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Synnøve Des Bouvrie

Biographic Data

ID3768740
NAMESynnøve Des Bouvrie
GIVEN NAMESSynnøve Des
FAMILY NAMEBouvrie
SIGNATUREDES BOUVRIE S
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS2
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2005
H-INDEX1
  • Myth as a mobilizing force in Attic warrior society

    Synnøve Des Bouvrie•ARTICLE•Kernos•2005

    This paper focuses on the mobilizing role of symbols and specifically on the workings of mythical theatre. Attic theatre is understood as a symbolic performance in which the comic and the tragic genres represented processes of ‘over-distancing’ and ‘under-distancing’, respectively. Instead of conceiving of tragedy as just an aesthetic or critical medium, the tragic genre is viewed as part of a complex cultural and social process that serves as a …

  • Aiskhulos, Prometheus [An anthropological approach]

    Synnøve Des Bouvrie•ARTICLE•Mètis Anthropologie des mondes…•1993

    Aiskhulos, Prometheus: an anthropological approach (pp. 187-216) Le Prometheus d'Eschyle a toujours constitué un problème d'interprétation, causé avant tout par l'apparition de la princesse Io, transformée en vache, et les prophéties que le dieu torturé lui adresse. On s'est plaint de la composition faiblement motivée et on a eu des difficultés à trouver le thème central de la tragédie. Cependant, ces difficultés disparaissent, si nous abandonnon…

  • Creative Euphoria. Dionysos and the Theatre

    Synnøve Des Bouvrie•ARTICLE•Kernos•1993•Cited by: 1

    In doing so, Ancient theatre will cease to cause a problem, and its specific nature will appear to fit weIl into the complex of Dionysiac cult activity. Approaches to the problemThe dearth of investigations into the question of Dionysos' relationship with the theatre may be due to its associations with Nietzsche's Die Geburt der Tragodie.The answers to the question like those provided by Ridgeway, Dieterich, Harrison, Murray, or Nilsson earlier t…

  • Women in Greek Tragedy

    Barbara Goff, Synnøve Des Bouvrie•ARTICLE•The American Journal of Philology•1992•Cited by: 1

  • Creative Euphoria. Dionysos and the Theatre

    Synnøve Des Bouvrie•ARTICLE•Kernos•1993•Cited by: 1

    In doing so, Ancient theatre will cease to cause a problem, and its specific nature will appear to fit weIl into the complex of Dionysiac cult activity. Approaches to the problemThe dearth of investigations into the question of Dionysos' relationship with the theatre may be due to its associations with Nietzsche's Die Geburt der Tragodie.The answers to the question like those provided by Ridgeway, Dieterich, Harrison, Murray, or Nilsson earlier t…

  • Women in Greek Tragedy

    Barbara Goff, Synnøve Des Bouvrie•ARTICLE•The American Journal of Philology•1992•Cited by: 1

  • Women in Greek Tragedy

    Barbara Goff, Synnøve Des Bouvrie•ARTICLE•The American Journal of Philology•1992•Cited by: 1

  • Aiskhulos, Prometheus [An anthropological approach]

    Synnøve Des Bouvrie•ARTICLE•Mètis Anthropologie des mondes…•1993

    Aiskhulos, Prometheus: an anthropological approach (pp. 187-216) Le Prometheus d'Eschyle a toujours constitué un problème d'interprétation, causé avant tout par l'apparition de la princesse Io, transformée en vache, et les prophéties que le dieu torturé lui adresse. On s'est plaint de la composition faiblement motivée et on a eu des difficultés à trouver le thème central de la tragédie. Cependant, ces difficultés disparaissent, si nous abandonnon…

  • Creative Euphoria. Dionysos and the Theatre

    Synnøve Des Bouvrie•ARTICLE•Kernos•1993•Cited by: 1

    In doing so, Ancient theatre will cease to cause a problem, and its specific nature will appear to fit weIl into the complex of Dionysiac cult activity. Approaches to the problemThe dearth of investigations into the question of Dionysos' relationship with the theatre may be due to its associations with Nietzsche's Die Geburt der Tragodie.The answers to the question like those provided by Ridgeway, Dieterich, Harrison, Murray, or Nilsson earlier t…

  • Myth as a mobilizing force in Attic warrior society

    Synnøve Des Bouvrie•ARTICLE•Kernos•2005

    This paper focuses on the mobilizing role of symbols and specifically on the workings of mythical theatre. Attic theatre is understood as a symbolic performance in which the comic and the tragic genres represented processes of ‘over-distancing’ and ‘under-distancing’, respectively. Instead of conceiving of tragedy as just an aesthetic or critical medium, the tragic genre is viewed as part of a complex cultural and social process that serves as a …

Classical Antiquity Studies (4 works) · Art (3 works) · History (3 works) · History (3 works) · Literature (3 works) · Philosophy (2 works) · Philosophy (2 works) · Sociology (2 works) · Tragedy (event (2 works) · Aesthetics (1 work)

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