João Soeiro De Carvalho
Biographic Data
| ID | 3770314 |
|---|---|
| NAME | João Soeiro De Carvalho |
| GIVEN NAMES | João Soeiro |
| FAMILY NAME | De Carvalho |
| SIGNATURE | DE CARVALHO J S |
| AFFILIATIONS | Universidade Nova de Lisboa |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
Performing a culture, staging the revolution
This article aims to evaluate the cultural policy of Mozambique's Liberation Front (FRELIMO), focusing on music and dance during the liberation war and transitional period (1964–1975), and during the first 5 years after independence from Portugal (1975–1980). For the first period, we will focus on a repertoire entitled ‘revolutionary anthems’ and for the second, we will analyse Mozambique's sonorous representations in three national and internati…
A Viagem dos Sons [The Journey of Sounds]
Makwayela
This in an ethnomusicological study of choral performance in Maputo, the capital city of Mozambique. It includes a historical perspective over the last thirty years, and it analyzes the changes which took place in performance along with the political changes in this African country. The author studies the use of music for the purpose of creating a national identity. Makwayela, a characteristic kind of male choral performance which developed in So…
Performing a culture, staging the revolution
This article aims to evaluate the cultural policy of Mozambique's Liberation Front (FRELIMO), focusing on music and dance during the liberation war and transitional period (1964–1975), and during the first 5 years after independence from Portugal (1975–1980). For the first period, we will focus on a repertoire entitled ‘revolutionary anthems’ and for the second, we will analyse Mozambique's sonorous representations in three national and internati…
Makwayela
This in an ethnomusicological study of choral performance in Maputo, the capital city of Mozambique. It includes a historical perspective over the last thirty years, and it analyzes the changes which took place in performance along with the political changes in this African country. The author studies the use of music for the purpose of creating a national identity. Makwayela, a characteristic kind of male choral performance which developed in So…
Makwayela
This in an ethnomusicological study of choral performance in Maputo, the capital city of Mozambique. It includes a historical perspective over the last thirty years, and it analyzes the changes which took place in performance along with the political changes in this African country. The author studies the use of music for the purpose of creating a national identity. Makwayela, a characteristic kind of male choral performance which developed in So…
A Viagem dos Sons [The Journey of Sounds]
Performing a culture, staging the revolution
This article aims to evaluate the cultural policy of Mozambique's Liberation Front (FRELIMO), focusing on music and dance during the liberation war and transitional period (1964–1975), and during the first 5 years after independence from Portugal (1975–1980). For the first period, we will focus on a repertoire entitled ‘revolutionary anthems’ and for the second, we will analyse Mozambique's sonorous representations in three national and internati…
Art (3 works) · History (3 works) · Aesthetics (2 works) · Choir (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Geography (2 works) · History (2 works) · Sociology (2 works) · Visual arts (2 works)