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Christoph Classen

Biographic Data

ID3768152
NAMEChristoph Classen
GIVEN NAMESChristoph
FAMILY NAMEClassen
SIGNATURECLASSEN C
AFFILIATIONSLeibniz-Centre for Contemporary History
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS5
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2013
H-INDEX1
  • Captive audience? GDR radio in the mirror of listeners' mail

    Christoph Classen•ARTICLE•Cold War History•2013•Cited by: 1

    According to the rise of totalitarian theories after 1990 research on broadcasting in the former socialist states emphasised its propagandistic character and political overstretch. This cannot be dismissed out of hand, but a closer look to listeners' mail show, that the praxis of Radio in the GDR didn't simply merge in political persuasion. In fact it results even in dictatorship in the long run from a dynamic negotiation process between audience…

  • Truth and Authenticity in Contemporary Historical Culture

    Open Access•Christoph Classen, Wulf Kansteiner•ARTICLE•History and Theory•2009•Cited by: 1

  • Balanced Truth

    Open Access•Christoph Classen•ARTICLE•History and Theory•2009•Cited by: 3

    Looking at the public reaction to it, one might say that Steven Spielberg's Schindler's List is undoubtedly the most successful film about the Holocaust. The film's success in the U.S. and other Western countries can be traced back mainly to the fact that it creates the impression of telling a true, apparently authentic, story.This essay investigates how this impression of historical truth and authenticity emerges in a fiction film. For this purp…

  • Thoughts on the Significance of Mass‐media Communications in the Third Reich and the GDR

    Christoph Classen•ARTICLE•Totalitarian Movements &…•2007

    The article investigates the nature of propaganda on the basis of a comparison between propaganda in Nazi‐Germany and under the GDR. The starting point for discussion is the definitional imprecision and overwhelmingly pejorative use of the term found within the classic totalitarianism theories of Arendt and Friedrich/Brzezinski. This leads to the proposal of a more historicised and culture‐oriented concept of ‘persuasive communication’ as the pre…

  • Dictatorship As Experience

    Leonore Ansorg, Simone Barck et al.•BOOK•Dictatorship As Experience•1999

  • Balanced Truth

    Open Access•Christoph Classen•ARTICLE•History and Theory•2009•Cited by: 3

    Looking at the public reaction to it, one might say that Steven Spielberg's Schindler's List is undoubtedly the most successful film about the Holocaust. The film's success in the U.S. and other Western countries can be traced back mainly to the fact that it creates the impression of telling a true, apparently authentic, story.This essay investigates how this impression of historical truth and authenticity emerges in a fiction film. For this purp…

  • Captive audience? GDR radio in the mirror of listeners' mail

    Christoph Classen•ARTICLE•Cold War History•2013•Cited by: 1

    According to the rise of totalitarian theories after 1990 research on broadcasting in the former socialist states emphasised its propagandistic character and political overstretch. This cannot be dismissed out of hand, but a closer look to listeners' mail show, that the praxis of Radio in the GDR didn't simply merge in political persuasion. In fact it results even in dictatorship in the long run from a dynamic negotiation process between audience…

  • Truth and Authenticity in Contemporary Historical Culture

    Open Access•Christoph Classen, Wulf Kansteiner•ARTICLE•History and Theory•2009•Cited by: 1

  • Dictatorship As Experience

    Leonore Ansorg, Simone Barck et al.•BOOK•Dictatorship As Experience•1999

  • Thoughts on the Significance of Mass‐media Communications in the Third Reich and the GDR

    Christoph Classen•ARTICLE•Totalitarian Movements &…•2007

    The article investigates the nature of propaganda on the basis of a comparison between propaganda in Nazi‐Germany and under the GDR. The starting point for discussion is the definitional imprecision and overwhelmingly pejorative use of the term found within the classic totalitarianism theories of Arendt and Friedrich/Brzezinski. This leads to the proposal of a more historicised and culture‐oriented concept of ‘persuasive communication’ as the pre…

  • Truth and Authenticity in Contemporary Historical Culture

    Open Access•Christoph Classen, Wulf Kansteiner•ARTICLE•History and Theory•2009•Cited by: 1

  • Balanced Truth

    Open Access•Christoph Classen•ARTICLE•History and Theory•2009•Cited by: 3

    Looking at the public reaction to it, one might say that Steven Spielberg's Schindler's List is undoubtedly the most successful film about the Holocaust. The film's success in the U.S. and other Western countries can be traced back mainly to the fact that it creates the impression of telling a true, apparently authentic, story.This essay investigates how this impression of historical truth and authenticity emerges in a fiction film. For this purp…

  • Captive audience? GDR radio in the mirror of listeners' mail

    Christoph Classen•ARTICLE•Cold War History•2013•Cited by: 1

    According to the rise of totalitarian theories after 1990 research on broadcasting in the former socialist states emphasised its propagandistic character and political overstretch. This cannot be dismissed out of hand, but a closer look to listeners' mail show, that the praxis of Radio in the GDR didn't simply merge in political persuasion. In fact it results even in dictatorship in the long run from a dynamic negotiation process between audience…

Law (5 works) · Politics (5 works) · Political science (4 works) · Sociology (4 works) · German History and Society (3 works) · History (3 works) · Aesthetics (2 works) · Communism (2 works) · Computer Science (2 works) · Democracy (2 works)

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