yegenoglu, Colonial Fantasies: Towards a Feminist Reading of Orientalism. London and New York: Cambridge UP, 1998. When feminist studies, as it developed in the Anglo-American world, turned to Third World countries, it produced a discourse which put an emphasis on the situation of women oppressed in male-dominant societies marked by backwardness. This discourse regarded women of the less democratic, less le…
Beyond Tradition and Modernity
August 01 2000 Beyond Tradition and Modernity: Digital Shadow Theater Ugur Güdükbay, Ugur Güdükbay Department of Computer Engineering, Bilkent University, 06533 Bilkent Ankara, Turkey. E-mail: [email protected]. Search for other works by this author on: This Site Google Scholar Fatih Erol, Fatih Erol Department of Computer Engineering, Bilkent University, 06533 Bilkent Ankara, Turkey. E-mail: ≤[email protected]. Search for other wo…
Institutional Intervention in the Distribution and Exhibition of Hollywood Films in Turkey
Companion Encyclopedia of Middle Eastern and North African Film
The first yearsCinema, as a Western form of visual expression and entertainment, did not encounter resistance in Turkey, a country culturally and geographically bridging East and West.It perfectly represented the ambivalent attitudes of the national / cultural identity under construction.On one hand, cinema came as a sign of modernization / Westernization, not only for the images of the West being projected onto the screen, but also for the condi…
Art (3 works) · Sociology (3 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Computer Science (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · History (2 works) · History (2 works) · Law (2 works)