Linda He
Biographic Data
| ID | 3768613 |
|---|---|
| NAME | Linda He |
| GIVEN NAMES | Linda |
| FAMILY NAME | He |
| SIGNATURE | HE L |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 26 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 3 |
My whole life I’ve been dressing up like a man: Negotiations of Queer Aging and Queer Temporality in the TV Series Transparent1
At a time when America is increasingly regarded as a “graying nation,” but aging LGBTQ persons often remain marginalized in discourses of aging, the TV series Transparent takes portrayals of queer aging in new directions. Transparent not only redresses this invisibility of older LGBTQ persons, but also questions heteronormative, linear understandings of life courses. The show queers the cultural constructs of aging and temporality in significant …
Bodies of Song: Kabir Oral Traditions and Performative Worlds in Northern India
This book studies the poetry and culture of Kabir—a great and still popular fifteenth-century religious poet of North India—through the lens of oral-performative traditions. It draws from ethnographic research conducted over a ten-year period, mainly in Malwa, Madhya Pradesh, as well as on the history of written collections. First it focuses on texts—their transmission by singers, the dynamics of textual forms in oral performance, and the connect…
The Bijak of Kabir
The Poet, the People, and the Western Scholar: Influence of a Sacred Drama and Text on Social Values in North India
Every autumn in hundreds of North Indian villages, towns, and urban neighborhoods, local people produce a sacred drama called the Ramlila. Based on the popular Rmimyana epic, the performance continues for a number of days and is presented outdoors in multiple locales. It is free, entertaining, charged with religious meaning, and open to everyone. Nearly all Hindus in North India watch a Ramlila at some time in their lives, and many attend on a re…
The Cow Is Sucking at the Calf's Teat: Kabir's Upside-Down Language
My whole life I’ve been dressing up like a man: Negotiations of Queer Aging and Queer Temporality in the TV Series Transparent1
At a time when America is increasingly regarded as a “graying nation,” but aging LGBTQ persons often remain marginalized in discourses of aging, the TV series Transparent takes portrayals of queer aging in new directions. Transparent not only redresses this invisibility of older LGBTQ persons, but also questions heteronormative, linear understandings of life courses. The show queers the cultural constructs of aging and temporality in significant …
Bodies of Song: Kabir Oral Traditions and Performative Worlds in Northern India
This book studies the poetry and culture of Kabir—a great and still popular fifteenth-century religious poet of North India—through the lens of oral-performative traditions. It draws from ethnographic research conducted over a ten-year period, mainly in Malwa, Madhya Pradesh, as well as on the history of written collections. First it focuses on texts—their transmission by singers, the dynamics of textual forms in oral performance, and the connect…
The Cow Is Sucking at the Calf's Teat: Kabir's Upside-Down Language
The Poet, the People, and the Western Scholar: Influence of a Sacred Drama and Text on Social Values in North India
Every autumn in hundreds of North Indian villages, towns, and urban neighborhoods, local people produce a sacred drama called the Ramlila. Based on the popular Rmimyana epic, the performance continues for a number of days and is presented outdoors in multiple locales. It is free, entertaining, charged with religious meaning, and open to everyone. Nearly all Hindus in North India watch a Ramlila at some time in their lives, and many attend on a re…
The Cow Is Sucking at the Calf's Teat: Kabir's Upside-Down Language
The Poet, the People, and the Western Scholar: Influence of a Sacred Drama and Text on Social Values in North India
Every autumn in hundreds of North Indian villages, towns, and urban neighborhoods, local people produce a sacred drama called the Ramlila. Based on the popular Rmimyana epic, the performance continues for a number of days and is presented outdoors in multiple locales. It is free, entertaining, charged with religious meaning, and open to everyone. Nearly all Hindus in North India watch a Ramlila at some time in their lives, and many attend on a re…
The Bijak of Kabir
Bodies of Song: Kabir Oral Traditions and Performative Worlds in Northern India
This book studies the poetry and culture of Kabir—a great and still popular fifteenth-century religious poet of North India—through the lens of oral-performative traditions. It draws from ethnographic research conducted over a ten-year period, mainly in Malwa, Madhya Pradesh, as well as on the history of written collections. First it focuses on texts—their transmission by singers, the dynamics of textual forms in oral performance, and the connect…
My whole life I’ve been dressing up like a man: Negotiations of Queer Aging and Queer Temporality in the TV Series Transparent1
At a time when America is increasingly regarded as a “graying nation,” but aging LGBTQ persons often remain marginalized in discourses of aging, the TV series Transparent takes portrayals of queer aging in new directions. Transparent not only redresses this invisibility of older LGBTQ persons, but also questions heteronormative, linear understandings of life courses. The show queers the cultural constructs of aging and temporality in significant …
Art (4 works) · History (4 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Anthropological Studies and Insights (2 works) · Gender Studies (2 works) · Gender Studies (2 works)